Editor’s note: Our Mind Upon Mind series is a nod to a 1937 Chips from the Chisel column (also featured in “Honest Labour: The Charles H. Hayward Years”), in which Hayward wrote, “The influence of mind upon mind is extraordinary.” The idea being there’s often room for improvement.To that end, we’ve asked you what else you have thought of, tried out and improved upon after building projects from our books. To submit your own idea, email kara@lostartpress.com. You can read more about the submission process here.
Today’s pick is from Eric Tuominen. Thanks, Eric!
— Kara Gebhart Uhl
Here’s a quick bevel gauge stand idea for the BS chair made from scrap from the chair. There’s need to keep taping it and retaping it. Wedges allow for easy removal and placement of my inexpensive bevel gauge, which doesn’t like to stay upright.
To be fully transparent, the wedges came as a happy accident. I made the dado (which the gauge sits in) too loose and decided to use wedges to better fit the bevel gauge. As I worked with it, I found I liked using the wedges.
Philippe Lafargue died at his home from an undiagnosed glioblastoma on June 22. Philippe has been instrumental in the Roubo project, helping with translations for “Make as Perfectly as Possible: Roubo on Marquetry” and “With All Precision Possible: Roubo on Furniture.”
“When we first met more than 35 years ago, I recognized immediately the talents Philippe possessed, talents that often surpassed his ability to communicate them,” says Don Williams, who co-authored the Roubo books along with Michele Pietryka-Pagán. “Over the years, thanks to the foundation of the multi-year curriculum of École Boulle and the career choices he made later on, combined with the thoughtful encouragement of his former wife, Maria, and the family life with his children, he became what Tom Wolfe would call ‘A man in full.’ In the end, his contribution of good-humored friendship and technical, historical and verbal expertise was integral to Team Roubo functioning smoothly for creating the volumes. We will proceed without him, although to be truthful, I cannot fully envision that right now.”
On learning of his death, Michelewrote, “I never actually met Philippe, but I could tell from one phone call that I was communicating with a true professional – not only a true master at what he did, but also a superb human being. We are all worse off with this loss of Philippe. May he rest in peace.”
We recently featured Philippe in a Meet the Author profile. It ended with this quote from Philippe:
“You can fight all the time but life is going to take you where it’s going to take you. It’s up for you to go for it, to be quick to accept and change. And you are always part of it. That’s the beauty of it. No matter what happened, you are part of it – 50 percent is your choice. The rest is to accept that you have decided to do this or not. That’s the difficult part. But life is short. Life is to be lived. Life is to discover yourself.”
Illustration from “The Stick Chair Book: Revised Edition” by Christopher Schwarz
Editor’s note: Our Mind Upon Mind series is a nod to a 1937 Chips from the Chisel column (also featured in “Honest Labour: The Charles H. Hayward Years”), in which Hayward wrote, “The influence of mind upon mind is extraordinary.” The idea being there’s often room for improvement.To that end, we’ve asked you what else you have thought of, tried out and improved upon after building projects from our books. To submit your own idea, email kara@lostartpress.com. You can read more about the submission process here.
Today’s pick is from Nick Stanchenko. Thanks, Nick!
— Kara Gebhart Uhl
After a few chairs, I decided I was ready to try the armbow miters, as illustrated — but not really explained — in “The Stick Chair Book.” (Turns out, I wasn’t quite ready.)
The first challenge was getting the angles to match. This is easy with a router and a dovetail bit, but unfortunately I had sold my router a year ago to focus more on hand tools. After a bit of head scratching, here’s what I came up with:
Clamp the two parts together, draw an angled line using a bevel gauge and cut in one go.
This kind of worked, but wasn’t super accurate. The saw tends to pivot a little after the top part is cut through. Oh well. Time for another approach:
Make an angled block. Then clamp it to each of the mating parts and refine them with a wide chisel. (The lap joint itself was cut with a saw and flattened with a router plane.)
This time, I had a perfect match and rushed to glue up. Bad idea! Glue gathers in the sharp corner and prevents the parts from coming together tightly. In fact, the whole assembly slides around as you try to clamp it. It was devastating, but obvious in hindsight.
I removed the clamps, let the glue dry, scraped it off and trued all the surfaces again. Now what?
“Pinch dogs” would have been a great solution to hold the joint in place. But I couldn’t remember what they were called, and I don’t think they are sold where I live anyway.
Here’s another method to keep the parts from moving: Pin them!
When chiseling, you might chip a corner as I did here. Don’t panic. Just bevel or round over the damaged edge, which is on the underside of the armbow.
I found a regular pin more or less satisfactory, although you can also drawbore it (i.e. offset the holes by a tiny amount) to pull the joint together more tightly.
Now the glue-up:
Much better.
Finally, I present to you the resulting joint after a bit of clean-up with a spokeshave, a rasp and a card scraper. (OK, it’s the best of the four I’ve made so far.)
The cool part is that a stick will go through where the pin is, so there will be no trace of it left. Well, it does not really matter, but it feels nice.
Good luck!
— Nick Stanchenko
p.s. Needless to say, pinning will also help with non-mitered lap joints.
Editor’s note: Our Mind Upon Mind series is a nod to a 1937 Chips from the Chisel column (also featured in “Honest Labour: The Charles H. Hayward Years”), in which Hayward wrote, “The influence of mind upon mind is extraordinary.” The idea being there’s often room for improvement. (You can read the entire Chips from the Chisel column here.)
To that end, we’ve asked you what else you have thought of, tried out and improved upon after building projects from our books. We’ve loved reading all your submissions!
Today’s pick is from Matt Williamson.
I have been messing around with “The Anarchist’s Design Book” and have made a few adjustments that you might find interesting. These are probably not improvements so much as solving problems caused by my desire to use what I have in lieu of greenwood I have yet to source.
For the staked stool, the seat is from a 13-1/2”-wide 9/4 pine joist I pulled from dumpster when a historical building in the neighborhood got rehabbed. For the staked chair, the hardwood I had included some 4/4 red oak and some 6/4 red oak that, again, I dumpster dove for in the neighborhood. These 6/4 scraps were not big enough to make a seat, but I thought they would add strength to the 4/4 seat panel and give the legs something to hold onto. It is a bit heavy.
I did not have any greenwood that could be bent for the staked stool back so I used a piece of apple wood from a tree I cut in the fall that basically followed the 12″ curve. I kind of liked it and found another piece to use when I made the staked chair a little while later.
Did you change up one of our projects or do you have a clever idea for an improvement? Email kara@lostartpress.com. You can read more about the submission process here.
Editor’s note: Our Mind Upon Mind series is a nod to a 1937 Chips from the Chisel column (also featured in “Honest Labour: The Charles H. Hayward Years”), in which Hayward wrote, “The influence of mind upon mind is extraordinary.” The idea being there’s often room for improvement. (You can read the entire Chips from the Chisel column here.)
And so we ask for submissions: After building projects from our books, what else have you thought of, tried out and improved upon?
Today’s submission is from Jay Abramovitz in Voorhees, New Jersey.
I came up with an approach for accurately drilling holes at compound angles that has worked surprisingly well for me.
I started with three 2′ narrow lengths of pine. I glued two pieces together to form the “foot” of the jig. I attached the third piece (the “arm”) to the foot by drilling a hole through both pieces. I used a machine screw with a wing nut, which allowed the arm to rotate. I then attached two long eye screws to the opposite end of the arm a few inches apart to form a “gun sight” of sorts.
By placing the foot on my workpiece, I was able to line up the straight edge of the foot with my sightline.
I rotated the arm to the resultant angle needed (measured with a protractor) then moved the jig forward or back along the sightline on the workpiece until the location for the hole on the workpiece (the “bullseye” if you will) could be sighted through the two holes of the eye screws.
I then secured the foot to my workpiece with a clamp to make sure it didn’t move.
I placed a piece of tape on the back of my drill and used a Sharpie to mark a large dot on the tape in line with the long axis of the drill bit.
I then positioned my drill bit on the location for the hole on the workpiece and positioned the drill so that the dot on the back could be sighted through the two holes of the eye screws. I kept the dot on the back of the drill lined up with the center of the two holes on the eye screws as I drilled (like viewing a target through a gun sight, if you will). I then knew I was drilling dead on my sightline.
Did you change up one of our projects or do you have a clever idea for an improvement? Email kara@lostartpress.com. You can read more about the submission process here.
