Back in January, Chris came to my studio in Oak Park, Illinois to help cull the thousands of images in our Virtuoso archive down to the several hundred-or-so that are featured in the book. It took several days, but at the end of that process we had the scaffolding in place for Wesley Tanner to begin designing the book, and I had a pile of selected photographs (“picks”) to begin preparing for print. Though photographs are standard fare for any print publication, they play a significant role in Virtuoso. I thought I’d provide a behind-the-scenes look at how we approached the final stages of image processing.
Search Results for: studley
‘Virtuoso’ Now Available for Pre-publication Ordering
You can now order “Virtuoso: The Tool Cabinet and Workbench of Henry O. Studley” by Don Williams from the Lost Art Press store. The book is $49 and will ship in mid-May.
Orders received before May 13, 2015, will receive free domestic shipping. The first 1,000 orders will receive a nice commemorative postcard featuring a beautiful shot of the open tool cabinet shot by Narayan Nayar.
When you order, you will have the option to pick up your copy at Handworks in Amana, Iowa., on May 15-16, or have the book shipped to you. All shipping will occur after Handworks.
Retailers for ‘Virtuoso’
While we are certain that many of our retailers will stock “Virtuoso,” we do not know which ones yet will opt to carry it. When we have that information in the next couple weeks, I will definitely post it here.
Why No Digital Version?
There will not be a digital version of “Virtuoso” at this time. We have experienced a significant amount of pirate distribution of our titles, so we have decided that for this book, the pirates will have to manually scan and assemble the book if they want to rip us off. Our apologies to our law-abiding customers for this difficult decision.
Other Studley Products
We will have more news on other Studley-related products in the coming weeks, including posters, a feature-length DVD and toilet-seat covers (oh wait, no, those are for “The History of Wood”).
Thanks for all your patience during the last four years since we announced this project at Woodworking in America. A team of people has poured thousands of hours and tens of thousands of dollars into the research and production of this book. I think that effort will show in the book, and I hope you will be pleased.
— Christopher Schwarz
The Spaghetti Bowl
As I recall from years long past there is in Miami a notorious interchange known as “The Spaghetti Bowl,” no doubt the result of some distant urban planner making a dot on a map and saying, “This is where all the highways meet!” I have no doubt that similar complexes exist in many metropolitan areas, but the one in Miami is especially memorable due to the highway routes being stacked five high as they weave together, merging and departing with and from each other.
This absurd traffic construct serves as a nearly perfect metaphor for the current fortnight. It seems that the threads of LAP and other projects are stacked about five high.
Last night I sent off my final review of the page proofs for “Virtuoso: The Tool Cabinet and Workbench of Henry O. Studley,” which Chris sent me last week when I was in Florida on a speaking engagement talking about my favorite topic – historic wood finishing – and reveling in a reunion with my mom and all of my siblings. I spent what time I could on the review, but did not actually finish until midnight last night. I feel about 500 pounds lighter today.
I am not displeased with the product (that is Donspeak for “Holy cow, this is great!” If I wasn’t such a Calvinist I would be really proud). Narayan’s photos and Wesley’s design make the book a nearly decadent experience. The book goes to press very soon (Ed note: Next week), and I am very much anticipating the first of several boxes of books arriving on my doorstep. (I owe copies to about two score contributors to the effort.)
The preparations for the accompanying H.O. Studley exhibit are in red-hot mode, as my fabrication of the exhibit accouterments are well underway, the first slate of big checks have flowed out for the exhibit hall rental, platform and vitrine fabrication, insurance, graphics, lighting, secured shipping, etc.… Tickets are still available, so if you ever wanted to get up close and personal with Studley’s tool cabinet and workbench, this may be your one and only chance.
On Saturday past I presented “Making New Finishes Look Old” for the Society of American Period Furniture Makers’ Tidewater chapter, a test run for my demonstration at the SAPFM Mid-Year meeting in Knoxville, Tenn., in June. Increasingly I find my mind wandering and fingers noodling on the keyboard in crafting my magnum opus “Historic Finisher’s Handbook” (HFH), which will begin in earnest as soon as I complete the revisions for “Roubo on Furniture Making” this summer, and then take the following three years. If I go “dark” this autumn it is because I’m up in the barn having too much fun working through the dozens of recipes detailed in HFH.
And today I spent some time conserving a Roentgen desk; tonight I’m wrapping up the conservation of a c.1720 Italian tortoiseshell veneer mirror frame with another dozen conservation projects in wait.
Yeah, I think the “Spaghetti Bowl” description is just about right.
— Don Williams
2nd Printing of ‘Campaign Furniture’ & Other News
We’re going back on press for a second printing of “Campaign Furniture” with a few corrections and a slightly different cover. The only significant correction, which was to the Roorkee Chair chapter, is discussed here. I also added a thank you to Greg Miller, who I neglected to include in the first printing.
I’m telling you all this because we have some customers who collect first editions of our books (no, we don’t have any first-edition copies of “The Anarchist’s Tool Chest” hidden here).
The new cover replaces the image of the chest pull with the title of the book. We’re also switching inks used for the cover stamp. The new ink will be more matte and coppery – less gold.
Also, the third printing of “By Hand & Eye” should be back in stock next week. And the expanded “With the Grain” is right on its heels.
In news on new projects, Peter Galbert’s “Chairmaker’s Notebook” is almost completely designed and should be headed to the printer within a couple weeks. As I type this I’m scanning the last of about 500 hand-done drawings for this book. I promise, this book will be worth the wait. The book will be 8-1/2” x 11”, hardbound with a dust jacket and more than 350 pages (perhaps close to 400). No word on pricing, yet.
Designer Wesley Tanner has begun work on designing Don Williams “Virtuoso: The Tool Cabinet and Workbench of Henry O. Studley.” It will be ready for Handworks and the exhibit of the cabinet and workbench. Come to Handworks, see the cabinet and get your book signed.
“Roubo on Furniture” is awaiting some final work by the translating team before going to the designer. And our massive book on Charles Hayward will head to the designer as soon as Linda finishes designing Peter Galbert’s book (sorry about the workload, Linda and Wesley).
We have another dozen projects in various stages of completion, but these are the most immediate.
— Christopher Schwarz
Where I’m Teaching in 2015
Here is a complete (I hope) list of everywhere I’m teaching in the coming year. Despite my personal hermit tendencies, I teach in-person classes because they work. A week (or weekend) of focused instruction, bathroom humor, critical review and work, work, work generates results.
If you want to attend a class that’s full – no matter the school or instructor – my best advice is to always get on the waiting list and assume you will get in. All classes have churn and last-minute vacancies. If you are flexible and ready, you likely will get in.
Just reading this list of classes below makes me want to take a nap. One more note. Before you comment: “Why don’t you come teach in Ketchuptown, North Dakota?” remember this: I can only teach at schools where I am asked to teach. I don’t solicit schools or clubs for teaching work.
Jan. 17-18
Highland Woodworking
Build a Windsor Sawbench
This class is the foundation of my book “The Furniture of Necessity.” Once you can build these sawbenches, chairmaking will seem like child’s play.
Feb. 14-15
Alabama Woodworkers Guild
Dutch Tool Chest
I’m still waiting on some details, but I believe I am leading a two-day demonstration on building the Dutch Tool Chest and one of the attendees will win the chest at the end of the seminar.
Feb. 23-27
Melbourne Guild of Fine Woodworking, Australia
Build a Roubo Workbench
Using some massive yellow pine slabs that the school has dug up, we are going to build some brutish workbenches using the schools industrial equipment and handwork.
March 2-4
Melbourne Guild of Fine Woodworking, Australia
Build a Dutch Tool Chest
Last I checked there were a couple vacancies in this Dutch Tool Chest class. Come for the instruction; stay for the tea. Dutch tol chest classes are fun and productive (i.e. you finish your chest).
March 6-8
Brisbane, Australia
Class to be announced
March 11-13
Henry Eckert Woodwork School, Adelaide, Australia
Build a Dutch Tool Chest
This will be my first class to Henry Eckert, which carries our Lost Art Press books. Again, this is a three-day class where we will build a Dutch chest using hand techniques – lots of fun joinery.
March 28-29
Kelly Mehler School of Woodworking, Berea, Ky.
Officer’s Campaign Trunk
This will be an intense two-day class in building a “riveted” officer’s trunk as shown in my book “Campaign Furniture.”
April 9-12
Oregon Woodworkers Guild, Portland, Ore.
I’m teaching a one-day class on April 10 on building a traditional try square. Then on april 11-12 we are building the Tool Chest for New Anarchists – an exploration of traditional nailed construction (another part of the “Furniture of Necessity”).
April 17-18
Lie-Nielsen Hand Tool Event, Cincinnati, Ohio
We will be at the offices of Popular Woodworking Magazine, doing demos, selling books and drinking beer that people bring us….
April 25-26
Marc Adams School of Woodworking, Franklin, Ind.
Handplanes and their Uses with Thomas Lie-Nielsen
This annual two-day class is a quick but intense dunk into the world of handplanes and how they work. This class has launched hundreds of people’s love affair with the plane.
May 4-8
Woodworkers Club, Rockville, Md.
Build a Knockdown Nicholson Workbench
Using the school’s industrial facilities, we’ll build a Nicholson workbench that can be knocked down flat – though it is so sturdy that you’d never know it was a knockdown bench.
May 15-16
Handworks, Amana, Iowa
The hand-tool event of the (insert very long time frame here)
Seriously, read about everyone who will be there. And the Studley Tool Chest? And the Handworks event is free? You better have a good excuse if you aren’t going.
June 13-15
Dictum, Niederalteich, Germany
Build a Sawbench
This three-day course is an intense tutorial on sawing. Learn the three classes of saw cuts and how to produce joinery straight from the saw (and how to fix things when sawing goes awry). You also will get to see me kiss their coffee machine.
June 16-17
Dictum, Niederalteich, Germany
Build a Marking Gauge & Mallet
This is a quick but fun class in making an 18th-century marking gauge and a fantastic wooden joiner’s mallet.
June 18
Dictum, Niederalteich, Germany
Metal Handplanes and Western-style Saws
A one-day course introducing students to the advantages of metal handplanes and Western saws.
June 22-28
Furniture Institute of Massachusetts, Beverly, Mass.
The Anarchist’s Tool Chest (and then some)
We’ll be building the large tool chest in this seven-day class (it’s usually a five-day class). Everyone will finish their chests and many people will have the time to build their interior tills.
July 13-17
New English Workshop, Bridgwater College, England
Course for Young and Aspiring Woodworkers: The Tool Chest for New Anarchist
This special low-cost course is design to jump-start anyone’s interest in handwork. We will fix up all the tools you need in your kit, build a basic tool chest and dive into learning the joints of the craft.
July 20-24
New English Workshop, Warwickshire College, England
Build a Knockdown Nicholson Workbench
If you need a bench that can be easily moved for when you move, or even has to be knocked down in the evenings, this is the ticket. It’s a fantastic bench.
Aug. 10-14
Connecticut Valley School of Woodworking, Manchester, Conn.
Build an 18th-century Roubo Workbench
Using some amazing ash from Horizon Wood, we’re going to build a heavy, tough extremely functional workbench. The industrial machinery (and teamwork among the students) makes it possible. Everyone goes home with a bench.
Aug. 24-Sept. 5
The David Savage School, Rowden, England
Tool Chest with Parquetry Lid
In this two-week class we’re building a traditional tool chest with all the hard-core joinery during the first week. Then David and his people are going to guide us through building a parquetry lid for the chest using a variety of techniques, traditional to modern.
Sept. 25-27
Woodworking in America, Kansas City, Mo.
The instructor list for WIA is impressive. And then I’m there, too. As always, WIA is fun event for the classes and the Marketplace. Lost Art Press will have a booth.
Sept. 28-Oct. 2
Marc Adams School of Woodworking, Franklin, Ind.
Hand-tool Immersion 101
This special low-cost course is design to jump-start anyone’s interest in handwork. We will fix up all the tools you need in your kit, build a basic tool chest and dive into learning the joints of the craft. We will be allowed to camp on-site to reduce costs. And we’ll eat communally. We will be showering alone.
Nov. 8-14
The French Oak Roubo Project II, Barnesville, Ga.
Build a Roubo Bench with 18th-century Oak
This incredible experience bands a bunch of us together in an incredible workshop with huge equipment to turn out the most massive and amazing workbench. Period.
— Christopher Schwarz



