I am off to Charleston, S.C., for the rest of the week to help settle my father’s estate and clean out his house. So I won’t be posting much on the blog, if at all.
In my absence, I give you this embarrassing reading of the poem from “Ingenious Mechanicks: Early Workbenches & Workholding.” It always takes me a little time to get any perspective on my own work. This book seems to be an unusual combination of deep and difficult research with Cheeto jokes. I can say at this point that the printing job is spectacular. And the paintings that Suzanne Ellison dug up for the book are worth the price of admission.
The poem is an exhortation on the sort of woods that are appropriate for a workbench. The audio was recorded and edited by Brendan Gaffney. The plates are from from M. Duhamel’s “de L’exploitation des bois.”
A photo I took (pre-chocolate) of Thomas Lie-Nielsen at the 25th anniversary.
Recently I sat for a nice interview with Finn Koefoed-Nielsen, a U.K. furniture maker who started his career through home restorations.
One of the things we discussed was how John and I started Lost Art Press. So-called “origin stories” (I got me superpowers after being bit by a horney alpaca) are interesting to me. But I’ve never sat down and hammered out the one for Lost Art Press.
In 2006, John and I attended the Lie-Nielsen 25th anniversary open house. John got to chatting with Christian Becksvoort and asked Chris: “Why haven’t you written any more books?”
Chris gave John a history lesson on how corporate publishing works and how most authors make very little money in the end but the publisher gets rich. I didn’t need the lesson; I was working for F&W Publications and was living the life.
That night John and I sat up late drinking beer and eating melted chocolate. I had brought some Esther Price chocolates (a local delicacy) to give to Thomas Lie-Nielsen. But during the flight and drive they’d melted into one disgusting-looking mass. Like a molten meteor from the Planet PMS.
This is where Finn’s story picks up on his blog. Note his excellent logo. A squirrel. (I assume it’s a red one.)
So there John and I sat with too many beers; chocolate smeared on our faces and hands. Instead of talking about our feelings we talked about publishing. My first book, “Workbenches: From Design & Theory to Construction & Use,” was working its way into my laptop. And I had a lot of ideas for other books that were not very commercial.
And, like all magazine editors, I was certain I was going to be fired. (Note: In 28 years of publishing I’ve never been to a single retirement party for a magazine editor. Like the moon landing, they don’t happen.)
The next day we were hungover, crashed from the sugar rush and waiting on our plane back to real life. Slumped in our seats in the Portland terminal, we decided to investigate this idea a little more.
— Christopher Schwarz
P.S. The interview with Finn covers a lot more ground, including details on some of our upcoming projects.
When I built my chest for “The Anarchist’s Tool Chest” I didn’t include any chest lifts. Why? I don’t know. I had planned on making some intricate rope beckets. But I didn’t. I guess I’m just an idiot.
Months later, Roy Underhill showed me how to make “dog bone” lifts for a chest. He makes them a little differently than I do, but the idea is the same. These are the lifts I use now when I build chests for customers. Here are the steps:
Make a handle that looks like a dog bone.
Turn down the middle of the dog bone to a cylinder
Shape the remainder of the lift with ogees, ovolos, yodas etc.
Finish and attach.
For each lift, start with a piece of wood that is 1-3/4” x 3” x 13-1/2”. The handle in the middle is 1” in diameter and 4” long. So saw out the excess material as shown in the photo below:
Now chuck the piece in your lathe and turn down the handle to 1” in diameter. I give the handle a slight barrel shape and incise a couple lines (because I am a fancy lad).
Now saw away the excess and shape the ends. I use an ogee and an ovolo. Then I rasp an 1/8” x 1/8” bevel on the hard arrises. Finally, drill the counterbores and pilot holes for attaching the lifts with four stout steel screws.
Finish the lifts. Attach them.
Note that I want these lifts to look handmade (they are). I am not going for the pattern-routed look. I like the sharp silhouette of the chest with the addition of these slightly earthy-looking handles on the ends. You grab them and they feel smooth and worn. It’s Hobbit-y to me.
If you plan to come to one of our open days, might I recommend May 12?
On that day we will have a surplus tool sale where Megan, Brendan and I are going to dispose of all the extra woodworking stuff we have accumulated. We’ll post photos of the stuff in the next week or so, but I’ve dug up some woodworking vises, two (?) hand-cranked drill presses, a miter box and a bunch of other small stuff. Brendan and Megan also have heaps of stuff.
All tool sales will be cash only.
Second: We hear tell that Jameel and Father John Abraham from Benchcrafted will visit the store that day. You know what that means – breakdancing and oud solos. And talk of workbenches. Lots of talk about workbenches.
We’ll have two Roman workbenches on hand from “Ingenious Mechanicks: Early Workbenches & Workholding” for you to use. And that’s because we are going to hold a free book-release party for “Ingenious Mechanicks” that same evening, and you are invited.
The party – 7 p.m. to 10 p.m. – will feature special guest and researcher Suzanne “Saucy Indexer” Ellison, who performed a lot of heavy research for the book. Suzanne and I will sign books and then give an illustrated lecture on the history of workbenches as shown through religious and secular painting.
Suzanne is also cooking up some special gifts for attendees.
We are limited to 60 spots. The event is free but you need to register here. We will also provide snacks, beer, wine and soda.
We hope you can attend! The storefront is located at 837 Willard St. in Covington, KY 41011. The store will be open 10 a.m. to 5 p.m. The party will be 7 p.m. to 10 p.m.
A rare first edition of “Welsh Stick Chairs.” We’ve had to acquire three copies in order to find one suitable for our scanning project.
I am thrilled to announce that Lost Art Press is bringing the classic “Welsh Stick Chairs” by John Brown back into print with a high-quality North American edition.
I have read “Welsh Stick Chairs” more than 20 times, and it has had an incredible influence on my life.
John Brown introduced the world to the Welsh stick chair (in fact, he might have coined the term). And that style of chair set me on a path that eschews fancy furniture and embraces pieces that were made by the end users, most of whom were amateurs.
Further, John Brown was the first person to put the words “anarchism” and “woodworking” together in his columns in Good Woodworking magazine. This bold move gave me the courage to let my own anarchist flag fly in “The Anarchist’s Tool Chest” and “The Anarchist’s Design Book.”
I am not alone. Thousands of woodworkers all over the world discovered a different way to look at the craft through John Brown’s writings. Every time I encountered one of his die-hard fans, they would ask: Why haven’t you brought “Welsh Stick Chairs” back into print?
The answer was simple: We didn’t own the rights.
But thanks to John Brown’s heirs, particularly his son Matty Sears, we have obtained the rights to print “Welsh Stick Chairs” for the North American market. (A second publisher retains the rights in the U.K. and Europe.)
We will do this book justice.
We are resetting the entire book from scratch using the original fonts. This will make the text as crisp as possible. For the photos, we will scan original first edition books (the original photos have been lost) and use high-tech scanning tricks and a very advanced printing press to produce images that will look as good as the originals.
The new edition will look a lot like the first edition. The cover will be a heavy and rough paper. The interior pages will be heavy, smooth and coated. The only change we will make to the binding is that we will sew the signatures together for added durability.
We don’t have a price yet – we are shooting for less than $30. And we expect to release the book in June. Why so fast? I have been working on this book for quite some time. Only now can we talk about it publicly.
“Welsh Stick Chairs” will serve as an excellent companion to our forthcoming book on John Brown by Chris Williams. Their book, which should be out in 2019, will explore John Brown’s woodworking career and the path his chairs took after the publication of “Welsh Stick Chairs.”
It is my sincere hope that this pair of books will inspire future generations of woodworkers, and that the works of John Brown will never be forgotten.
This is where Finn’s story picks up 
