We have a small batch of Warrington-pattern hammers in stock and ready to ship. The heads are made in Nicholasville, Kentucky by Craig Jackson’s crew at Machine Time. The oiled hickory handles are made in Tennessee. The hammers are hand assembled, wedged and glued.
They are $97 each. You can read all about the hammer in our store, including what the hammer’s cross-peen is used for.
The Crucible Cross-Peen Hammer is in production, and the first tools will go up for sale in a week or two. This has been a year-long project that required a lot of programming, plus finding a new handle supplier. The result? Craig Jackson, our machinist at Machine Time, said about the finished hammer “I’m happy for once!”
Here are the details on the hammer, which has the in-house nickname “Peeny Weeny.”
The hammer head is milled from a solid block of hardened steel. Weighing 4.5 ounces, the head is 4” long overall with a 5/8”-diameter striking face. The cross peen at the opposite end has a striking surface measuring 1/8” x 1/2”.
The handle, made for us by Hoffman Blacksmithing, is hickory and is 11” long overall. The neck of the handle is a scant 3/8” x 1/2”, which was a challenge to cut without chattering. The handles are all sanded and hand-finished with oil. The wedges are walnut.
Overall, the hammer weighs 5 ounces, and is an ideal weight and size for small workshop tasks. In addition to sinking small brads and pins, the cross peen is ideal for starting headless nails without mashing your fingers.
The head and the peen are also ideal for adjusting handplanes. For my entire career, I have used one of these hammers to tap my irons laterally to get the iron centered in the plane’s mouth. I also use the cross peen with side-escapement planes, knocking the iron in place against the blind side of the plane’s escapement.
Antique versions of this tool can be hard to find in the United States, especially with a decent handle. Modern imported versions are – sorry to say – not a pleasure to use.
We don’t have a retail price yet. It likely will be about the same price as our standard lump hammer. Though there is a lot less steel, the machine time for this head is considerable. The handle is custom-made and is about three times the cost of the lump hammer handle.
As always, we will first fulfill all domestic orders for the hammer before we can offer it to our other retailers.
— Christopher Schwarz
Barely in time for Christmas, we have a batch of our Special Edition Engraved Lump Hammers in the store and ready to ship. This will likely be the last batch before the end of the year.
The engraving was designed by Jenny Bower and translated into really fluid toolpaths by machinist Craig Jackson – a real group effort. The result is a pleasure to hold and use.
— Christopher Schwarz
On Monday or Tuesday we will begin selling our Special Edition Lump Hammers that feature a machine engraving designed by artist Jenny Bower. We’re making 200 of these this year and hope to make another batch next fall.
These lump hammers have the same characteristics as our regular lump hammers with two differences: the floral engraving on one face of the head, and the octagonal hickory handles have all been hand-scraped by our own Megan Fitzpatrick.
Machinist Craig Jackson took Jenny’s drawing and translated it into fluid toolpaths that his CNC mills could follow. The process took many hours of work both for Jenny and Craig. And the engraving requires an entirely new machine setup to achieve.
We are delighted with the result. And I am simply working up the courage to start using such a beautiful tool. (Oh, who am I kidding – I immediately beat the snot out of some legs that I was driving into mortises).
If you already own one of our lump hammers, consider getting this one for formal occasions and weddings.
The special edition hammer is $165 and ships free to U.S. customers. If these special edition hammers do not sell out, we will see if there’s any interest from our international retailers in carrying a few. No promises.
We love working with Jenny (and you, too, Craig) on these joint projects and like the touch of floral sexiness they bring to our tools (check out our engraved Brass Center Finder for more).
— Christopher Schwarz
One aspect of woodworking that is difficult to explain to non-woodworkers are the physical and mental effects the tools have on us.
Sometimes I wonder if I should bring my Lie-Nielsen No. 3 in bronze to the doctor’s office with me. I can promise you that my blood pressure and pulse are lower when my right hand is gently curved around its tote.
When we set out to design our large Center Square in brass, I knew exactly how it should function. But we were also chasing something else that is much more difficult to achieve – an almost totemistic way that the tool looks and feels in your hand.
The size and heft of the tool were carefully considered to make it something that feels at home in your hands. Overall it’s 5-1/2” long and 2-3/8” wide, so it sits nicely in most palms. The Center Square is machined from solid brass and weighs a pleasant 5.6 ounces. All its edges have been eased after machining, so there are no sharp and unpleasant corners.
But the real stunning part of this tool is the machine-engraved pattern on its blade. I wanted woodworkers who might not be able to afford an engraved tool to be able to own something that is (almost) as perfect and beautiful.
So I reached out to Jenny Bower, an engraver and maker in Michigan, to see if she would lend her hands and eyes to this project. You might remember her from our small run of engraved lump hammers. There’s no way we could ask Jenny to engrave hundreds of these Center Squares. They would be too expensive and it might burn her out.
But I was willing to bet that our machinist, Craig Jackson, would be willing to try to translate Jenny’s designs into something that one of his mills could engrave. Jenny drew up about a dozen designs for us. Then Craig selected the one best suited for his mill. It took many hours of work, but Craig managed to translate Jenny’s fluid and floral lines into something his machines could cut.
The result is not something intended to fool an engraver. The lines are clearly incised by a machine. But they also retain the fluidity and life that Jenny put into them.
The Crucible Center Square is now in production and the first big batch is in our store. These tools are made in Kentucky with a little help from Michigan thrown in. Right now the price of metals such as brass is volatile. The price of this Center Square is $120 (domestic shipping is free). That might change as the price of brass fluctuates.
All thanks to Jenny and Craig for making a tool that exceeded my high expectations for it.
— Christopher Schwarz
