The deadline to be listed as a subscriber in the deluxe version of “With All the Precision Possible: Roubo on Furniture” is midnight on Wednesday, March 15. No exceptions. We need to send the list of subscribers to the printing plant to keep this project on track for a June release.
Also, a reminder: Subscribers’ names will be listed using the name on their order form unless they send a note to meghan@lostartpress.com with alternative instructions by March 15.
Several people have asked: Can I list my company or organization instead of my name? Yes, if you let us know by March 15. Other have asked: Can I list my business address and website? No, this is not an advertising section.
Other customers have inquired about how the book is selling. I just checked and we still need to sell 60 copies to break even on the project as a whole, including the press run, trucking charges, boxes, and editing and designing fees. So John and I are still holding our breath, but we haven’t started selling our plasma.
One of the things that makes me nuts about woodworking shows is listening to older woodworkers complain about 20-year-olds and how they (among other vices) have little interest in woodworking.
This weekend’s Lie-Nielsen Hand Tool Event was no exception. What was exceptional is that I listened to much of this drivel while people in their 20s and 30s wandered around Braxton Brewing, used the hand tools and talked to the makers.
A lot of our customers are young adults, and the only difference I see between them and the older generations is the younger woodworkers are apt to use materials in addition to wood – metal, plastic and ceramics. And they are more likely to adopt technology into the things they make – robotics, 3D printing, CNC, laser cutting.
Historically, interest in woodworking goes up and down a little bit but remains fairly steady through time. (Unlike interest in scrapbooking or personal journaling, which peaked at crazy heights and then almost disappeared.)
The urge to make useful things is an important part of the human experience.
Woodworking has long been dominated by people older than 50 because they have more money and aren’t chasing around their kids or changing diapers (generally). Younger woodworkers don’t have the same kind of time to devote to the craft. But they are out there. And when their kids get older, they buy a place with a garage and they have some disposable income, they are going to buy a handplane or a table saw and build a workbench.
Yes, it sucks that many schools have eliminated shop class. And it’s stupid that we now encourage kids to go to college who would be happier in a trade.
But despite all that, people find a way to learn woodworking. It’s just not the way you did it (see also, YouTube). And they might not build the same things you like to build. And they might use different kinds of tools. And they just might not like hanging out with old dudes who complain about the younger ones.
Tonight we’re playing a variant of the Hammerschlager game made popular by Mike Siemsen at Woodworking in America. We’re playing at Rhinegeist brewing. Schlaging starts at 8 p.m. and ends at 10:30 p.m. The prize: The last of our “With Hammer in Hand” letterpress posters.
Hammerschlager is a game of skill played with a stump, a cross-peen hammer and nails. Two opponents take turns attempting to sink a nail using the peen side of hammer. The first one to sink the head flush or below the surface of the stump wins.
Here are the local rules for the game tonight.
If you break or abuse any of the equipment (especially the hammers), you’re done – disqualified.
You may face a particular opponent only once. Period. In other words, you cannot play against a person more than once. Once only you shall face a particular opponent. Don’t cheat.
You start the stroke with the peen of the hammer resting on the stump.
If the nail is knocked crooked, your opponent may straighten the nail to vertical before taking his or her turn.
The loser of the round marks the winner’s forearm with a slash using a marker (provided). The person with the most marks at 10:30 p.m. wins the poster.
The winner of the round is allowed to face the next opponent immediately. The loser has to return to the back of the line and find another opponent.
All disagreements are settled by the judge (me). Decisions are final. It’s just a stupid game. Don’t make me hate you.
This is not a drinking game. You may drink while you play if you like, but drinking is not required, requested, suggested or smiled upon. It’s just a dumb game.
For those of you who chisel out your waste when dovetailing, this section is not for you. Move along. There’s nothing to see here.
OK, now that we’re alone: Have you ever been confused about which frame saw you should use to remove the waste between your pins and tails? I have. For years I used a coping saw and was blissfully happy.
Then I took an advanced dovetail class with maestro Rob Cosman and he made a strong case that a fret saw was superior because you could remove the waste in one fell swoop (instead of two). So, like any good monkey, I bought a fret saw and did it that way for many years.
But fret saws aren’t perfect. Almost all of them require tuning. You need to file some serrations in the pads that clamp the blade, otherwise it’s all stroke, stroke, sproing. Oh, and the blades tend to break. Or kink.
And fret saws are slow. I use 11.5 teeth per inch (tpi) scrollsaw blades, and it takes about 30 strokes to get through the waste between my typical tails in hardwood.
If you want to see a good video on how to tune up a fretsaw, check out Rob Cosman’s site. He shows you how to hot-rod the handle and bend the blade for the best performance.
About Coping Saws
What I like about coping saws is that they cut faster. I use an 18 tpi blade from Tools for Working Wood. (I think they’re made by Olson.) The blades cut wicked fast thanks to their deeper gullets and longer length. It takes me 12 to 14 strokes to remove the waste between my typical tails.
The other thing I like about the coping saw is that its throat is deeper (5″ vs. 2-3/4″ on my fret saw), which allows me to handle wider drawers without turning the blade. Also, the blades of a coping saw are far more robust and almost never come loose. I’m partial to the German-made Olson coping saw. It’s about $12 and beats the pants off the stuff at the home centers.
The major downside to the coping saw is that you have to remove the waste in two passes instead of one. Because the coping saw’s blade is thick, it sometimes won’t drop down into the bottom of the kerf left by your dovetail saw. So you get around this by making two swooping passes to clear the waste.
One last thing: Some of you might be wondering why I didn’t discuss wooden bowsaws, another fantastic frame saw. At the time I was writing this book, my bowsaw was busted. First, one of the arms cracked after someone (no names) over-tensioned it. I fixed that. Then the twine busted and I didn’t have any on hand.
Since building the Chest of Drawers, I got my bowsaw back on its feet (bowsaws do not have feet, by the way) and it is giving my coping saw a run for its money. The fret saw still hangs dusty and lonely on the wall.
I don’t think I’ve ever used that many exclamation marks… ever.
If you are coming to the Lie-Nielsen Hand Tool event at Braxton Brewing on Friday or Saturday, look for Don Williams. He’ll be selling his excellent beeswax and mind-blowing polissoirs.
What’s a polissoir? Oh my. Go here and look around. It’s a simple pre-industrial finishing tool that will change your mind about wax finishes.
The polissoirs are handmade in Virginia by one of Don’s neighbors to Don’s specifications and are things of beauty. The blocks of pure beeswax are purified on Don’s farm by him and his wife. The wax is, pardon the expression, the bee’s buzz.
And if you want to learn (a lot) about traditional finishing techniques, just ask Don about his shellac collection….
The show starts both days at 10 a.m. Free admission. Great beer, coffee and conversations about woodworking and tools. What more could you want? A foot massage? Don’t ask me.