When we set out to build a workbench for the Cincinnati Museumโs Centerโs exhibit on Henry Boyd, I figured that Megan and I would do most of the work. Yes, we had invited the public to help, but usually that involves them heckling us: โI bet that would be easier if you had a nail gun!โ
But these were Lost Art Press readers.
About 15 minutes after we unlocked the doors we had a small crowd in the bench room looking over the parts and my construction drawings. I glanced at Joe Grittani, one of our loyal local readers, and I asked if heโd saw the workbenchโs aprons to shape. He took the panel saw from my hands and went to it.
I looked over at another pair of readers. โWould you plane up these legs?โ They took my jack plane and went to it. Within a couple hours, we had entire teams of people sawing, planing, boring and nailing the parts of the workbench together. I had to put the brakes on the activity to make sure we didnโt finish it before lunch so that other people could help work on it.
For me, this felt like the first ray of sunshine since the beginning of the pandemic in 2020. Here we were, working as a community to build a workbench that would help educate others about one of the most important (and lesser known) black furniture makers in the Midwest.
During that morning, we talked about Boyd and the hardships he faced. And the historical stew of 19th century techniques, tools and materials we were using to make the bench so that it might have looked at home in Boydโs workshop on Broadway Street in Cincinnati.
Sometime during that Saturday afternoon, we turned the bench onto its four legs, and I called the bench done (for now). I still have to clean up the joints and add a face vise and a planing stop. But the bench is solid and looks like how I envisioned it.
And the most surprising thing was how difficult it was to build: All I had to do was ask for help.
I owe a great many thanks to Dr Iwan Wyn Rees, senior lecturer and director of the Cardiff Centre for Welsh American Studies, located in the School of Welsh at Cardiff University, which serves to promote the study of the culture, language, literature and history of the Welsh in the Americas.
First, we hired Iwan to provide pronunciations for each of the Welsh words in โCadi & the Cursed Oak,โ and he used the International Phonetic Alphabet (IPA). It was perfect except we worried children may not understand it. But simplified pronunciation guides are tricky. There is a lot of room for interpretation and criticism, and one must be mindful of regional dialects as well. But Iwan, who has a young daughter, understood. And despite the rush of the holidays he created one for the book. Hereโs the difference:
Yr Hen Ardd (The Old Garden)
IPA: ษr heหn arรฐ
simplified: uhrr hain arrthe
He also provided a wonderfully detailed pronunciation guide tailored to the book, which we, unfortunately didnโt have room for โ but itโs included at the end of this post.
We then hired Iwan to record himself speaking each of the words. You will find those recordings below. Simply press play on the audio file underneath each word. If two audio files exist, youโll be treated to a different pronunciation in the local dialect.
Enjoy!
โ Kara Gebhart Uhl
Aran Fawddwy (AHRR-anne VOWTHE-ui): mountain peak in southern Snowdonia, North Wales
Aran Benllyn (AHRR-anne BEN-ttlin): mountain peak in southern Snowdonia, North Wales
ASGRE LรN DIOGEL EI PHERCHEN (ASK-rreh larne DEEOGG-elle ee FAIRRchenne): a good conscience is the best shield
Cader Idris (CAH-derr ID-riss): a long mountain ridge in southern Snowdonia
Ceubren yr Ellyll (KAY-brren uhrr ETTLittl): the hollow oak of the demon
Coed y Brenin (koyd uh BRREN-in): a forest near Dolgellau, in Snowdonia National Park
Coed y Moch Lodge (koyd uh mawch): built in 1830 on the Nannau estate by Sir Robert Williams Vaughan, second Bart, who insisted dinner guests arrived on time. The lodge was a six-minute ride from Nannau, hence the clock permanently painted six minutes to five.
Coraniaid (korr-ANNE-yighed): magical and malevolent beings from Welsh mythology with an acute sense of hearing
cwtsh (kootch, as short as in โcookโ): hug
cyfarwyddiaid (kuv-ahrr-OOWITH-yighed, with โthโ as in โtheโ): storytellers
Dolgellau (doll-GGETTL-aye): a small town in northwest Wales
geol (GGEH-aul): jail
goujons (GOOJ-onz, with โjโ as in the French โjeโ or โJeanโ): breaded chicken tenders
gormesoedd (ggorr-MESS-oythe): oppressions or plagues
Lle gwreiddio y Fesen, Llwydded y Dderwen (ttlair GGOORRAYTHE-yaw uh VACE-enn TTLUITHE-ed uh THEIRR-wenn): the oak tree may succeed where the acorn takes root
Nannau (NANN-aye): an estate near Dogellau, once home of the Nannau oak
Owain Glyndลตr (OWE-ine gglin-DOORR): (1354-1416), rebelled against English rule; considered the father of Welsh nationalism
The Tale of Lludd (ttleethe) …
… and Llefelys (ttleh-VELLE-is): …
… one of several Welsh prose tales from around the 11th century, found in the โRed Book of Hergest (HERR-guest)โ …
… and in fragmentary form in the โWhite Book of Rhydderch (HRRUHTHE-errch),โ …
… and translated and published by Lady Charlotte Guest in a series called โThe Mabinogion (mab-in-OGG-yon),โ published between 1838 and 1849
yr hen a ลตyr aโr ieuanc a dybia (uhrr hain ah ooirr ahrr YAY-ank ah DUB-jah): the old know and the young suspect
Yr Hen Ardd (uhrr hain arrthe): The Old Garden
Pronunciation guide
The following guidelines are not by any means comprehensive but relate rather to Welsh-language words which appear in the story.
Note that emphasis (or word stress) is placed on the penultimate syllable (i.e. the last but one) in all words consisting of more than one syllable, (bar Glyndลตr) e.g. CรD-er (not cad-รR), BRรN-in (not bren-รN) and Dol-GรLL-au (not DรL-gell-au or Dol-gell-รU).
Vowels
a โ as in the English โmanโ in all positions, e.g. ardd /arรฐ/ โgardenโ and Aran /หaran/, the first element in Aran Fawddwy and Aran Benllyn (two mountain peaks).
รข โ lengthened โaโ similar to the English vowel in โartโ, e.g. glรขn /glaหn/ โcleanโ. A mutated form of glรขn is found in the proverb Asgre lรขn diogel ei pherchen.
e โ as in the English โnetโ or โeditโ often, e.g. Dolgellau /dษlหgษษฌaษจ/ and Cader /หkadษr/.
รช / e โ similar to the English vowel in โfairโ (but closer to the quality of โfayโ in most dialects, although never diphthongized to /ei/). It is always this long vowel that we find in hen /heหn/ old, e.g. Yr Hen Ardd.
i โ as in the English vowel in โpinโ, e.g. Idris /หidris/ and /หbrษnin/. It is sometimes pronounced as a semi-consonant too, as in the initial sound of the English yes, e.g. ieuanc /หjeษจaลk/ โyoungโ and gwreiddio /หgwreiรฐjo/ โto rootโ / subjunctive form of โto rootโ.
o โ as in the English โhotโ or โknockโ often, e.g. Dolgellau /dษlหgษษฌaษจ/ and gormesoedd /gษrหmษsoษจรฐ/ โoppressionsโ.
รด / o โ similar to the English vowel in โlawโ (but closer to the quality of โlowโ in most dialects, although never diphthongized to /ou/). It is always this long vowel that we find in moch /moหฯ/ โpigsโ, e.g. Coed y Moch.
u โ pronounced as โiโ as in the English โpinโ in south Wales but with the centralized vowel /ษจ/ in the north of the country. It appears in the text as a second element of diphthongs, e.g. ieuanc /หjeษจaลk/ โyoungโ and /dษlหgษษฌaษจ/.
รป / u โ pronounced as โeeโ as in the English โtreeโ in south Wales but with the centralized vowel /ษจห/ in the north of the country. It appears in the text in the personal name Lludd /ษฌษจหรฐ/.
w โ as in the English vowel of โputโ in cwtsh /kสtอกส/ โhugโ. It is sometimes pronounced as a semi-consonant too, as in the initial sound of the English well, e.g. dderwen /หรฐษrwษn/ (mutated form of derwen) โoak (tree)โ and gwreiddio /หgwreiรฐjo/ โto rootโ / subjunctive form of โto rootโ.
ลต / w โ as in the English vowel of โzooโ. In this text, it is found in (Owain) Glyndลตr /glษจnหduหr/ (personal name) as a simple long vowel and in the verb ลตyr /u:ษจr/ (mutated form of gลตyr) โknow(s)โ as a first element of a diphthong.ย ย ย ย ย ย ย
y โ pronounced as โiโ as in the English โpinโ in south Wales but with the centralized vowel /ษจ/ in north Wales in final (unstressed) syllables, e.g. Penllyn /หpษnษฌษจn/ (placename), Llefelys /ษฌษหvษlษจs/ (personal name) and ellyll /หษษฌษจษฌ/ โdemonโ. This is also the case in monosyllables too usually; however, in some common monosyllabic function words, e.g. the articles y and yr โtheโ, it is pronounced as in the English โbutโ (with the schwa vowel), e.g. y dderwen /ษ หรฐษrwษn/ โthe oak (tree)โ and yr ellyll /ษr หษษฌษจษฌ/ โthe demonโ. In non-final syllables of words with more than one syllable, we also find the schwa vowel in these contexts, e.g. dybia /หdษbja/ (mutated form of the verb tybia) โsuspectโ and cyfarwyddiaid /kษvarหuษจรฐjaid/ โstorytellerโ. ย
Diphthongs
ai – as in the English โlightโ or โmyโ, e.g. Owain /หouain/ (personal name).
au โ as in the English โlightโ or โmyโ (with the centralized vowel /ษจ/ rather than /i/ as the final element in north Wales), e.g. Dolgellau /dษlหgษษฌaษจ/.
aw โ as in the English โnowโ or โowlโ, e.g. Aran Fawddwy /หvauรฐuษจ/ (mutated form of Mawddwy).
ei โ similar to the English โwayโ throughout Wales, e.g. gwreiddio /หgwreiรฐjo/ โto rootโ / subjunctive form of โto rootโ.
eu โ similar to the English โwayโ (with the centralized vowel /ษจ/ rather than /i/ as the final element in north Wales), e.g. ceubren /หkeษจbrษn/ โhollow oakโ and ieuanc /หjeษจaลk/ โyoungโ.
oe โ as in the English โtoyโ (with the centralized vowel /ษจ/ rather than /i/ as the final element in north Wales), e.g. coed /koหษจd/ โtreesโ and gormesoedd /gษrหmษsoษจรฐ/ โoppressionsโ. Note that the first element is long in northern monosyllables, as opposed to /koid/, which varies with /koหd/, in south Wales for coed.
ow โ as in the English โoweโ, e.g. Owain /หouain/ (personal name).
wy โ similar to the English โfluidโ (although both elements appear in the same syllable). In north Wales, it is the centralized vowel /ษจ/ rather than /i/ that we find as a final element, e.g. Aran Fawddwy /หvauรฐuษจ/ and cyfarwyddiaid /kษvarหuษจรฐjaid/ โstorytellersโ.
Consonants
The following consonants are pronounced in the same way in both Welsh and English usually: b, d, h, l, m, n, p, ph, s, and t. The following list therefore draws attention to some of the differences between the two languages.
c โ always hard as in โcatโ, e.g. Cader /หkadษr/ and cwtsh /kสtอกส/ โhugโ.
ch โ as in the Scottish โlochโ, e.g. moch /moหฯ/ โpigsโ in Coed y Moch.
dd โ always pronounced as the first sound of the English โtheโ and โthenโ, e.g. y dderwen /ษ หรฐษrwษn/ โthe oak (tree)โ and cyfarwydd /kษvหaruษจรฐ/ โstorytellerโ.
f โ always corresponds to the English โvโ as in โvanโ, e.g. y fesen /ษ หvesษn/ โthe acornโ
ff โ always pronounced as the first sound of the English โfarmโ or โfreeโ. Unlike English, the sounds of f and ff are always kept separate in Welsh (see f above).
g โ always hard as in โgateโ, e.g. gormesoedd /gษrหmษsoษจรฐ/ โoppressionsโ and Dolgellau /dษlหgษษฌaษจ/.
ll โ a typologically rare sound which turns up in all varieties of Welsh. When native speakers pronounce ll /ษฌ/ and l /l/, the lips and front of the tongue are generally in a similar position in both cases. However, to pronounce ll, learners are commonly advised to blow air around the sides of the tongue. The nearest sound in English is heard when โtโ is followed by โlโ, e.g. โlittleโ or โkettleโ, but even this rather strange sound is not identical to the Welsh ll. Examples of ll from the text include Llefelys /ษฌษหvษlษจs/ (personal name) and ellyll /หษษฌษจษฌ/ โdemonโ.
r โ native speakers of Welsh roll their rs regularly. This involves vibrating the tongue to produce a trill or a tap. This r sound is not silenced after a vowel (as is often the case in varieties of English in Wales), e.g. in ardd /arรฐ/ โgardenโ.
th โ always pronounced as the first sound of the English โthanksโ or โthroughโ. Unlike English, the sounds of th and dd are always kept separate in Welsh (see dd above).
With our new Dovetail Template almost ready for prime time (I think it’ll be live in the store next week), I have dovetails on the brain. But who am I kidding โ almost everything I build, and everything I teach, involves dovetails โ so they’re always on my mind.
I always use dividers to lay out my dovetails โ mostly so I have to think only once about the setup; then, I can just pick up my dividers and easily replicate the same layout on every corner of the same size. Above is a video on how I do it.
โ Fitz
p.s. One thing I didn’t include in the video: For the half-pins on both edges of the board, I typically use a tiny pair of dividers; that way it’s easy to tell the two sets apart.
There’s a lot going on in the world these days and as such, scheduled programming can sometimes be preempted. There is a possibility of this happening so Monroe’s live broadcast, which was originally scheduled for tomorrow, is being rescheduled for Thursday, April 7, 9 a.m. to 10 a.m. Pacific (12 p.m. to 1 p.m. Eastern), on Johanna Wildoakโs โWildoak Livingโ radio program on KZYX, Mendocino Public County Broadcasting. The broadcast will be live-streamed on the KZYX websiteย here.
The program will also be archived in the KZYX jukebox for about two months. You can look for the program by date and time of broadcast here. It will also appear as a podcast on all major podcast platforms. Simply search for โKZYX.โ
Below, a few journal entries from Dick Proenneke, beginning April 7, 43 years ago today.
โ Kara Gebhart Uhl
April 7, 1979:
My arm and shoulder showing only a trace of soreness from the heavy gouge work so gave them another go at it by continuing with the burl bowl.
April 10, 1979:
I sanded more on my burl bowl. Nearly good enough and now if I had some Flecto wood finish I would see if it was worth the elbow grease that went into carving & sanding.
April 14, 1979:
From a poplar wood log I sawed, chopped and gouged out a holding device for holding spruce burls for hollowing. A wide notch with the end undercut to catch the lip of the burl and prevent it from tipping while I use the gouge.
April 20, 1979:
I wrote another letter and then after noon I would do a little sanding. I was surprised that it went so well. Maybe fifteen minutes work to finish the burl bowl that I then wrapped for mailing to the lady in Juneau who sent me the ceramic mug.
Register now for GreenWood WrightsโFest in Pittsboro, N.C., April 22-24, 2022 โ a weekend of green woodworking fun, camping and family friendly entertainment. Revel in greenwood camaraderie as you learn traditional hand-tool skills, carving spoons and bowls, timber framing, basket making, steam bending, post-and-rung stool making and much more. Roy Underhill and other talented green woodworkers from around the country will be leading hands-on workshops, lectures and free demonstrations.
In addition to 26 workshops, there will be special events including a marketplace, and music and dance. Weekend tickets include one workshop, demos, nature walks, free camping, music, dancing and special events. Additional tickets for workshops will be available once admission tickets have been purchased. Food will be available on site, and beer will be available โ in the evening, after knives and axes have been stowed โ by the Red Moose Brewing Company.
โWhat I wouldn’t give to be there! Shaving away at a Slรถjd-infused spoon while listening to Master Underhill weave his yarns sounds like a dream vacation to this wandering mule. Please give him my best affection, cheer, and a moderate serving of the Devil’s Biscuitsโข.โ โ Nick Offerman