A Pair of sawyers, in the yard of Messrs. Paul, and Co., timber-merchants, Broad-street, Golden-square, executed the following quantity of labour in sixty working-hours, in six days, beginning about eight, a.m., on Monday, the 25th, and ending about four, p.m., on the following Saturday, the 30th of January, in the present year.
They sawed through an area of 3068 square feet of American Pine, along a line whose total length was 1726 feet. In doing this, they raised the saw 124,272 times, and as this tool weighed 30 lbs., they lifted an actual weight of 3,728,160 lbs. But this amount of labour was not more than one-third the actual exertion expended; for to overcome the friction, in pulling up the saw through the kerf, and forcing it down again through the wood, at least two thirds more was necessary; the total labour, therefore, was equal to lifting 11,184,480 lbs. to the height of the stroke, and as this was four feet, there was 44,737,020 lbs.= 19,958 tons. 18 cwt. raised one foot high, in 60 hours, which is 12,427 lbs. = 5 tons, 11 cwt. raised one foot high, per minute, by the two men, and 2 tons, 15½ cwt, per man, 1 foot high per minute. (more…)
During the last 15 years, I’ve met a lot of woodworkers who like workbenches, but I’ve met very few who delight in poring over paintings of old benches while in a noisy pub surrounded by rowdy friends and colleagues.
Yesterday evening as Richard and I were in a pub trying to decode a wack-a-doodle 1505 Nuremburg bench that was half Roman, half high-tech and half fantasy, a light kept flashing in our eyes. Finally, we looked up and saw a guy taking photos of us, shaking his head and saying something unprintable about a whale’s sex organ.
Richard grunted and went back to the computer screen.
It is not easy being a workbench nerd. And when you get two of them in a pub, the excitement can be somnambulistic.
For the last couple years I’ve admired the work that Maguire and his partner, Helen Fisher, have been putting out through their company, Maguire Workbenches. David Charlesworth and other English friends have told me how wonderful the benches are. But I’d never seen one in the ash until Friday.
They are seriously nice. Incredibly well-made. And overbuilt to perfection. (Example: In his custom designs that use slab tops, Richard doesn’t trust glue completely. So he adds a loose tenon to the edge joint that is drawbored into the mating edge. That is serious, fantastic overkill.)
Richard and Helen use ash for the most part in the benches and add traditional workholding, such as leg vises, wagon vises, twin-screws and the traditional English wood-jawed face vise. The surfaces are of a furniture quality with a nice smooth finish – all touches that bench customers appreciate.
The vises were designed by Helen and (until recently) entire made by her in their workshop.
What is interesting about Richard and Helen is that though they work to a very high level using some machines and mostly hand tools, they are interested in researching and building (for sale) common furniture forms that were built entirely by hand.
Stuff, Richard says, that “would be built by a farmer for his family.”
And so, as their workbench business has grown and matured in the last couple years to the point where they are building about 50 workbenches a year, Richard says they want to return to building more furniture using hand tools exclusively. And, he says, he thinks they can make a living at it.
“I’m interested in proper handmade stuff that is made quickly and in a wholesome manner,” he says. “I feel I can build a table as fast as a machine woodworker and for the same price. It won’t be the same table. And it will be done by working with the wood in the way it wants to be worked.”
If you don’t think that’s possible, then you probably haven’t met Richard and Helen at one of their few public appearances.
Richard left school at age 14, barely able to read and write, and took up apprenticing under his father in joinery, carpentry and furniture-making. Richard worked with his father for five years before setting out on his own.
“I hated every minute of it,” Richard says of the apprenticeship. “But he taught me everything I know. As I finished, I set up on my own making furniture. Once I started doing it my way I realized it had got into my blood.”
Helen, on the other hand, studied interior design, received her degree and began working at an architectural firm until the recession hit and she was laid off.
Neither had a business background, but they began their workbench building business in earnest together, working from their old shepherd’s cottage in rural Lincolnshire.
The business has grown steadily, and recently the two started a blog that shares many of the things they have learned about the craft and workbenches. They have started filming videos (many of them excellent), which Helen posts on the web site she designed for their company.
After talking to them amongst the benches they brought to the European Woodworking Show at the Cressing Temple Barns in Essex, England, it’s clear they are proud of the benches they make, though Richard is constantly trying to talk customers out of buying one of their benches and instead building one of their own.
And you can’t help but think that this remarkable pair is on the verge of something very interesting. They have the benches – beautiful, nearly perfect benches – to sell to customers. But it’s clear they are only at the beginning of the journey.
And as the pub closed down at 11 p.m. (as per usual) and the bartenders chased everyone out, Richard and Helen were still animatedly talking about their most recent adventure that just might become part of their future: old line-shaft equipment.
In any case, please be sure to subscribe to their blog. Whatever happens next is sure to be something to see.
There never was yet any perfect Vocabulary, or Nomenclator in any Language; and though this may ſeem a Paradox to ſome, I ſay, there never was, nor is there any that can ſpeak a Language ſo exactly, as to call every thing he meets withal by its name; put caſe the perfecteſt Linguiſt in the Engliſh now living, ſhould go aboard a ſhip, then to a Carpenters ſhop, or ſome other Artiſans, thence go abroad a hawking or hunting, then walk in a botanical Garden, I believe it is impoſſible for him to name all the Tacklings of the firſt, all the Tools of the ſecond, all the terms of the third, and the names of all the flowers, fruits, and herbs he ſhall find in the laſt, and if he chance to go thence to any Apothecary ſhops, ’twill gravel him to name all the Drugs and Simples he finds there.
James Howell
Revised Edition of Randle Cotgrave’s French and English Dictionary – 1650
If you like campaign furniture but you don’t follow my blog at Popular Woodworking Magazine, you should click over there and check out the post about my visit to Christopher Clarke Antiques in Stow-on-Wold, England.
Lots of photos of beautiful pieces. And some words.
Since Feb. 1 when I got in the car to drive down to Highland Woodworker, this has been a year of non-stop travel on three continents. It’s been a great year – I was nearly bit by a poisonous spider in Australia, I used Chris Vesper’s “toilet” and I built more tool chests than I care to remember.
But at 12:46 p.m. today, I officially ran out of urgent things to do. I finished building a project for Popular Woodworking Magazine (the nail cabinet above) that was a round-the-clock affair since last Monday. I paid my estimated taxes. I answered some urgent e-mail.
And it’s a good thing I had a moment of peace. Tonight John Hoffman and I get on a plane for a week in England. We’ll be doing research for my upcoming book on campaign furniture at sites both public and private. And we’re attending the European Woodworking Show at Cressing Temple Barns in Essex.
On Saturday we’ll be in the booth for Classic Hand Tools – Mike Hancock’s outfit. If you are at the show, please stop by and say hello. On Sunday, we’ll be walking the show as plain old woodworkers in an effort to catch up with a bunch of people we haven’t seen in a long time.
And on next Monday we return with fake British accents, pocket squares and ascots.
I have two projects to build for the campaign furniture book during the next four weeks. The leather is ordered. The mahogany is waiting. The drawings are complete.
So if I’m not answering your e-mails promptly during the next seven days, you know why.
