If you’ve read our gift guide before, you can skip this preamble. There’s nothing new here.
The Anarchist’s Gift Guide is a small attempt to focus on the little things – mostly inexpensive – that make life in the workshop a little easier. It’s stuff your kids can afford to give you for Christmas and that you will be glad to receive.
Most gift guides are utter s&$e. A company pays some boob to squawk that he LOVES a bunch of silicone-covered tools (which the company ordered too many of from China). The company hopes to ensnare your spouse when he or she Googles “gifts for woodworkers.”
Next, your spouse watches a video of boob-boy offering up chisels with a silicone glue brush on one end. “It tickles!” And then you receive a full set of those lovely tools on Christmas morning.
Our gift guide doesn’t give a crap about selling anything. We bought these items for ourselves, and we used them. We didn’t contact the manufacturers to tell them “Ooooh – you’re in the gift guide!” We don’t have affiliate links or make money on this guide. None. I do it only because… damn, I’ve forgotten why I do it. Just inertia, I guess.
If you have complaints about the gift guide, let us know and we’ll offer you a full refund for your gift guide subscription (and you can keep the sanding sponge and drilling chart). So without further grumpiness, I offer you our 2021 Anarchist’s Gift Guide.
Day 1: Merterks Green Laser
We use a laser level for a lot of things related to both woodworking and home improvement. I’ve burned through a lot of laser levels in my career. Most of the reasonably priced ones are so dim they are three Smurfs short of a village.
Then one day a fellow chairmaker suggested I try a green laser level (instead of classic red). I did, and it made a huge difference.
Our workshop is filled with daylight, so lasers have a hard time competing against the sun coming in from the huge east- and south-facing windows. But even in full sun on a July day, the green laser is easy to see – even for an old man like myself.
The laser we use is a Merterks, which we bought from Amazon. I looked all over town for one locally, but couldn’t find a decent green laser for less than $100. So you win this one, Amazon. (Yes, you can find this tool via sketchy retailers.) Other similar laser levels include this one, this one and this one. (The message here is to spend less than $50, get a green one and make sure the self-leveling mechanism locks.)
This laser on the Merterks is bright. So bright. Even from 20 feet away the light is crisp.
The Merterks has far more features than you need for chairmaking. But I haven’t found a simpler laser for less money. All in all, it’s more durable than other lasers I’ve used, and it comes with a protective carrying case, which will slide onto any belt and complete any outfit. So it’s a sartorial win.
When you examine the furniture record in person, you find almost endless examples of pieces of furniture that disobey the rules of wood movement – and yet have survived just fine.
I’m not here to tell you that wood movement does not exist – it does. But I think it’s important to know that you can get away with many minor sins without your furniture tearing itself apart. And the more furniture you study, the bigger the sins you can commit.
This week I got to study a table in Holland that definitely needs some time in the confessional booth. This chopping bench – used for cutting food to size in a kitchen – violates the cardinal rule of cross-grain construction. Yet it is still completely sound and ready for another 100 years of dismemberments.
What’s the sin? If it’s not obvious from the photos, the legs’ tenons pass through dovetailed battens and the benchtop. The benchtop and battens are oriented 90° to each other, and the top is about 22”-24” wide. The top should have split a little (or a lot). But the top is fine – just a little warped.
I have no idea how old the bench is. It has some fairly consistent machine marks on it that suggest it was made in the early 20th century. But this form is old. The earliest illustrated example I know of is from the 11th-century “Tacuinum Sanitatis.” And it can look quite modern – the form was the foundation for the staked worktable in “The Anarchist’s Design Book.”
The cross-grain construction used in this table is also found on thousands (millions?) of Brettstuhl, which are still made today. During the last week I’ve seen at least 100 of these suckers, and none have split.
This particular chopping bench is so charming that I hope to build one just like it for our newish kitchen. I have wanted to build a table for the center of the room, but a typical dining table would be too big. A chopping bench is just the right size for dumping our grocery bags, serving meals to family members and <insert joke about dismembering cats then retract it>.
And thanks to this particular table in Holland, I am ready for some serious sinning.
A family case. In the kitchen of Fritz Lieber and Donald Maxwell we used architectural butt hinges salvaged from Fritz’s grandparents’ house. In partnership with architectural knobs, which we used for doors and drawers, the over-sized hardware gives the design a vaguely Alice-in-Wonderland look. Spectrum Creative Group
If you had told me in 2007 that Lost Art Press was going to publish a book on kitchens, my 2007 self would have been skeptical. Kitchen books are usually put out by imprints that specialize in home and interior design. They require both a deep knowledge of the topic, plus a deep photographic well of example kitchens.
Plus these books encourage readers to be shamefully wasteful: Let’s rip out your five-year-old kitchen and put in a spectacular new one.
After talking to Nancy Hiller for a few minutes about her thoughts on a kitchen book, however, I was immediately sold. Nancy laid out a book that was in opposition to most kitchen design books on the market.
• She encourages you to explore clues in your house to create a kitchen that looks correct in your home’s historical context.
• She shows how you can work with existing floorplans, cabinets and materials to make your kitchen beautiful without sending hundreds of yards of waste to the landfill.
• And she provides professional and practical information on how you can do this work yourself.
“Kitchen Think” is the culmination of Hiller’s life as a professional furniture maker, cabinet maker and kitchen designer. It’s a sprawling, 369-page look at an important (and expensive) room in your house from a perspective that is rarely heard.
And readers have responded to Nancy’s voice. Though the book has been out since only June 2020, it has become one of our bestselling books of all time (see the list here).If you have been thinking about ripping out your entire kitchen, you might want to think again.
— Christopher Schwarz
The following is excerpted from “Kitchen Think,” by Nancy R. Hiller.
Hinges are more than a means of hanging doors. They contribute significantly to a kitchen’s look. In principle you can use any type of hinge for kitchen cabinet doors, but this section will focus on those that are most common.
Butt Hinges Doors on traditional kitchen cabinets were inset and typically hung on butt or butterfly hinges. Let’s start with the former. Butt hinges come in several varieties. There are extruded brass butts (known in Britain as solid drawn brass butts) with fixed pins and loose-pin butts that allow you to separate a door from its cabinet by simply removing the pin, leaving the hinge leaves in place. All traditional butt hinges are made to be mortised into the edge of the face frame (if there is one) and door, though in British cabinetry it is not uncommon to find them let only into the door; in these cases the cabinet leaf is simply screwed to the face frame stile.
Two kinds of butt hinge. An extruded butt with a fixed pin, right, and a butt hinge with loose pin, left.
Alternatively, you can use salvaged architectural hinges that were originally made for use with full-size house doors. Yes, they’re over-sized for most kitchen cabinets, but there are times when this kind of exaggerated scale packs a stylistic punch that no conventionally sized hardware can.
Easier going. Loose-pin butt hinges are easier to use, in many circumstances, because they allow you to remove a door without removing the entire hinge. One leaf stays on the door, the other on the cabinet, while you take the door to your bench (or outside, if you’re working on a jobsite) to plane off an extra 1/32″.
Another kind of butt is the adjustable, no-mortise hinge. This hinge is designed to resemble a traditional butt, with or without decorative finials, but is screwed to the surface of the door and face frame, the idea being that it is far quicker to install and requires fewer tools and lesser skill. The drawback, at least in my opinion, is that these hinges are a poor imitation of real butts; they look under-scaled. And to any craftsperson, they suggest an easy way out. That said, they do offer a relatively decent traditional butt hinge look and can make a set of cabinets significantly more affordable when the client or homeowner is on a tight budget.
Easy way out. Many cabinetmakers use adjustable surface-mounted butt hinges to save on labor.
Butterfly Hinges In the early 20th century, as companies turned out large numbers of cabinets, it became clear that inset doors came with their own built-in problems, the greatest being that they require a bit of skill to install well. On any cabinetry supplied with doors already hung – Hoosier cabinets are an ideal example – the tendency of doors to bind when cabinets were delivered to real-world locations became an even more pressing issue; the cabinets were sold with the claim that they were readily affordable and ready to use. So it was not surprising to me, as a cabinetmaker, to find in the course of my research on Hoosier cabinets that the largest manufacturer of these kitchen furnishings pretty quickly switched to half-inset (also known as half-overlay) doors. They marketed this as an improvement on the grounds that the resulting lip would keep dust from getting into the cabinet through the gaps in traditional inset doors.
Fill the gap. half-inset doors on a reproduction Hoosier cabinet.
Butterfly hinges have been used since the 19th century, if not before, and were widely used into the 1930s. Their popularity comes and goes with changes in decorating fashions. For a decade or so in the early 2000s there was a wide range of designs and finishes available, but ever since mid-century modern became the new “it girl” and gave “old-house” styles the boot, those of us who appreciate early 20th-century architecture have been reduced to choosing from a few reproduction designs offered by reputable manufacturers. One solution to this diminished variety is to look for antique hinges at salvage yards, antique shops and online.
Surface treatment. A fold-back hinge on a cabinet I made for our former kitchen, based loosely on details from Hoosier cabinets. The hinges came from Kennedy Hardware (kennedyhardware.com). Spectrum Creative Group
A variant on the older-pattern butterfly hinge is the offset butterfly hinge, designed for use with half-inset doors. And there are other variants on this one, some Art Deco-inspired, others the fold-back hinges used on certain Hoosier-type cabinets.
Deco detail. These streamline-style hinges are a Deco-era classic, though historically they were most often plated with chrome. Photo courtesy of House of Antique Hardware
3/8″ Inset Hinges From the mid- through late-20th century another type of hinge was widely used for kitchen doors. The “3/8″ inset” hinge came (and is still available) in a few patterns, the most distinctive being a sort-of bullet/streamline design. This type of hinge is available in free- or self-closing forms. It is extremely simple to install, with one caveat: You must allow enough space in the rabbet around the door’s perimeter to account for the distance by which the hinge will push the hinge stile away from the face frame. The only circumstances in which I would recommend using these hinges today are when replacing a broken hinge or adding new doors to an existing kitchen full of cabinets hung on them or, of course, if you are recreating a period-authentic kitchen in movie set or a house that originally had them.
Cabinets for everyman. Many mass-produced kitchen cabinets in the 1940s and ’50s had doors on half-inset hinges such as this one, still produced today.
European Hinges European hinges were designed for use with European-style cabinets, also known as frameless cabinets. Underlying this system of cabinet building and installation is a desire to maximize efficiency by standardizing components based on 32mm (approximately 1-3/8″) increments.
European hinges come in a vast variety, each designed to work in a different application. Even so, most consist of just two basic parts – a hinge and a mounting plate.
A no-show hinge. To keep his cabinets as clean-lined as possible, Bruce Chaffin used hidden European hinges. The doors open and close by means of touch latches.
To make a simple matter slightly less so, European hinges also come in a variety specifically designed for use on cabinets with face frames; these have an integral mounting plate. But you don’t have to use this “face frame” hinge to use European hinges on cabinets with face frames; you can just as well use the two-part variety, provided that you choose the correct combination of hinge and mounting plate for your application.
Depending on which combination of hinge and mounting plate you use, these hinges can work with doors that are inset, half-inset or full overlay. And there are even more variations! A full-overlay door may overlay the cabinet face by 1/4″ or 1-1/4″, depending on the mounting plate you use. Doors can open 95° or as much as 165°. They can be free closing (these do not hold themselves closed but require a catch) or self-closing. Some are even available with a soft-close feature that shuts the door for you once you give it a gentle push. (Aside from their undeniable coolness, these are useful for keeping children from slamming their fingers in cabinets.)
Just the ticket. Lynette Breton found the best solution for her full-overlay doors is the XXI surface mount concealed hinge .
Despite the huge variety, all of these hinges have the same pattern for drilling the hinge cup mortise in the door: a hole drilled to the depth of the cup (about 1/2″) with a 35mm Forstner bit. There are two good reasons to choose European hinges in select applications. First, being invisible when a door is closed, they offer a clean look. If not seeing the hinges is important to your design, these may be your guys. Second, they offer adjustability in three planes, which makes fitting any kind of door – inset, half-inset or full overlay – ridiculously simple compared to using traditional butt hinges.
Specialty Hinges If knife hinges are your thing, there’s no reason why you can’t use those or any other type of hinge less commonly used for kitchen cabinets. In some applications where none of the conventional options will work, you just have to go looking for a special hinge.
Editor’s note: After a brief unseasoned interlude, Chair Chat is now back on its high-sodium diet. Please do not read on below if you are allergic to salty potatoes or salty language. Today on the menu is a chair from a museum, served with ocean potatoesand meatballs.
Every year, your spouse and friends ask us which books they should buy for you during the holidays. And if they aren’t sure which book you want, they ask us: “Well, which books are your best-sellers?”
Until today, I had only a gut feeling about it, but I’d never really looked at the statistics. After some ciphering, I came up with a list that had a few surprises.
10. Doormaking and Window Making by Anonymous. This was a shock. This small book is a reprint of two historical texts brought to our attention by joiner Richard Arnold. It found an audience among people who restore old buildings.
9. Campaign Furniture by Christopher Schwarz. This book is one of the few in print on this style of furniture, which my grandparents collected for many years. I’ve been told by readers that it is a nice text on classical casework.
8. Kitchen Think by Nancy Hiller. I was a little surprised by this one because it was released in the summer of 2020. It’s a fantastic book, as is everything Nancy writes. If you are interested in how to design (and build) a kitchen that is in context for your house, this is the book.
7. By Hand & Eye by Jim Tolpin and George Walker. This one is no surprise. Ever since this book was released, it has continually found new audiences who are interested in designing good-looking furniture using whole-number ratios.
6. The Anarchist’s Workbench by Christopher Schwarz. On the one hand, I am not surprised to see this book on the list. It is, after all, about workbenches (the birdhouses of the intermediate woodworker clan). But on the other hand, the book is free as a pdf. Free.
5. The Woodworker’s Pocket Book edited by Charles Hayward. I love this little book. I knew it would be a home run among woodworkers, and I was (for once) correct.
4. With the Grain by Christian Becksvoort. This book is immensely popular because it is incredibly practical and avoids the heavy science stuff, but it still tells you exactly what you need to know to use solid wood in furniture effectively.
3. The Essential Woodworker by Robert Wearing. This book is a classic and should be on the shelves of every woodworker who is curious about hand-tool woodworking. We fought hard to bring it back into print, and readers have been thrilled as well.
2. The Anarchist’s Design Book by Christopher Schwarz. I am so happy to see this book on this list. This book took so many years to write and get just right. I feel like it’s the right combination of practical construction advice and a screed about poorly made and overly ornate furniture.
1. The Anarchist’s Tool Chest by Christopher Schwarz. This book helped us get this company on its feet and the capital to publish the works of other authors. Even after 10 years, this book still sells and sells – thanks to word of mouth.
On a last note, please remember that we are a small publisher (we recently graduated to “small publisher,” up from “microscopic publisher”). So none of these books would make a blip on the screens of a corporate publisher. And our annual revenue could easily be found between the couch cushions of the CEO of Penguin/Random House.
Maybe someday we’ll hit the Medium Time – with a book on birdhouses.
