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- Sorry, But I Have to Mention Fire SafetyLast week, the woodshop across the street from mine caught on fire. Luckily, no one was hurt, the firemen arrived … The post Sorry, But I Have to Mention Fire Safety appeared first on Popular Woodworking Magazine.
- Yes, Ripple Moulding Exists (and is Awesome)Whenever I explain how “ripple moulding” is made by a “waving engine” – a circa 17th-century machine – most woodworkers … The post Yes, Ripple Moulding Exists (and is Awesome) appeared first on Popular Woodworking Magazine.
- Limbert – Second Fiddle to the Stickleys?Like any Arts & Crafts enthusiast, I like the Gustav and L. & J.G. Stickley classics. But ever since I … The post Limbert – Second Fiddle to the Stickleys? appeared first on Popular Woodworking Magazine.
- Flush-cutting Without FrustrationCutting wedges, plugs or dowels flush with the surrounding surface is a source of great frustration for many woodworkers. Either … The post Flush-cutting Without Frustration appeared first on Popular Woodworking Magazine.
- Sorry, But I Have to Mention Fire Safety
LostArtPress on InstagramThe scene across the street last week — a workshop fire. Luckily no one was hurt and the damage was minor. I wrote about the topic of shop fires today on the Popular Woodworking blog.Simple Tool Cuts. In many respects this is the simplest form of carving. There is no attempt at modelling of any kind, the effect being obtained purely by simple cuts with gouge or chisel. At the same time it calls for neatness and clean cutting. It can be extremely effective, especially when used as a repeat or variegated pattern, and was widely used during the oak period of furniture making. It is closely allied to chip carving where the effect is also obtained in the simplest way by making cuts which meet in the thickness of the wood, so allowing the chip to come away easily and cleanly. — from “The Woodworker: The Charles H. Hayward Years: Volume I” published by Lost Art Press #The_WoodworkerSaw some amazing ripple molding at the Holland History Museum (in Michigan) including this stunning stuff around a 17th-c painting. Details on my Popular Woodworking blog.
- Don’t Buy Our Hammer (But do Buy One) blog.lostartpress.com/2018/08/14/don… https://t.co/ySqXDTkZ81 2 hours ago
- Compensating for Movement blog.lostartpress.com/2018/08/13/com… https://t.co/Y80HhzSfXq 22 hours ago
- Wanna see a workshop fire? popularwoodworking.com/woodworking-bl… 1 day ago
Author Archives: Kara Uhl
Perhaps the best way to describe Mary May, author of “Carving the Acanthus Leaf,” is to describe another woman – Grace. Grace began as an 8” x 10” x 21” block of mahogany, and emerged not with plan or intent, but … Continue reading
Many of you have been asking about some of our newer titles, with specific questions about content and wondering if these books are right for you. So we have assembled pdf excerpts for each of these books, which you are … Continue reading
Originally posted on Making Things Work:
The first woman I was ever aware of in the realm of woodworking publications is Aimé Ontario Fraser. It was the early 1990s when I began to notice her name, and occasionally her picture,…
“We are all apt to cling to youth as if it were the whole of life, the remainder an uncomfortable margin that does not really count. The obvious attractiveness of youth, its bounding health and vigour, its enthusiasms and ambitions, … Continue reading
“Perhaps that is the most precious part of the gift a handicraft like woodwork can bring with it, and as our power to concentrate deepens so will the quality of our skill. Fortunately for us constant repetition will always bring … Continue reading
I finally “met” Richard Jones. Richard and I have been emailing each other, at times daily, since we began turning his opus on timber technology into book form 11 months ago. Richard lives in Leeds, a city in West Yorkshire, … Continue reading