Lost Art Press

Now Available: ‘Make a Gibson Chair’

Posted on by Lost Art Press
A Gibson chair in black cherry.

The Irish Gibson chair is a feat of ingenuity, simplicity and geometry. Its radical angles and spare construction suggest it is an odd place to sit. But everyone who has sat in one will tell you this: It is remarkably comfortable.

I first encountered Gibson chairs through my research on vernacular furniture. And I wondered the same thing. How could this chair be sittable? So I spent a year recreating a Gibson chair with the help of hundreds of photographs and a few books.

My cheap copy sat remarkably well, and it altered the gears in my head when it comes to chair geometry. Intrigued, I went to Ireland in 2019 and studied a lot of Gibson chairs, including some beautiful ones in the collection of Mark Jenkinson. Then I came home and started building lots of Gibsons, fueled by my hands-on experience with the chairs.

I made some changes to suit the way I work and the way I look at chairs. I make no claims that my chairs are “authentic” (stupid word, that). But I understand the chair and have made quite a few to earn that understanding.

A cheap construction laser can save you hours of layout.

This year I decided to make a video on how I build these chairs. Gibsons are quite unlike the other stick chairs I make. And I have devised novel ways to use cheap lasers to make your life easier when building them (meaning you don’t have to build a lot of complicated jigs).

Megan and I spent a lot of May 2023 filming the process, condensing it into a video that:

  1. Will not waste your time. I dislike prattling on and on in a video. I tried to make this video 100 percent meat – no gristle.
  2. Will show you how to build the chair and avoid common pitfalls. I have made a lot of mistakes while figuring out the Gibson. I am happy to show you my scars and detours.
  3. Is somewhat enjoyable to watch. In our video there are cats, self-deprecating jokes, the breaking of the fourth wall and other small amusements that will, I hope, keep you awake.
  4. Has the information you need. The video comes with all the patterns (hand-drawn by me) and cutting lists and sources so you will get up to speed quickly.

This chair is a good first chair. Yes, it’s a bit angular. But you can do it. You just have to commit.

We are releasing this 3-hour video today with the introductory price of $50. That includes all the videos and all the drawings and patterns. All free of DRM (Digital Rights Management) so you can put the video on your laptop, iPad, phone and desktop with no restrictions.

You can read more about it here and order it if you like. After June 18, the price will be $75 forever.

— Christopher Schwarz

LAP Woodworking Pencils Will Soon be Back in Stock

Posted on by fitz

We’ve been out of Lost Art Press Woodworking Pencils for a few weeks now – but they’ll soon be back in stock (register to be notified when they are). Musgrave Pencil Company – the family owned company in Tennessee that makes the pencils for us – sent us some video of the process. It is oddly mesmerizing – so if you need a short, soothing break from whatever you’re doing:

Anthe Update No. 2

Posted on by Lost Art Press
Patching the floor with materials salvaged from another part of the building.

Work at the Anthe Building is plowing forward with a few necessary diversions and delays. As of now, we hope to begin fulfillment operations on June 15. Our new fulfillment employees start on June 1, so they likely will join our efforts to get the building ready and help install the packing tables and shelving.

There are things to celebrate: We have a paved driveway. The concrete is curing, so we can’t drive on it. But it rises gently and exactly to the shop floor. Also, the HVAC system is completely installed and awaiting electricity.

The driveway going in. The bollards will protect our HVAC’s condenser.

There are setbacks: The “walls” at the front of the building were not stable enough to keep as-is. The walls were only beadboard that was nailed to other pieces of beadboard until the whole shebang was somewhat sturdy. No studs or plates or headers. In fact, it was the frames for the doors and windows that kept everything steady.

So we took down these partitions. We are going to build stud walls and cover them with painted beadboard. So the end result will look much the same, but will be up to code.

The view toward the storefront with the partition walls taken down.

Some revelations: Almost all of the architectural features inside the building are salvaged material. (This makes me happy.) None of the interior transom windows match. And some of the partitions on the second floor are clearly from another building. 

We are keeping all of the salvaged items. We are cleaning them up and will reuse them throughout the building, keeping in the spirit of the building’s history.

Finally, the contractors dealt with “the trench.” The trench is an enclosed empty space between our building and the pawn shop next door. (These two buildings were both part of the original Anthe business.) The trench allows light and air into the south wall of the building. It also was filled with decades of trash and debris.

The contractors cleared the trench and unclogged the drain at the bottom, which was filled with decades of silt.

Coming soon: A new accessible (ADA) bathroom, which will be built to look like it belongs in the building. And replacement steel doors for the back entrance.

— Christopher Schwarz

Now that’s a clean trench.

How to Fit a Ball Catch

Posted on by fitz

The following is excerpted from “The Woodworker: The Charles H. Hayward Years,” Vol. 4, which covers three different topics.

1) The Workshop, including the design and construction of workbenches, tool chests and wall cabinets. There’s also an entire section devoted to “appliances,”which are workshop accessories such as shooting boards.

2) Furniture & its Details, includes a discussion of all the important Western furniture styles, including their construction, mouldings and metal hardware. This section also includes the construction drawings for many important and famous pieces of furniture examined by Charles H. Hayward during his tenure at The Woodworker magazine.

3) Odds & Sods. In addition to offering its readers practical information for the shop, The Woodworker also asked it subscribers to think about the craft and its place in modern society. We have included many of our favorite philosophical pieces in this final section.

During the last few years the ball catch has become remarkably popular. It is far neater than the old-fashioned turn and is much more convenient in use. There are many occasions when a door needs something to hold it in place when closed but when a lock seems unnecessary. Take, for instance, a sideboard. Often enough locks are not really needed. The key is invariably kept in the lock and it is turned merely to prevent the door from remaining ajar and looking untidy. A ball catch would answer the purpose equally well.

Although the fitting is usually a straightforward job, there are sometimes slight complications. In any case the requirements of the fitting should be understood properly. In the first place, the ball catch itself has a slight flange at the top. When recessed into the door this flange is bound to project. This means that the catch plate must be sunk into the cupboard by an amount rather more than its thickness. If this were not done the flange would strike against the plate and would prevent the door from closing—unless the door was a very loose fit. This is made clear in Fig. 1.

When the door closes in flush with the cupboard the work is simple. First make a pencil line in the middle of the stile at the top and square it across the top edge of the door. Close the latter and transfer the mark to the edge of the cupboard as shown in Fig. 2. Square the mark back for about 1 in. Since the projecting part of the plate must be flush with the front of the cabinet, a gauge can be set to the over-all width (see A, Fig. 3) and the cupboard marked. Holding the plate level with this line and so that the pencil line runs exactly across its centre, mark round it with a marker or sharp pencil. The recess is cut easily by chopping down all round the shape and easing away the waste. The chisel should be placed a trifle inside the line so that the recess is not too large. After a little experience the exact position in which to place the chisel will come automatically, giving a perfect fit. In some fittings the screw holes are pressed out to form a countersink, and this necessitates countersinking the screw holes in the wood to enable the plate to go in flush. Another recess is also needed at the centre where the hole for the ball occurs. This again is best done with the countersink. The ball catch itself merely needs a hole drilled in the door. It is made a fairly tight fit and requires no other fixing.

The fixing is sometimes complicated by the front of the cabinet being chamfered, or having some carved decoration. This prevents the gauge from being used. Proceed as before, marking the pencil line at the top of the door and transferring it to the cabinet. Fit the plate first. Hold it centrally over the pencil line and keep the projecting part of the plate level with the cabinet front (Fig. 4). Having fixed the plate, close the door and mark with a pencil the position its front occupies (see A, Fig. 4). Set a pair of dividers from this pencil line to a line running through the centre of the hole for the ball (B). (This usually lines up with the screw holes.) With the dividers mark the line on the top of the door, keeping one leg of the dividers at the front. This gives the position for the hole for the ball catch.

Tickets on Sale Now for August Cricket Table Class

Posted on by fitz

Derek is one of the best teachers I’ve ever had the pleasure of watching – well worth a visit to Kentucky to soak up his knowledge about how to break free from 90° as you build a handsome, three-legged table! Tickets are on sale now!

– Fitz