My daughters will be selling their soft wax and stickers at our storefront on Saturday between 10 a.m. and 5 p.m. We’ll have them set up to take cash, check and major credit cards.
The stickers are $5 for a set of three. Wax is $12 for a 4 ounce tin (or two tins for $20). We’ll also have some wax out for testing if you’d like to give it a try on some sample boards.
Note that this is on Saturday only. Maddy has class on Friday and Katy has other obligations.
This is my mistake. I thought our warehouse had finished shipping all the copies of “With All the Precision Possible: Roubo on Furniture.” In truth, the last of the orders were boxed up yesterday and go out in the mail today.
Apologies for the error. And personal apologies to Meghan, who has been fielding a lot of your questions because of my error.
Your book is on the way. It won’t be long now.
Additionally, some of you have been asking where your copy of “Roman Workbenches” is because our software has reported your order as “fulfilled.” This is a software glitch (Yay! Not my fault). This book is on press now and should be shipped in April.
Don Williams, the author of “Virtuoso” and the ringleader of the A.J. Roubo translations, will attend the Lie-Nielsen Hand Tool Event this weekend at Braxton Brewing in Covington, Ky.
Don will be signing books and (no doubt) spreading his wisdom on historical finishing techniques. So bring your copies of “Virtuoso” and Roubo translations. If you ordered the standard edition of “Roubo on Furniture” you’ll receive it this week. They all went out in the mail late last week.
And Don isn’t the only Lost Art Press author who will be attending the Lie-Nielsen event this weekend. Narayan Nayar, the photographer for “Virtuoso,” will be there. And Matt Bickford, the author of “Mouldings in Practice,” will be demonstrating both days.
I’ll be there. And, as you know, I’ll sign anything. So bring your books.
My daughter Maddy will begin mailing out a new set of stickers this week. She ran out of the previous design last week, so if your SASE is in transit you likely will receive the new designs.
The new stickers include:
A round sticker with the Lost Art Press emblem and the “farting divider,” as some people have called it.
A die-cut sticker in the shape of the English A-square from the cover of “The Anarchist’s Tool Chest.”
Want a set? You can order them from her etsy store here.
Or, for customers in the United States, you can send a $5 bill and a SASE (self-addressed stamped envelope) to Maddy at:
Stick it to the Man
P.O. Box 3284
Columbus, OH 43210
As always, this is not a money-making venture for me or Lost Art Press. All profits help Maddy squeak through college without debt. Also, as her 21st birthday is coming up on March 22, some of that money might go to buying cider.
I didn’t intend to start revising or adding to “The Anarchist’s Design Book,” but new designs are gushing out of my sketchbook these days, so I’ve stopped resisting.
This stool design started with a Welsh stool from the 18th century and came together in two days. It needs a second prototype to reach the finish line, but it’s good enough to show. Here are some details if you are interested in designing your own.
The stool is 25-1/2” tall, which is perfect for me. I can sit on the bench with my feet resting flat on the floor. The stretcher is 6-3/4” off the floor, so when I put my feet on it, my legs are in a traditional sitting arrangement.
The seat is 1-3/4” x 12” x 20”. This gives you enough depth so you don’t feel as if you are falling off and you won’t cut off blood circulation to your legs if you sit back on the seat. (Also, 12” is a classic stool depth.) The 20” length is suited so you can place your hands on the seat to either side of your torso. This allows you to easily reposition yourself or to help give you a push if you wish to hop off the seat.
The 45° cuts at the back remove weight – visual and literal.
The legs are 1-3/4” double-tapered octagons and start life about 27” long. The double tapers meet at the point where the stretchers intersect the legs – a natural place for bulk. The front legs use the following angles: 26° sightline and 13° resultant. The rear leg has a 0° sightline and 22° resultant. These angles give the stool immense stability.
The legs have 1-1/4” diameter tenons at the top. They start out about 2” long. The tenons are not tapered on this design.
The stretchers start as 1-1/8” octagons and are turned. The front stretcher is a cigar shape and terminates at each end with a cove and a 5/8” diameter x 1” tenon. The T-stretcher is 1-1/8” diameter at the rear leg and tapers to 3/4” at the front stretcher. Both ends have 5/8”-diameter tenons. (Note I swiped this tapered tenon from Bern Chandley, a chairmaker in Melbourne, Australia.)
What am I going to change for Stool 2.0? I’m going to add a wide and flat chamfer all around the top of the seat and saddle the seat. I’m going to bulk up the legs and stretchers a bit to see what happens. I might replace the 45° angles on the seat with ellipses.
But the second prototype will have to wait. I have tea coasters (yes, coasters) to build for a special client.