Lost Art Press

My daughter Maddy is ready to start shipping our latest round of stickers. They come in sets of three for $5 cash, or you can buy them through her etsy store.

Maddy graduates from The Ohio State University on Sunday and in August will move to New York for some secret research job that involves developing vaccines for infectious diseases.

While she’s saving the world from the Infectious Lizard Butt Syndrome, she has also happily agreed to continue fulfilling sticker orders.

This might sound corny, but I think she kinda likes the notes, photos and stickers that readers send her. She has decorated her apartment with some of the stickers and photos. So thanks – y’all have been right nice.

Here are details on the three stickers.

1. A “Disobey” sticker a la Shepard Fairey designed by Jason Weaver. Jason has published this design on a T-shirt and says that he will be offering those shirts again. I really dislike looking at myself, but Jason did such a clever thing with this image that I forgive him.
2. A detail of the cover of “From Truths to Tools.” This image is an homage to William Blake’s “The Ancient of Days” by Andrea Love.
3. An image from “Ingenious Mechanicks” featuring my personal motto: Experto Crede.

A few people have noted the disparity of having a “disobey” sticker in the same group as a “experto crede” sticker. We do this because Carl Jung.

These are quality 100 percent vinyl stickers. They will survive the outdoors – heck you could put one on a street sign. Want a set? You can order them from Maddy’s etsy store here. They are $6 delivered ($10 for international orders).

Or, for customers in the United States, you can send a $5 bill and a SASE (self-addressed stamped envelope) to my daughter Maddy at:

Stick it to the Man
P.O. Box 3284
Columbus, OH 43210

As always, this is not a money-making venture for me or Lost Art Press. All profits help Maddy escape Ohio for New York without selling her (boyfriend’s) plasma.

— Christopher Schwarz

I recently purchased a No. 5 Mt. Lebanon Shaker rocker that was in need of a new seat and back. I have done a few woven-tape seats in the past; it is pretty easy work and kind of fun. One thing that I had not tried previously was a proper stuffing bag that is sandwiched between the tape layers. The modern solution is to use a piece of foam. This is quite alright and works perfectly. Just something about putting a piece of foam in a 120+-year-old chair seems wrong.

On my last trip to Hancock Shaker Village I measured and photographed two of the  chair stuffing bags preserved in its collection. One was stuffed with straw, the other had two layers of old quilt inside. Stuffing bags have been documented with wood shavings, horsehair and cotton stuffing. Another thing that was cool is they were made of scrap fabric that was machine-stitched together. Some of the pieces had traces of hand stitching that had been cut loose. These were probably remnants of old clothing.

Making the bag is pretty simple. The main part is the size of the inside of the seat frame with an extra 4″ tacked to the edges that glue to the seat rungs. I used some cheap cotton muslin and an old shirt that had shrunk while hanging in my closet.

After sewing the perimeter of three sides, the bag was stuffed full of straw and then the fourth side was sewn shut.

A thin skim of hide glue holds the bags in place. The seat weave goes over the bags. When complete, the bags are completely hidden.

— Will Myers

Recently I sat for a nice interview with Finn Koefoed-Nielsen, a U.K. furniture maker who started his career through home restorations.

One of the things we discussed was how John and I started Lost Art Press. So-called “origin stories” (I got me superpowers after being bit by a horney alpaca) are interesting to me. But I’ve never sat down and hammered out the one for Lost Art Press.

In 2006, John and I attended the Lie-Nielsen 25th anniversary open house. John got to chatting with Christian Becksvoort and asked Chris: “Why haven’t you written any more books?”

Chris gave John a history lesson on how corporate publishing works and how most authors make very little money in the end but the publisher gets rich. I didn’t need the lesson; I was working for F&W Publications and was living the life.

That night John and I sat up late drinking beer and eating melted chocolate. I had brought some Esther Price chocolates (a local delicacy) to give to Thomas Lie-Nielsen. But during the flight and drive they’d melted into one disgusting-looking mass. Like a molten meteor from the Planet PMS.

This is where Finn’s story picks up on his blog. Note his excellent logo. A squirrel. (I assume it’s a red one.)

So there John and I sat with too many beers; chocolate smeared on our faces and hands. Instead of talking about our feelings we talked about publishing. My first book, “Workbenches: From Design & Theory to Construction & Use,” was working its way into my laptop. And I had a lot of ideas for other books that were not very commercial.

And, like all magazine editors, I was certain I was going to be fired. (Note: In 28 years of publishing I’ve never been to a single retirement party for a magazine editor. Like the moon landing, they don’t happen.)

The next day we were hungover, crashed from the sugar rush and waiting on our plane back to real life. Slumped in our seats in the Portland terminal, we decided to investigate this idea a little more.

— Christopher Schwarz

P.S. The interview with Finn covers a lot more ground, including details on some of our upcoming projects.

I am a one-track minded person. Often when my wife and I are watching television she will start talking and I don’t hear her at all. When she finally does get my attention, “Did you hear anything I said?” is her comment. Most of the time I did not. It is not that I am ignoring my better half. The fact is I can talk or I can watch television. I just can’t seem to do both at the same time.

One-track mindedness is not always bad though. Often it allows me to focus on an idea, see it and make it work in my head before I actually try to make whatever it might be. Most of the time the idea works out.

The latest issue of Popular Woodworking Magazine, June 2018, features one of these ideas that came to me while on a long boring stretch of I-40 in eastern North Carolina. The knockdown sawhorses I wrote about are made from yellow pine construction lumber, very strong, simple and have no wiggle when assembled. They can also be built with nails or mortise-and-tenon joinery.

The legs attach to the beam with dados and a wedge to hold it all tight. Assembly or disassembly requires just a couple of mallet taps.

— Will Myers