Our offer of free domestic shipping on our documentary on the H.O. Studley Tool Cabinet and Workbench called “Virtuoso” ends in one week on Sept. 25 – the release date of the DVD. We’ll be selling the DVD at Woodworking in America next weekend along with the companion hardbound book.
Also, for you autograph hounds, both the author Don Williams and the photographer Narayan Nayar will be at Woodworking in America. Oh, and the editor of the DVD Ben Strano will be there as well.
The “Virtuoso” DVD is $20. You can order one from our store via this link.
Given a choice between reading estate inventories or criminal records I go for the criminals. The carpenter above was found guilty in August of 1678 and his punishment was having ‘M’ branded on his thumb. If convicted of murder he would have been hanged. Life was not easy for the working class in the 17th century and punishment was harsh.
The Tyburn Tree…built by Carpenters.
Before being taken to Tyburn the condemned spoke with an Ordinary (a member of the clergy) and a statement was entered into the official records. Themes of Idleness, Excessive Drink, Swearing and Lude Company were often written into this final statement. Theft of even very small amounts could lead to execution.
May 1690 Execution at Tyburn: Andrew Browne condemned for Felony and Burglary, he is Aged 30 years, was born in Shrop shire, and bred a Carpenter. He followed that Employment Three Years in Red-Lyon-Fields. But leaving his Trade, and taking to an Idle Life, he fell into Evil Company, and thereby Committed the foresaid Crime. He said, that he had been guilty of swearing and excessive Drinking, of which, he now Repents.
They do not labour like the ant, Their work is play and play their want.
Apprentices seldom had an easy life and there are many accounts of runaways and other trouble.
October 1718 Execution at Tyburn: Henry Abbott, condemned for Burglary in breaking the House of Mr. Jonathan Jones, and stealing then 5 Silver-Spoons, a Silver-Cup and other Plate and Goods. He said he was 19 Years of Age…That he was bound Appentice to a Carpenter in White-Chapel, with whom he had been two Years, he left him, upon the account of his great Severity to him and his Hastiness in giving him Blows on the Head, and anywhere else he could hit…That as soon as he had left him, he went to serve another Carpenter, who was to maintain him for his Work till he had serv’d out the Remainder of his Time, which was five Years; but of those…he had not serv’d above two when he committed the Fact he now stood condemn’d for; which he confess’d, but said it was his first, and would be his last, if he should live never so long.
May 1728 Execution at Tyburn: George Gale alias Kiddy George, about 17 Years of Age…born of Honest Parents who took care of his Education at School, and instructed him in the Christian Religion, and afterwards put him to a House Carpenter or Joyner, which Business he never followed; but was one of the most wicked, cross and disobedient Boys upon Earth; and married without his Parents Consent. He committed many Robberies, and was a constant Thief for a considerable Time…
Next, we have this fellow and an 18th century version of ‘Wanted!’: Advertisement for January 13, 1716: Whereas James Goodman alias Footman, made his escape (with Irons on, by leaping over the Spikes of the Bail-Dock and the Rails) at the Sessions-House in the Old Bailey, on Saturday last, being the 14th Instant, about 6 in the Evening; he is about 37 Years of Age, 5 Foot 10 Inches high, much Pock-fretten, has many Freckles in his Face and Hands, a wide Mouth, down Look, speaks very broad, a reddish beard, but did wear a brown wig, a Carpenter by Trade, and lately live at Aylesbury…He was shot in the Nape of the Neck about a month since, when he was taken, which Wound is not yet well, and several small Pieces of his Scull taken out of his Wound. Whoever can discover the said Person, so that he be brought to Justice, shall receive Twenty Pounds reward from Bodenham Rowse Head Turnkey of Newgate.
Cabinetmakers were a different story and were usually the victims of a crime instead of the perpetrator. In some cases we learn a bit more about them as in this example from March 1798:
John Westfield a cabinetmaker with Banner and Bruce’s Coachmakers in Long-Acre went to the country for six weeks. John Robinson, age 24, was a carpenter who worked for Westfield as a porter. While Westfield was away Robinson stole a pannel saw, carcase saw, sash saw, dove-tail saw, a stock, 27 bits and one saw pad.
Westfield: When I returned I found the chest broken open in the shop, and the articles in the indictment taken out; they have all been found since. In consequence of a suspicion…got a warrant, and went with the officer to search the prisoner’s lodgings; I found the small saw pad in his chest…
Westfield further testifies that his shop employs 7 to 9 men and sometimes Robinson did some work other than being a porter. Tools were sometimes lent to Robinson, but never the items that were stolen from the locked chest.
John Wray-Officer: searched the prison’s lodgings…Ifound two boxes, a number of duplicates [pawnbroker tickets], some saws, one stock and a centre-bit.
William Crouch-Officer: (Produces a stock and bits, and a saw)…Itook them of a young woman who said they were her husband’s.
Cross-examination of Crouch: Q. I believe you know it is no unusual thing, when poor people have duplicates that they sell them, and honest persons sometimes get possession of duplicates of things improperly come by? A. It is very often the case.
Westfield: That is my saw, it is my own sharpening; the stock has my own name engraved upon it at length.
Cross-examination of Westfield: Q. Do you mean to swear that this is your saw, merely because it is of your sharpening-do you sharpen differently from anybody else? A. There is a great deal of difference in sharpening, the same as difference in handwriting.
Q. Because it is done in a more bungling way than common, perhaps? A. I do not know but it is. Q. Any young beginner might blunder in the same way? A. There is as much difference as there is in handwriting.
John Robinson was found guilty of grand larceny and sentenced to six months confinement in Newgate Prison and fined 1s. A century earlier Robinson would have been condemned to death.
While some of the Old Bailey proceedings were very grim reading (execution for theft of a handkerchief in the 17th century), other cases brought to mind Horace Rumpole and his constant defense of the Timson crime clan…the window was already broken when I reached in and my hand happened to land on the silver plate.
It was my first book and took three years of my life to write and design.
It is still an excellent reference for anyone looking to build a first workbench.
It was produced and printed in the United States.
I still agree with (almost) every word of it (except an error I made in a caption).
And while I quite like this book, it hasn’t done much to help our household during the last eight years. Though it sold quite well, I was paid a flat fee for the writing and have received no royalties since it was released in 2007. I’m not bitter about it in the least. That was the deal they offered me, and I gladly accepted it.
However, all that changes with the release of the revised edition next month. I spent the first part of 2015 revising every chapter and adding material throughout – including two additional chapters on new versions of French and English workbenches – with complete construction drawings from Louis Bois. The book is now longer, stronger and I’ll receive royalties on every copy sold.
Lost Art Press has committed to carry 500 copies of the book, which is being printed in the United States to high standards. All 500 copies that we are selling will be autographed personally (not via bookplate) and will be shipped domestically via USPS with free shipping. The cost is $34.99 and can be pre-ordered through our store. The book should ship sometime in late October 2015.
You can place an order for one of these books from our site here. The price is $34.99.
Should you buy this book if you already have the first edition and a great workbench? Probably not – the core ideas are the same, though sections of the book have been expanded greatly to cover advancements in workholding. But if you like to support the work we do at Lost Art Press or know someone who could benefit from a book on workbenches, then we are happy to send you one.
A top with a scrubbed finish at the Cheltenham museum.
Editor’s note: Search around for information on how to achieve a “scrubbed finish” and you will encounter a comedy of chemistry. People try to achieve this with all manner of stains and caustic chemicals. A real scrubbed finish is simply bare wood that has been cleaned and cleaned – getting better over time. Alan Peters explains:
At times this (a flawless finish) disturbs me, for the surface that some admire and some craftsmen strive to satisfy has little to distinguish it from a piece of plastic laminate; for that is precisely what the surface has become, after the grain has been filled and endless coats of plastic film have been applied and painstakingly rubbed down.
Natural wood finishes, such as oil and wax, are very susceptible to marking in their early stages and do require care and attention. Frankly, this dilemma of finding wood finishes that leave the material looking like wood, resist marking, and improve rather than deteriorate with age, has dogged me and often defeated me these past 20 years….
For example, a scrubbed finish to an oak dining table, so favoured by the Cotswold School, is a beautiful surface, immensely practical in use, improving with age and developing a wonderful surface texture that would look fine in many situations, especially in the older farmhouse or cottage-style dwelling, and for most of the time it requires no more than a wipe over with a damp cloth after a meal.
However, it is also virtually colourless, just a bland uniform silvery grey. It has none of the colour variations of say a rosewood veneer or an oiled elm surface, and it is this richness of colour and grain that many of us find attractive about wood, so one has to move in this instance to a finish that heightens and preserves these characteristics….
Scrubbed and Washed Finishes
Ten years ago on moving to Devon I needed to make a pine kitchen/dining table quickly for our own use. Today, it is a beautiful golden colour similar to old stripped pine with not a bruise and hardly a scratch to be seen. We do not use a table cloth, only place mats, and we have never treated it at all gently. Yet, all that it has received in treatment or finish is a regular wipe over with a damp cloth after use and, once a month perhaps, it is thoroughly washed and scrubbed with hot water and household detergent. The hot water raises any bruises and scratches and the table looks like new, or rather, even better than new, for it has acquired a lovely patina now. There is no comparison with the treacly, bruised and scratched polyurethane surfaces so often encountered with modern manufactured pine tables.
A scrubbed finish is not restricted to pine, and I have used it for dining and kitchen tables and sideboards in oak, chestnut, pine, cedar and also sycamore. In the case of the latter, if an occasional wash with household bleach is substituted for the detergent, a beautifully white spotless surface will result.
My only regret is that I cannot persuade more of my customers to have this finish.
— Alan Peters, “Cabinetmaking: The Professional Approach, 2nd edition” (Linden)
We got our first look today at the finished letter press poster carved and hand-printed by Brian Stuparyk at Steam Whistle Letter Press in Newport, Ky. It’s a beauty.
The 13” x 19” poster will go on sale at Woodworking in America in Kansas City, Mo., next weekend. The price will be $20. We don’t have the room in our truck to bring mailing tubes, I’m afraid, but we will be rubber-banding the posters if you like.
We have 500 of them. If we have any left after the show, we’ll put them up in the online store. The price might be a little higher because we’ll have to use special packaging. Details to come.
This is a joint project that Brian and I have been talking about for many months. And after kicking around a few ideas we settled on a poster that embraced the ethos of both of our companies for quality, handmade stuff. And the poster actually has some useful and fun information on it. The art elements of poster were hand-carved by Brian and printed on vintage letter press equipment. I’ve included some photos of that process in a gallery below.
As I loaded the posters into my truck today we started kicking around a few other ideas. Could we do a book together that he printed on letter press? That’s crazy, right?