Lost Art Press

The Horse Dung (and Urine!) Experiment

Posted on by Lost Art Press
Jonas in June 2011, when I met him at Dictum GmbH.
Jonas in June 2011, when I met him at Dictum GmbH.

In our excerpt of “To Make as Perfectly as Possible: Roubo on Marquetry,” A.-J. Roubo offers a recipe for staining wood red using a concoction made using horse dung and urine.

Here’s the recipe:

Before finishing the dyeing of wood, I believe I ought to give a least-costly method of dyeing white wood red, which is done in the following manner:

You take some horse dung, which you put in a bucket of which the bottom is pierced with many holes, and you place it above another bucket, into which falls the water from the dung, as it gradually rots. When it does not rot fast enough, you water it from time to time with some horse urine, which helps a lot and at the same time gives a red water, which not only stains the surface of the wood, but penetrates the interior 3 to 4 lines deep. In staining the wood with this dye, one must take care that all the pieces be of the same species, and about equal in density if one wishes that they be of equal color throughout. This observation is general for all water-based stains, which have no palpable thickness nor even appearance [they leave no residue or any evident change in appearance], which requires the cabinetmaker to make a choice of wood of equal color and a density as I mentioned before.

Woodworker Jonas Jensen of Mors, Denmark, is making this stain and documenting the process on his blog, Mulesaw. Follow along – but be warned, if you don’t like pictures of dung you are not going to like the instructions.

And just a reminder, the standard edition of “To Make as Perfectly as Possible: Roubo on Marquetry” is almost finished at the printer. If you want the book with free domestic shipping, be sure to place your order before Thursday, Oct. 10.

The standard edition is available in the store here. We have some deluxe versions still available, though the supplies are dwindling. Click here for details on the deluxe edition.

— Christopher Schwarz

Evil Effects of The Division of Labor

Posted on by fitz

st_giles_slum

In attempting to prove that the minute subdivision of labor has an evil tendency, I am aware that I shall meet with few who will admit the evil to be so extensive as I shall endeavor to point out; and it is very probable I shall be written down by some of the many able correspondents of the Mechanics’ Magazine.

But as the following facts are the results of long observation and experience among the working classes, I have resolved to publish them anonymously, in the hope that they will meet the eye of some who may be benefited by them; and should they be the means of convincing even one, I shall consider myself happy in having brought the subject into notice. I have myself served an apprenticeship to a mechanical profession, and had then ample opportunities of observing the causes that tend to bring about the moral degradation of some of the working classes.

That the division of labor produces a cheaper article, and is a great source of national wealth, I readily admit. I believe were it not for this very cause, Britain would ere this have lost her political status among the nations. Groaning under a load of taxation, which no other nation on earth could have borne, we have been driven into an artificial state of society, and the division of labor with all its attendant evils is one of the results.

This is illustrated by the fact that we export machinery to countries where workers are obtained at half the price: and yet these countries are unsuccessful competitors in the same market with the poor tax-eaten British. Our national vanity whispers that this is owing to our superior genius; but I contend that it is our artificial mind-degrading system of dividing labor, which by making individuals do only one part of a thing; with mechanical, or rather slight-of-hand, rapidity, enables us to produce a whole as cheap as our foreign brethren.
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Peter Galbert on Chairmaking

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The Sterling Historical Society presents PeterGalbert from Robert McKay Jones on Vimeo.

With all the (well-earned) hoopla about our Roubo translation, we haven’t been talking as much about the other projects coming up from Lost Art Press – including a fantastic book on chairmaking by Peter Galbert.

The book is essentially written, and now Peter is making the illustrations (by hand, natch) for the book. I’ve been editing the text and I can say that it is outstanding. And I say that as a chairmaker, not as a publisher. Look for it in 2014.

If you’d like an introduction Peter and his way of working, check out the above video shot at the Sterling (Mass.) Historical Society. If you’ve had the benefit of taking a class from Peter or attended one of his seminars, then you know his book will be nothing less than fantastic.

— Christopher Schwarz

Oh Crap, it Works

Posted on by Lost Art Press

desk_open_IMG_7661

When you start working in the world of furniture that folds and unfolds, it’s easy to get your frontal lobe into a blender. Even though you know that this contraption should work, you don’t actually believe it until you build it.

With this folding officer’s desk, I had six butt hinges all turning in different directions. So keeping inside and outside all straight as I screwed them in kept me flummoxed. And I kept wondering how much spacing I should leave between the folding aprons and the inside of the legs (my experiments with the mechanism told me the answer was “none”).

But still you worry.

So it was satisfying for the table base to snap open and shut perfectly on the first try.

Now I just need to build the folding desktop, which locks the base in the open position. I’d better get the jack plane sharpened up – the top is 24” wide, and I have only a 13” surface planer.

— Christopher Schwarz

desk_shut_IMG_7662

Fast and Slow Moulding

Posted on by fitz

moulders

The moulder that produces the most work is not always the one that makes the most motions. The contrary is generally true. The man who does a large day’s work, if observed, will be seen to be attentive, calm, and thoughtful, but never, apparently, in a hurry. You will never see him excited, or making a false move.

If he steps across the shop to find some tool, you will generally see him bring back more than he went for. On his way he sees something that he will want further on in his job. His thoughts are on his work, and he sees ahead of what he is doing, and does not have to wait until he comes to the different parts of his job to know what he wants.

Materials and tools are always waiting for him, not he for them. When he has a new job he sees its requirements before he begins it. He thinks before he acts. His brains are always ahead of his muscle, and he never makes two motions where one will do. This requires thought and study. All men are not capable of this, but many that are do not practice it. They would sooner be in a sweat than bother their brains with thought, or study how to accomplish the most work with the least labor.
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