After finishing an index for one of the LAP books I usually put together a small personal souvenir. A few of the pages from “Woodworking in Estonia” (the ones that gave me indexer fatigue) were folded into origami and are tucked into the pages of the book. To mark the end of my work on “With All The Precision Possible – Roubo on Furniture Making” I put all the workers and some of the tools into one image.
The montage can be printed up to a 16″ x 20″ poster (a bit smaller than A2). I have had the image test printed at two nationwide office supply chains and it makes a decent poster for the workshop. If you want some nice woodworker-themed gift wrap have it printed on newsprint.
“Roubo on Furniture” will forever be known as one of our children that had a difficult birth. The cover cloth we ordered for the book has been discontinued. As was our backup color.
And so we have switched gears and the cover cloth will be the greenish blue shown at right.
If you ordered the book for the color of the cover only, please send a message to help@lostartpress.com and we’ll dispatch a psychiatrist to your home immediately.
Here locally, I get asked the following question a lot: How do you stay in business?
It’s a good question. When I explain Lost Art Press to Covington, Ky., city and business officials, they look at me like John and I must have some sort of trust fund that supports our chicanery. But nothing could be further from the truth.
The translation of “l’art du Menuisier” is a good case in point. The project began entirely outside of our grasp. In 2005, I was building French workbenches and trying to translate sections of A.-J. Roubo’s “l’art du Menuisier” for my own use or to publish on my blog.
Then the phone rang. It was Don Williams. He said that he and some friends were working on a translation, too. He asked me how far along we were. The answer: About 10 pages out of 1,200 or so. He said they were further along. So I said: Fine. You win.
During that phone call we agreed to work together to translate the 18th-century books that we were both obsessed with. We thought it would take a few years of work. We were incredibly wrong. It’s now 2017. We are much older and finally on the cusp of publishing “With All the Precision Possible: Roubo on Furniture,” the book I’ve dreamed about for years.
Unfortunately, it’s an expensive book – $57 is a lot of money.
When you set the price for a book you need to accommodate the price of printing the physical book. (And when you print it in the United States instead of China, that price is about four times the China price.) Then you have to sum up the hours that everyone spent on the book and assign some cost to that work.
For this book, I refused to calculate the price of the writing, translating and editing labor. Why? Simple. We would have done it even if we hadn’t been paid.
Everyone in this translation project, from Don Williams down to the editor, designer and copy editors believe that this is something that should be available to anyone who wants to become a woodworker. It’s not some piece of obscura – this book is the foundation of the legal aspects of what is quality woodwork in most countries.
And there has never been an English translation published.
So when I calculated the price of “Roubo on Furniture,” I discarded the cost of our labor. I flushed it, really. So the price is based solely on our costs to print it and bring it to market.
I know that $57 is a lot of money for some wood pulp bound in cotton cloth, fiber tape and glue. But know that if you buy “Roubo on Furniture,” you are buying hundreds – maybe thousands – of hours of unpaid work for the love of the craft.
Or don’t.
In the end, we really don’t care. Everyone involved in this project – Don, Michele, Philippe, Wesley, John, Megan, Suzo, Kara and many others – are happy either way. We’ve done what we set out to do many years ago. We have all absorbed the incredible woodworking knowledge Roubo recorded. We’ve packaged it in a gorgeous book we can refer to whenever we please.
With the impending release of the standard edition of “With All the Precision Possible: Roubo on Furniture,” we have received lots of questions about the deluxe edition of this book. We don’t know many details at this moment, but here’s everything I know.
The design process for the deluxe edition of “Roubo on Furniture” will begin shortly. Designer Wesley Tanner created both the standard and deluxe editions of “Roubo on Marquetry” – and he designed the standard edition of “Roubo on Furniture.”
The deluxe “Roubo on Furniture” will look and feel the same as the deluxe “Roubo on Marquetry.” Same paper, same binding, same slipcase. We likely will use the same printing press and bindery. So it will be as stunning as the deluxe “Roubo on Marquetry,” which was named one of the 50 “Books of the Year” in 2013 by the Design Observer.
Here’s what’s going to be different: the thickness of the book (it’s almost twice as long as “Roubo on Marquetry”) and the way we will handle pre-publication orders.
Once we get a feel for how many pages the deluxe edition will be, we will be able to set a price – I’m going to guess that it’s going to be be about $475. Then we will open up pre-publication ordering for both domestic and international customers. Everyone who orders a book will get a book (and will get their name listed in the book as a “subscriber.”) After taking pre-publication orders for a month or so, we will close down ordering and go to press. We might print a few dozen extras for ourselves and family, but we are not going to stock this book in our online store after the pre-ordering period.
Then, when the book is done, we’ll mail them out in a custom cardboard (repeat: cardboard) box to protect the book during shipment.
The books will not be numbered or autographed. In 2013 we had many people request that we have all the authors sign the marquetry book. We simply cannot do that. We are not in the business of creating collectibles. Apologies.
So now you know everything I know. We’ll get to work on the deluxe edition and update you when we have more information.
Customers who order the book before it ships will receive a free immediate download of a pdf of the book. This offer will end on the day this book ships. As always, the $57 price includes the cost of shipping to customers in the United States and Canada. International customers will be able to order the book from our retailers. (Sorry, but the offer of a free download is not available for international customers.)
Representing a decade of work by an international team (Donald C. Williams, Michele Pietryka-Pagán & Philippe Lafargue), this book is the first English translation of the 18th-century masterpiece: “l’art du Menuisier” by André-Jacob Roubo. This, our second volume, covers Roubo’s writing on woodworking tools, the workshop, joinery and building furniture.
In addition to the translated text and images from the original, “With All the Precision Possible: Roubo on Furniture” also includes five contemporary essays on Roubo’s writing by craftsmen Christopher Schwarz, Don Williams, Michael Mascelli, Philippe Lafargue and Jonathan Thornton.
You can download the complete table of contents here.
“Roubo on Furniture” is filled with insights into working wood and building furniture that are difficult or impossible to find in both old and modern woodworking books. Unlike many woodworking writers of the 18th century Roubo was a traditionally trained and practicing joiner. He interviewed fellow craftsmen from other trades to gain a deep and nuanced view of their practices. He learned to draw, so almost all of the illustrations in this book came from his hand.
The above facts are important because many early woodworking books are filled with information that is not quite right and drawings that were made by non-woodworkers. Not so with Roubo.
No matter what sort of woodworking you do or your skill level, we think “Roubo on Furniture” will expand greatly your knowledge of how fine furniture was (and still should be) built.
Like all Lost Art Press books, “Roubo on Furniture” is made entirely in the United States with quality binding and materials. All of the acid-free pages are sewn together and then bonded with a fiber tape so the book will not fall apart. The cover is a heavy and stiff board covered with cotton cloth. The book is 8.5” x 12” (the same size as “Roubo on Marquetry”) and is 472 pages.
“
Unfortunately, it’s an expensive book – $57 is a lot of money.
With the impending release of the standard edition of “