Click here to see the current classes we offer.
Search this Blog
My Personal Site & Gallery
LostArtPress on InstagramTrim the pins on the inside of the assembly any number of ways. You can saw them off or trim them with a chisel or gouge. Use the chisel bevel down and pare from both sides. Cutting straight across will blow out the edge of the pin. Trim the outside just above the surface with your tenon saw, then pare it down to the surface with a broad chisel, again held bevel down. Once the front and rear frames are assembled, trim their pins all around. Then set the frames face-down on the bench, with their feet pointing at each other. (Second image) If you marked your joints clearly, this step is a snap. If you didn’t, then it can be pretty confounding. Many of these pieces look alike, and sometimes they will almost fit together the wrong way. That’s enough to really cause confusion. We’ve built stools with parts upside down before. It’s not hard to do, but it is hard to un-do. — from “Make a Joint Stool from a Tree” by Jennie Alexander and Peter Follansbee @peterfollansbee #Make_a_Joint_Stool_from_a_TreeOf all game Tables, those for billiards are, without contradiction, the largest, and of which the construction requires the most attention on the part of the Joiner, so as to give them all the strength and perfection to which they are inclined. It is this difficulty that has made only a few Joiners attempt billiard Tables, and that the small numbers of those who do are in Paris. While they succeed in doing it well, it is a secret to other Joiners, which, however, is nothing other than much precaution in the choice of wood, and a very great precision in execution. — from “With all the Precision Possible: Roubo on Furniture” by André-Jacob Roubo, translation by Donald C. Williams, Michele Pietryka-Pagán & Philippe Lafargue #Roubo_on_FurnitureThough the Internet has changed many things about making a living at woodworking, it hasn’t changed this: Good photography is important. — from “The Intelligent Hand” by David Binnington Savage @finefurnituremaker #the_intelligent_hand
Error: Twitter did not respond. Please wait a few minutes and refresh this page.
Category Archives: Roubo Translation
This is an excerpt from “To Make as Perfectly as Possible: Roubo on Marquetry” by André-Jacob Roubo; translation by Donald C. Williams, Michele Pietryka-Pagán & Philippe Lafargue. One influential tool that was unknown to me at the start of this project is a … Continue reading
You know that this post is going to be about André-Jacob Roubo. But not entirely. For me, woodworking books in the French tradition begin with a title we haven’t been able to publish from the “other André” – André Félibien’s … Continue reading
No doubt many of you are familiar with the famous one-piece bookstand from plate 331 of Roubo’s “With All Precision Possible” popularized by Roy Underhill. This past week, we decided to build a nice bookstand for the shop copy of … Continue reading
This is an excerpt from “With All the Precision Possible: Roubo on Furniture” by André-Jacob Roubo; translation by Donald C. Williams, Michele Pietryka-Pagán & Philippe Lafargue. So Roubo could not very well do a comprehensive book on furniture making without including some mention … Continue reading
This is an excerpt from “To Make as Perfectly as Possible: Roubo on Marquetry” by André-Jacob Roubo; translation by Donald C. Williams, Michele Pietryka-Pagán & Philippe Lafargue. If a perfect knowledge of the different colors of wood is essential to a … Continue reading
Our warehouse has almost finished packing up all the domestic pre-publication orders for the deluxe version of “With All the Precision Possible: Roubo on Furniture Making.” The packaged books should be picked up and headed out to their final destinations … Continue reading