I’ll be in the U.K. next month to do some teaching, research and to demonstrate at the London International Woodworking Festival on Oct. 26-27. It’s a new show that is being held at the London Design & Engineering UTC, a new and exciting technical school in the Royal Docks area of London.
The two-day festival will feature loads of interesting seminars on everything from stringing and inlay to using a plate joiner, sawmaking, saw sharpening, making wooden planes and interpreting 18th century French veneer. A complete lineup of demonstrations is here.
I’ll be demonstrating how I sharpen card scrapers. While that might not sound exciting, it’s actually not very exciting. But I have spent many years researching the topic from an historical and metallurgical point of view and have a method of sharpening these tools that is quick, effective and has helped many people through the years.
In addition to the seminars, there will be a bazaar, where you can try out a lot of nice tools and talk to their makers. Classic Hand Tools U.K., our distributor in the U.K., will be there with our books, and I’ll be happy to sign any books you bring along from home or purchase at the show.
There also will be Skelton Saws, Bad Axe Saws, Festool, Axminster, Veritas, Lie-Nielsen and other vendors.
Tickets are £10 for one day and £15 for both days. You can get details on tickets, parking and the like via this link.
It should be a great weekend in a beautiful corner of the world. If you do attend, please stop me and say hello.
When I built my first stick chair in 2003, I was so happy with the result that I wanted to build that exact same form 100 times or more.
Today – maybe 100 chairs later – I roughed out a seat and contemplated how I could make this chair unlike every other chair I’d made before. So I changed the rake and splay of the legs. A lot. The undercarriage will be new. Ditto the arrangement of the sticks. The armbow will be the same (that’s because I built the arm several weeks ago when I made a run of arms). And I haven’t decided what to do with the crest rail.
Chairmaking has instilled a restlessness in me that I don’t feel when I build casework. When I build a campaign secretary, it always comes out similar to my other campaign secretaries. Sure, there are variations, but it’s not like I feel a burning desire to make a secretary with doodle-nut angles or details I’ve never seen before.
But it’s all I think about when I look at a pile of chair parts. How can I assemble these in a different way that will scratch an itch I have about negative space, an hourglass shape or some hard line/soft line fantasy?
When John Brown built his second Welsh stick chair, he tried to make it come out like his first chair. But it didn’t. Eventually he embraced this aspect of of the chair. No two should be alike. Maybe they come out different because we are human and it’s a hand-tool process. Or maybe there’s something else going on that I can’t put my finger on.
Chris Williams knows what I’m talking about. He preaches it all the time.
It doesn’t look it from the photo, but this chair is going to be a bit weird.
From Epinal, France, 1834. Philadelphia Museum of Art.
Bacchus in the form of Saint Lundi sits astride a barrel and offers drinks to a group of craftsmen. Each craftsman has his own verse in the song printed on the broadsheet. Spot the menuisier and read his verse to the left of the image.
“I drink to the general joy of the whole table.”
After working at least a half-day on Saturday and then collecting their pay, workmen could look forward to Sunday and a full day off. In this account published in 1824 the writer differentiates between the married and the unmarried mechanic. Contemporary accounts tell us the married mechanic often joined his unmarried companions in Saturday night drinking.
From Ivan Sparkes’ article on the chairmakers of High Wycombe, England we have this description of Saturday activities after the week’s pay was received.
The revelries and drinking continued into Sunday and when Monday morning dawned there were many workmen not in much of a state to return to work – so they didn’t. For those observers of this tradition, Monday became known as Saint Monday in Great Britain, Ireland and America. This ditty is from England in the 17th century:
In 1546 there was an effort in the Venice Arsensal to stop the arsenalotti from observing Saint Monday. They were threatened with a loss of pay for the entire week. Although the workers would make up the lost day by working longer hours the rest of the week, the loss of work on Monday was too disruptive to the organization of a shipyard. Because of inconsistent enforcement of the pay penalty the observance of Saint Monday continued.
The chairmakers of High Wycombe provide another example of Saint Monday.
Much of the the images available for Saint Monday were generated in France. I leave it to you to surmise why that may be.
In France and Belgium Saint Monday was, of course, Saint Lundi. One 19-century French writer referred to Saint Lundi as an uncanonized saint. I can’t think of a better description.
When workmen took Monday as a second day of leisure they weren’t necessarily drinking the entire day. It was also a day for playing games (skittles were popular in England), taking a ramble through town (including a few stops at taverns) and time for trade union meetings.
In Germany, Saint Monday was known as Blauer Montag (Blue Monday).
Dusseldorf, 1838. Philadelphia Museum of Art.
Blauer Montag was widespread enough to earn a place in Flügel’s 1857 German-English dictionary.
An American gathering information on wages and living expenses in Europe during the 1870s made this note about Germany:
Cordwainers (shoemakers) were often at the forefront, both in Europe and America, of the push for better working conditions and a shorter workday. They were also noted as some of the most fervent followers of Saint Monday and consequently are often seen being beaten by their wives.
The observance of Saint Monday began to fade away towards the end of the 19th century and prevalence of the factory system. However, Saint Monday was another step in the working class effort to gain more control over their work lives and to have more time for rest and leisure.
”Why, sir, for my part I say the gentleman had drunk himself out of his fives senses.”
From the “British Workingman” 1878.
Just how much alcohol was being consumed? In 1770 Americans averaged 3-1/2 gallons of pure alcohol per person per year. This is not gallons of a specific spirit, rather a total of all alcohol content. The apogee (or perhaps the nadir) of American consumption was in 1830 when the average consumption was 7.1 gallons of pure alcohol per person. Per the 1830 census the population was 12.9 million. One of the drivers of alcohol availability came from corn in the Midwest. Corn would spoil if shipped to the coastal states, however, it could be distilled and shipped as whisky instead. Whiskey was cheap and easy to buy.
In 1839 a Captain Marryat from England visited America and wrote a multi-volume “Diary in America.” In the section titled “Travelling” he expressed these observations about the drinking habits of America:
In the state of Virginia he commented on the consumption of large quantities of mint juleps and noted “you may always know the grave of a Virginian; as from the quantity of juleps he has drunk, mint invariably springs up where he has been buried.”
He also enjoyed an American champagne.
Edward Young, an American gathering data on wages and the price of living in Europe in the 1870s, was flabbergasted that Belgium had “about one hundred-thousand licensed public houses…for the supply of five million inhabitants.” For every 48 inhabitants there was 1 liquor shop.
In Germany he contrasted the unmarried man with the married. The unmarried laborer rented a bed in a room with others in lodgings close to the workplace. Spending time in a tavern was essentially the only place to relax. Beer, bread and a little meat made up a large part of the diet of both married and unmarried men.
Surveying Great Britain, Edward Young commented “The fact is not forgotten that this investigation is made by a citizen of a country which, next to Great Britain, is perhaps most noted for its large consumption of intoxicating beverages – a country which expends over $600,000,000 annually in spirituous, vinous, and malt liquors.” Based on a report from 1872, England (not all of Great Britain) consumed more than 72 million gallons of pure alcohol at a cost of £120,000,000. At least half of this money was spent by the working classes.
I have just a few comments on the gin epidemic in England that began late in the 17th century and extended well into the 18th century. Gin was very cheap to make and buy and was sought by many as a relief to poverty. Men, women and children were addicted and it ravaged London. There was a “pandemonium of drunkenness” and ruin. A sign over one popular gin shop advertised “Drunk for a penny, dead drunk for two pence, clean straw for nothing.” William Hogarth’s 1751 etching titled “Gin Lane” is thought to capture the misery of the epidemic. You can easily find much more on your own.
The 18th century is also when temperance efforts gained traction and physicians began to think of alcohol addition as a disease.
“Ask God for temp’rance. That’s the appliance only which disease requires.”
In 1722, a century before America reached peak alcohol consumption, Ben Franklin was cautioning against drunkenness and overindulgence. By 1840 there were temperance societies to be found in every state with many affiliated with religious groups. In May of 1840 six Baltimore friends, all artisans, met and decided to stop drinking. Their approach was different from other groups as each member stood and talked about their lives as drunkards (the term alcoholic was not yet used). Their emphasis was on compassion and understanding for the addicted man. They named themselves the Washingtonians, after George Washington, and pledged to stop drinking all alcohol. The group grew rapidly, and as far as we know, it was the only temperance society founded by craftsmen.
The British Workman, published in London, was a monthly magazine advocating healthy living, Christian ideals and temperance. It was filled with illustrations, short stories and testimonials and was advertised as “dedicated to the industrial classes.” The masthead changed each month and featured sketches of men working at various jobs.
The magazine frequently urged employers to provide fresh water for workers in an effort to curb alcohol consumption in the workplace. One well-known illustration from BritishWorkmen has been separated from its intended message.
The craftsman in his paper hat is filling his mug with water, not beer! Did the intended message get lost in nostalgia for the image?
The many satirical drawings of the grim reaper looming over a very drunk man were not promoting temperance, rather a comment on society. In that vein there is a second Drinker’s Dictionary printed in 1886 by Silas Farmer & Co. of Detroit.
The cover stamp pretty much sends the message of the dictionary. A link to the dictionary is at the end of this post.
In 1845 Francis William Edmonds painted a carpenter sitting in his workshop.
“Facing the Enemy” by Francis Willam Edmonds, 1845. Chrysler Museum of Art, Norfolk, Virginia.
The carpenter is “Facing the Enemy” and the scene captures the struggle of a man attempting to stop. He rocks back as though repelled but at the same time his eyes are locked on the bottle. Will he succumb?
In the darkness to the right of the open window is a broadsheet tacked to the wall. It is a notice for a temperance meeting. Side-by-side they are in a balancing act. The bottle offers ruin. The temperance meeting offers hope. That he still has a half-bottle of liquor tells us has not yet been able to let go. He took the trouble to put the temperance notice on the wall. His shop is neat and he has his jacket on. Is the temperance meeting that night and will he go?
Shakespeare and his Saturday-to-Monday Bender
After using quotes from the works of Will as titles for each section it is fitting to end with a tale from the 17th century. It seems to have some relation to the observance of Saint Monday.
Top: detail from an undated trade card, British Museum. Bottom: anecdote from “The Curiosities of Ale & Beer” by J. Bickerdyke.
The Drinker’s Dictionary of 1886 can be found here.
Our French readers can find more about Saint Lundi here.
The gallery has a bit more Blauer Montag, Saint Monday and Saint Lundi for you.
I’m teaching two classes at the Florida School of Woodwork in Tampa in February 2020. Registration began yesterday, and let me repeat the two most important words from my first sentence: Florida and February.
The Tampa school is relatively new and has been the location of Fine Woodworking’s Hands On events, and I’ve heard nothing but good things about the school and its facility. Here are some details on my classes.
We’ll be making the American Welsh Stick Chair that is featured in “The Anarchist’s Design Book.” It is a great introduction to chairmaking – no previous experience required. And the emphasis is on using mostly common woodworking tools and processes. No steam bending or green woodworking is required for this class.
In this class we’ll make a reproduction of a Japanese sliding-lid box I measured while I was overseas. It’s a fun project to make. Though the joinery is simple – finger joints and steel dome-head nails – the real challenge is keeping all the details crisp and producing beautiful surfaces.
I hope you will consider joining me. I don’t teach many classes these days, and I’ve never taught this far south.