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LostArtPress on InstagramStools, dead and alive. The students are designing their own stools today. We start with half-scale models made with wire hangers and scrap. These models determine the sight lines and resultants.Cutting Lapped Dovetails. It makes no difference whether the dovetails or the pins are cut first; it is mostly a matter of personal preference, though choice may be determined by other considerations. For instance, the top and bottom may have to be glued up to make the width, and it would then likely be convenient to cut the pins in the ends whilst the joints are setting. Marking out. Trimming the wood to size is the first procedure. The ends in which the pins are cut are obvious; they are the finished size of the carcase as shown in Fig. 1. It is clear that the top and bottom must be short of the overall width by the combined thickness of the two laps in the ends. This lap size has therefore to be decided straightway. In Fig. 1 the required over-all width is 18 ins. Assuming that the lap is to be 1/8 in. it is clear that the top and bottom will have to finish 17-3/4 ins. long. Use the cutting gauge to mark the extent of the joint as shown in Fig. 2. Set the gauge to work from the inside of the ends, the required lap projecting beyond, and mark both sides of top and bottom as well as the edges of the ends (see A). In this way the pins are bound to be the same size as the dovetails. Since the top and bottom sink their full thickness into the ends, the gauge is now re-set the thickness of these and the inner surface of the ends marked as at B, Fig. 2. — from “The Woodworker: The Charles H. Hayward Years: Volume III” published by Lost Art Press #the_woodworkerThanks @leevalleytools for the write-up in your latest catalog. Much appreciated!
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Category Archives: By Hand & Eye
This is an excerpt from “By Hand and Eye” by Geo. R. Walker and Jim Tolpin. Afternoon sunlight streamed across the wide pine flooring and up over a small Newport table. I turned my head and paused a moment, taking in the … Continue reading
English oak coffer; 16th century. (Image from Wiki Commons, public domain.) The once ubiquitous coffer (from the Greek “kophinos” – a basket; later from the French “coffre” – a chest) was also referred to as a “strong box” – because … Continue reading
This is an excerpt from “By Hand and Eye” by Geo. R. Walker and Jim Tolpin. “[Architectural ornamentation] liberates us from the tyranny of the useful and satisfies our need for harmony.” — Roger Scruton Traditionally, ornament and mouldings were employed to punctuate and emphasize a form. … Continue reading
Editor’s note: Sorry, this post is not about “Game of Thrones.” George and I often get asked which book should be read first, and we don’t have a quick answer. Because our research has been a quest, we didn’t write … Continue reading
The first magazine article George Walker ever published appeared in Astronomy Magazine. At the time, he was working a lot of hours as the midnight shift supervisor at The Timken Company, a Canton, Ohio, factory that engineers and manufactures bearings … Continue reading
This is an excerpt from “By Hand and Eye” by Geo. R. Walker and Jim Tolpin. The lifeblood of craft has always depended on knowledge passing from one generation to the next, and I struggle finding words to convey the importance … Continue reading