Lost Art Press

The End of the Sparklepony Era?

Posted on by Lost Art Press

blaze_front-room_img_8909

A couple weeks after starting to wreck the interior of The Blaze bar in 2015, I had a moment where I thought I should go see the doctor.

This is embarrassing and personal, but there’s only one way to say it: My night soil sparkled.

After a few anxious moments, I made the logical conclusion that I was taking in too much glitter during the demolition. You might think I’m exaggerating, but every painted surface was covered in glitter. It would become airborne – weaponized glitter – as I tore out the painted walls, floors, tiles and bars that ringed all of the rooms.

I wore a mask when I could, but it must have sneaked in through the beard, into my saliva and then, like Raquel Welch, coursed through my entire being.

slop_sink_img_7304

Today, 18 months after taking ownership of this building, we hauled out the last of the glitter-covered tiles from the utility area at the back of the building.

I won’t say that we are free of glitter (it’s like herpes don’t ya know) but we have no more active glitter-containment protocols. No more glitter Superfund site. It’s been (I hope) remediated.

— Christopher Schwarz

And Now With Even More Soft Wax

Posted on by Lost Art Press
funky_wax_img_3708
Funky Winkerbean the cat likes what he smells! (I think. Hard to tell with him.)

This week, Katy has been crazy busy down in the workshop making soft wax. In fact, she mixed and packaged 77 tins in three days – a new record. I asked her today what kicked her into high gear.

“I need money for food and stuff and….”

And what?

“Maybe a potter’s wheel.”

Last week, Katy’s art class took a tour of a commercial pottery. And when the potters asked if any of the students had used a wheel, Katy raised her hand (she’s taken a couple classes on using the wheel). By the end of the tour they had offered her a summer job, and Katy remembered her love of throwing pots.

So she made a bunch of wax. And now she has her eye on a wheel.

I’m not going to dissuade her. If you would like some wax, now is a good time to buy it and stock up (I’m buying a couple tins myself). It’s a really excellent soft paste with a gorgeous smell – perfect for the interior surfaces of woodwork or for restoring wooden surfaces that have become dried out by time or weather.

You can order it from her etsy store here.

— Christopher Schwarz, who might be surrendering part of his shop to a young potter.

3 Stick Chairs and a Pig Bench

Posted on by Lost Art Press

welsh_stick_chair1

It’s a good day when I find three new images of stick chairs. Researcher Suzanne Ellison sent me the September 2015 issue of Antique Collecting recently, and I devoured it this morning while juggling some technical publishing problems.

Inside the issue were three stick chairs – two likely Welsh and one labeled as Irish. All are notable for one reason or another. Let’s take a look.

The chair above was listed for sale by Suffolk House Antiques and has a burr ash seat that is 2-1/2” thick. There are several things I like about this chair. Its spindle layout and armbow are similar to the chairs I’ve been building recently, but the crest rail and back spindles are quite eye-catching. I like the way the crest rail is curved along its top edge – very graceful.

The three back spindles look delicate and fragile, though I doubt they are. I really like how the maker bent the two outside spindles outward. It’s a nice contrast with the density and verticality of the lower spindles and seat.

welsh_stick_chair2

The second chair was featured in an article on auction results. Though it’s not specifically called out as Welsh, it looks it to me. This chair has a charming lightness to it, despite its 14 spindles. Also, take a look at the “hands” of the armbow. They end in a nice semi-circle. Finally, the ogee on the ends of the crest rail is a nice classical surprise on a folk chair. Who knows if this detail is original to this chair. But it works.

irish_stick_chair1

The third chair is listed as an Irish fruitwood chair from the 18th century. I’m charmed by the low seat and the overall boxiness of the thing. Also, if you look close at the seat you can see there is a hole that is plugged at the rear of the seat (it could be a knot but I think that’s unlikely). This chair might have started off as a 3- or 5-legged chair.

pig_bench

Finally, a fascinating pig bench from Suffolk House antiques that might be from the Middle Ages according to the magazine. This bench proves that sometimes warped wood can be your friend.

— Christopher Schwarz

A 2,400-year-old Heart-shaped Box

Posted on by saucyindexer

The Ma’agan Mikhael, a 5th-century BCE Cypriot merchantman, was found off the coast of Israel in 1985. The wreck was an important find in learning more about ancient shipbuilding techniques and trade practices. After excavation and preservation the reconstructed hull was placed in the Hecht Museum in Haifa.

Three wooden boxes were found in the wreck: one in a heart shape with a pivoting lid and two violin-shaped boxes. There is plenty of evidence in the archeological records that these boxes were of a type used for cosmetic pastes and creams.

In 2004 Yigal Sitry published, “Unique Wooden Artifacts: A Study of Typology and Technology” part of a series of research articles in “The Ma’agan Mikhael Ship – The Recovery of a 2,400 Year Old Merchantman” by Yaacov Kahanov and Elisha Linder.

In his article Sitry provides a full description of the heart-shaped box and outlines, with illustrations, “the order of operations” in the making of the box (and easy for a modern woodworker to follow).

The box, before conservation that caused uneven shrinkage, measured 110 mm x 109 mm x 34.5 mm (about 4.3″ x 4.3″ x 1.4″) and was made of oak. One note: the heart-shaped box has been renamed the ivy leaf box as that shape was more consistent with shapes found in contemporary pottery and art.

The link to Yigal Sitry’s article is here.

For the “recently spurned:” Put Nirvana’s “Heart-shaped Box” on a loop, make the box, burn it, repeat.

— Suzanne Ellison

Moravian Work Bench in South Korea

Posted on by fitz

In the years since I wrote about and hosted a video on building the knockdown workbench from the collection at Old Salem, N.C., folks have sent me hundreds of photos of the benches they have built. I absolutely love getting these. I am always interested to see the different  vise set-ups, materials and alterations different people have done with the design.

img_0575

I few days ago, Luther Shealy sent some photos of a Moravian work bench he has nearly completed. Shealy is in the U.S. Army stationed in South Korea. He had to leave his Roubo bench behind when he was deployed overseas.

img_1012

Fortunately the Army base has a morale and welfare shop the servicemen can use, and he decided to build a bench for use while in Korea. He was able to source the pine parts of the bench on location, but the oak part proved to be problem. Undeterred, Shealy had friends back home mail him enough white oak for the short stretchers. He brought the oak vise chop over in his luggage; that must have been interesting trip thru TSA!

img_1791

img_1790

I very much admire Shealy’s determination to make this happen in a less-than-ideal situation.

— Will Myers