Lost Art Press Editor Megan Fitzpatrick has been featured on The Queue – the American Craft Council’s column on noteworthy artisans and artists. Check out the feature here.
Congrats Megan on some long-overdue recognition.
— Christopher Schwarz
I keep telling myself that modern spade bits are not great, but they’re OK. But I am lying to myself. Anytime I use a NOS (New Old Stock) Irwin spade I am shocked by how good the old ones are compared to the modern stuff.
During the last few chairmaking classes I taught, the modern spade bits could barely make it through one chair before becoming useless. And the cutting geometry was so poor that you had to push with all your might to get them to bite.
So until I find a good (I’d settle for decent) brand of spade bit, I’m looking elsewhere.
Last week I tried the 5/8” Trident bit from BB Custom Tools. I paired it with the BB Custom Drill Extension (6” or 10” works for stick chairs) and the Stick Chair Spindle Bushing. It’s an expensive rig, especially compared to a $12 spade bit (16” long).
But here’s the deal: The bit is resharpenable ($8 to $14 for the job), and it cuts with far less effort than a spade. The Trident comes insanely sharp and plowed through all the mortises for four stick chairs without complaint. And it was still razor sharp at the end.
There is a little more fussing around when drilling the mortises through the arm and seat with the Drill Extension. You have to detach the bit and extension to drill the mortise in the seat. But after drilling mortises for one chair (that’s 26 mortises), it became an intuitive operation. So the plusses way outweigh the minuses.
The biggest surprise with the equipment was the little plastic Stick Chair Bushing. It centers the bit in the mortise through the arm. I laughed when I saw it. “Yea right, I’m not using that.”
I fricking love it, and it will reduce errors with students.
Speaking of students, I’m going to switch over to this drilling system for classes. I’m tired of watching students struggle with sub-par spade bits. And I’m tired of smelling the smoking wood as some of the spades have to practically burn their way through the wood after four or five holes.
I am happy to recommend this gear for all makers of stick chairs. I only wish we had a manufacturer of spade bits that did as good a job as BB Custom Tools. Nice work, Kyle and Patrick.
— Christopher Schwarz
The following is Excerpted from “Honest Labour,” a collection of essays from The Woodworker magazine while the legendary Charles H. Hayward was editor (1936-1966). This book is be the fifth and final volume in our series from The Woodworker.
And here’s hoping that, if you want to, you get to enjoy a few hours alone in the workshop today.
— The finest of all tools, the human hand, is determined by the will, mind, character of the man who wields it.
It often surprises me to find how few people can bear to be alone. It is almost as though they regarded time as a vacuum to be filled rather than as something to be used or enjoyed for its own sake. A man will drift along to the local, the club, or the pictures “to pass away the time” rather than spend a few hours in his own company, and yet it is just those hours when one might be alone that can be turned to the most valuable account. But to bear to be alone one needs an interest—any deep, abiding interest will do. With Paolo Uccello, the Italian painter, it was the interest of perspective which he pursued in all its most intricate forms and which so held him enthralled that we are told: “When engaged upon those matters Paolo would remain alone, like a hermit, with hardly any intercourse for weeks or months, not allowing himself to be seen,” taking pleasure “in nothing except the investigation of difficult and impossible questions of perspective.” A passion for the solving of a problem, an impulse to achieve something is already halfway to creation, and it is in the doing of a creative job that we really lose ourselves to find ourselves, and are no longer the bored, indifferent passers of time, but are unconscious of time.
It would be too much to claim that the man who follows a craft like woodwork is never lonely, but it is certain that he will never know the worst kind of loneliness, the apathy of mind and body which is the negation of life. The very acquisition of skill enriches the personality, adding to a man’s resources, making him more independent, developing his judgment and giving him more confidence in his own powers. We never know our powers, indeed, until we begin to use them, and then it is a lifetime’s job to find out how far they will go. Skill develops with the use of skill and it is one of the few things that can be carried to perfection in a lifetime. For, as we learn from the study of the arts and crafts of the past ages, there is no progress in the capacity of the human hand. The knowledge of tools and machines increases as time goes on, but the finest of all tools, the human hand, is determined by the will, mind, character of the man who wields it and does not develop from one generation to another. Indeed, there are examples of arts and handicrafts centuries old that will stand up to any comparison with the best work of today.
It is a humbling but heartening thought. We are challenged by the past to stand or fall by our own merits. It is commonly recognised nowadays how much the mind is bound up with the skill of the hands. It is in the mind that a job is first seen, planned, willed, and, says Ruskin, the work “is noble or inferior, first, according to the tone of the minds which have produced it and in proportion to their knowledge, wit, love of truth and kindness; secondly, according to the degree of strength they have been able to give forth, but yet, however much we may find in it to be forgiven, always delightful so long as it is the work of good and ordinarily intelligent men.” For indeed it is for a man to choose how he will use his mind—“discovering always, illuminating always, gaining every hour in strength, yet bowed down every hour into deeper humility; sure of being right in its aim, sure of being irresistible in its progress; happy in what it has securely done, happier in what day by day it may securely hope; happiest at the close of life, when the right hand begins to forget its cunning, to remember that there was never a touch of the chisel or the pencil it wielded but has added to the knowledge and quickened the happiness of mankind.”
Andy Glenn’s long-awaited book, “Backwoods Chairmakers,” is just about complete at the press in Tennessee. We should get the books sometime between Thursday and Jan. 4 (barring weather or other delays).
If you order the book before midnight on Sunday, Dec. 31, you will receive free shipping plus a free pdf of the book immediately at checkout. After Dec. 31, the pdf will cost an additional $11.75. And shipping will add another $7.50 or so to the cost.
“Backwoods Chairmakers” is the kind of book I love to publish. It is filled with colorful stories of chairmakers who live in the hollers and small towns of Appalachia. And it is also packed with practical information you can use at the bench, on your front porch or wherever you build chairs.
The book is illustrated with hundreds of new and archival photos that Andy collected during his years-long research process. Just looking at the book’s photos is a visual treat.
“Backwoods Chairmakers” will, I hope, begin to give Appalachian ladderback chairmakers the credit they deserve for this enduring and interesting form.
As always, we have done our best to make a permanent, quality book. The book’s 304 pages are 8.5″ x 11″, and the text is printed on #70 matte coated paper. The book’s signatures are sewn with cotton-covered nylon thread, which allows the book to open flat and retain its pages through years of use. All that is wrapped in heavy cotton-covered boards and a tear-resistant dust jacket. The book is, of course, made in the USA – like all our books.
— Christopher Schwarz
Good tidings and joy!
Today begins the Twelve Days of Tooltide and a new song for all woodworkers.
This song will lift you from post-holiday doldrums and carry you, all bright and shining, into the first week of the new year. As with the making of dovetails, dowels for a stick chair or deciding which finish to apply to a table, the singing of this song requires commitment. Remember to reward yourself with a full glass of your choice of good cheer.
You can also read a woodworking take on the original bird in the pear tree here.
–Suzanne Ellison
p.s. Thanks to the person who brought a handmade hummingbird to Handworks and gave it to Megan to pass along to me. The little bird is lovely!
p.p.s Thank you for the very kind comments to my story “The Long Night” published on Thursday. I was up to my elbows in flour all day trying to finish holiday baking and couldn’t break away to respond.