“Furniture which is strictly useful, should be of good quality; strength and durability being generally the chief points to be regarded… it is therefore little affected by fashion, whereas the style of drawing room furniture is almost as changeable as fashion in female dress.”
— Mrs. William Parkes “Domestic Duties” (London, 1825)
We have just received a new load of “Handplane Essentials” from the second printing of this book, which I wrote in 2009. All the backorders for this book have been filled – so if you were on that list, your book will go out in Tuesday’s mail.
Thanks for your patience.
— Christopher Schwarz
“Your stuff tends to look like other people’s stuff because you have the same machines.”
— Jim Tolpin, Woodworking in America, 2009
There isn’t a lot of hardware for “The Anarchist’s Tool Chest,” but I definitely don’t recommend you buy the poorly made brasses at the home center. Unless, of course, you want to.
I purchased almost all my hardware from Horton Brasses Inc. with the exception of the chain and the casters. I bought the casters, somewhat ironically, from Home Depot.
Let’s talk about each element of the hardware for the chest and why I did what I did.
The Hinges
The hinges are the most important bit of hardware. I hate cheap hinges, and so I knew before I even began building the chest that I was going to use the Horton PB-409 brass hinges with slotted screws and a “dark antique” finish. These hinges swing without any of the annoying slop in cheap hinges. I use them all the time.
At first I thought that two hinges would be enough to keep the lid secure, and I was probably right. But after installing two hinges on the lid, I looked at the chest and decided to add a third. I don’t regret the extra purchase.
The Lock & Escutcheon
I ordered a lock from Horton and had second thoughts about installing it (I have an aversion to locks). But the chest looks wrong without a lock and an escutcheon. I used the CL-5 Chest Lock from Horton, which is a half-mortise lock. After installing some full-mortise locks in chests, I’m a half-mortise guy. The Horton example is nice. The only disappointment is the finish on the key. My key is shinier than the one shown in the photos and looks too shiny.
So I’m gonna sandblast the sucker. Some day.
The escutcheon is the FE-8 Keyhole Escutcheon in “dark antique” from Horton. It’s sweet. I love it so much I put it on the dedication page of “The Anarchist’s Tool Chest.”
Ring Pulls
A minority of tool chests use ring pulls on the sliding trays, but I really wanted them on mine. I’m glad I added them. For the top two trays I used the 1-5/16” RP-4 ring pull in “dark antique.” For the bottom tray, I used the 1-7/8” RP-6 ring pull in the same color.
The Lid Stay
I agonized over this for a few weeks. Ultimately I bought a couple brass eyelets and some brass chain from some jewelry supplier. I stripped them of their lacquer and dyed them to match the other hardware. It was a pain. One internet blogger called my chain “too twee.” I’d like to see a better alternative that really works and is as simple.
And the Casters
I didn’t want to buy rubber casters. Why? I don’t know. Sometimes I make these decisions after a couple beers. So I searched and searched and finally found the casters of my dreams at Home Depot. They are somewhat crude, but they look right.
So there you have it. The only other metal bits are cut nails from Tremont Nail Co. and slotted pyramid-head screws from Lee Valley Tools.
— Christopher Schwarz
Peter Follansbee has built a tool chest that shames us all when it comes to adding a little flash. No, he didn’t opt for the airbrushed Thundarr the Barbarian on the lid that I suggested. Instead he used “odd bits” guides for his tool trays.
These “odd bits” – pieces of oak he used in carving demos – are gorgeous, and especially fitting for a chest designed for a joiner, as Peter calls himself.
Visit his blog, Joiner’s Notes, for the whole story and more pictures of his fine piece of work. Peter, the joiner at Plimoth Plantation, says he’s not much for dovetailing; I think he’s being modest.
In any case, get a good gander at his carving – I think you’ll be seeing a lot more of that in the coming months with the release of the long-awaited book from Peter and Jennie Alexander, “Make a Joint Stool from a Tree: An Introduction to 17th-century Joinery.”
The book goes to the printer next Friday, and right now we are finishing up work on the index, the dust jacket and a few minor typos. When will it be on sale? We will start taking pre-orders in about a week. The book will ship in late February or early March, barring some disaster.
I’ll have complete details on the book next week, including pricing and (joy) an excerpt for you to download.
— Christopher Schwarz
