Sorry for all the blog entries today. We’ll leave you alone tomorrow. Just a quick note to say that “The Anarchist’s Tool Chest” is back in stock and is shipping immediately. If you are ordering one for Christmas, best to order sooner rather than later.
We will kick off the Anarchist Gift Guide on Thursday, Oct. 21 (tomorrow!). That’s a little earlier than usual, but the world is off its axis, and we want to give you plenty of time to get your gifts sorted for the holidays. Plus, this will be our biggest gift guide yet.
If you aren’t familiar with the gift guide, it has been a yearly tradition here for about a decade. It’s mostly little things that we find useful in the shop. It’s not sponsored and not affiliated. It doesn’t plug or promote our products. We do it because we love you (even you, John Cashman).
Hey – That Feels… Almost Normal
It was a relief to receive Nancy R. Hiller’s “Shop Tails: The Animals Who Help Us Make Things Work” from the printing plant in Tennessee. It took only 10 weeks to get it printed. That turnaround time is not like the old days when five weeks was the norm. But it’s way better than some other recent titles. (“The Stick Chair Book” is coming up on 17 weeks in gestation.)
So if you are looking for Lost Art Press books as gifts, here are four quick updates.
- “The Stick Chair Book” should be shipping the second week of November. Fingers crossed.
- “The Handcrafted Life of Dick Proenneke” is also scheduled to ship about that same time.
- We are running dangerously low on stock of “The Anarchist’s Tool Chest.” The cotton cloth we need for the cover is in limbo. If you need this book for a gift, don’t hem. And don’t haw.
- “The Woodworker’s Pocket Book” is out of stock, and we hope to receive books by Dec. 1.
So What the Heck Have Y’all Been Doing?
With publishing mostly on the ropes, Megan and I have been full-time furniture makers and tool designers during the last few months. We’ve been sending a lot of furniture out the door lately, but that doesn’t help you with Christmas (unless you ordered a chair or a tool chest from us).
The good news is that we should have Crucible Planing Stops in stock before Christmas. These ductile iron bench accessories should be less than $50 and will be super easy to install (drill a 5/8” hole in the movable block; drive the stop in; done).
We have also been working on two new tools that are now in the prototype stage. One is a sliding bevel that holds its setting better than any tool I’ve ever used. And the second is a handy waist apron that is great for woodworking (and will feature a cool vintage-y screen print). Both of these new tools will launch in early 2022.
And by then I hope things will get back to normal, and we’ll have some new titles to announce.
— Christopher Schwarz
It sounds like hyperbole, but “The Anarchist’s Tool Chest” (ATC) has changed my life twice – not as much as it changed Christopher Schwarz’s and John Hoffman’s – but it has been integral to my discovering what I love to do, and allowing me to (bonus!) make a living from it.
I vividly recall copy editing ATC before it was first released. I was managing editor of Popular Woodworking Magazine at the time, and it was during a Lie-Nielsen Hand Tool Event at our office and shop, April 16-17, 2011, two days before the book had to go to the printer. I did a shit job of copy editing. There were tons of people around and it was loud – plus I was either interrupted every 10 minutes or so, or I got up to check out a handplane, saw, marking knife, marking gauge …. If you have that wheat-colored first edition, please accept my apologies for the many missed items (thankfully, Chris has long forgiven me). On the other hand, congrats: You have a collector’s item; the book is now in its 13th printing, and celebrated its 10th anniversary this summer.
It’s the book that allowed Chris – less than two months later – to announce he was leaving his job as editor of Popular Woodworking Magazine (PWM); Lost Art Press would become his full-time job (along with teaching as many as three classes every month, writing for PWM as a contributing editor, building furniture on commission…it exhausts me to look at his summer 2011 schedule).
So the first way ATC changed my life was that I was no longer working every day with a guy I greatly admired, and who had taught me most of what I knew about hand-tool woodworking. I lost my lunch buddy – a guy who made me love woodworking enough to rethink my long-term goal to teach college-level Shakespeare. It wasn’t as much fun without him. And it turned into a lot less fun when I got his former job in December of 2012, and no longer had much time for woodworking thanks to employee reviews, EBITDA discussions, management meetings, etc. It was certainly rewarding and I’m honored to have had that job for five years. But fun? Not so much.
When I got let go in December 2017, undergirding my fear was massive relief. I was too fearful to ever quit a corporate job with a steady paycheck and health insurance, no matter how many headaches I had by the end. My first call was to Chris, who took me to lunch and gave me a hangover. The day after, I started moving my stuff into his shop, and scheduled some woodworking classes – among them, “Build The Anarchist’s Tool Chest” (I’m awfully glad Chris was tired of teaching it!). Chris’s success with that book (and others) afforded me a soft place to land, and saved me from ever again attending a corporate meeting that doesn’t occur with either a drink or fried chicken (or both) in hand. Thank you, Chris.
But even if it doesn’t get you a plate full of fried chicken, ATC is the book you should have if you’re interested in hand-tool woodworking, why we make things, or need a tool chest (or all three).
“‘The Anarchist’s Tool Chest’ is divided into three sections:
“1. A deep discussion of the 48 core tools that will help readers select a tool that is well-made – regardless of brand name or if it’s vintage or new. This book doesn’t deal with brands of tools. Instead it teaches you to evaluate a well-made tool, no matter when or where it was manufactured. There also is a list of the 24 “good-to-have” tools you can add to your kit once you have your core working set.
“2. A thorough discussion of tool chests, plus plans and step-by-step instructions for building one. The book shows you how to design a chest around your tools and how to perform all the common operations for building it. Plus, there are complete construction drawings for the chest I built for myself.
“3. There also is a brief dip into the philosophy of craft, and I gently make the case that all woodworkers are “aesthetic anarchists.” — Christopher Schwarz
Below is an excerpt from Chapter 1.
The Good Books
The funny thing is that it was my mad obsession with acquiring woodworking stuff that helped me find a balanced approach to the craft. You see, I became as obsessed with acquiring woodworking books as I was with the tools. I’ve always been a voracious reader, so consuming books on woodworking and tools was natural. (And add to that the fact that I was freelancing at the time as a contributing editor for the WoodWorkers’ Book Club newsletter. That job was a five-year-long force-fed diet of woodworking writing.)
Read enough modern woodworking books, and you might just want to gouge out your eyes with a melon baller. They are all so similar and shallow and filled with idiosyncratic information. I can’t tell you how many times I read the following phrase: “This might not be the right way to do this, but it works for me.”
Something inside my head made me wonder about that “right way” the author rejected.
It just so happened that at about that same time I had a short phone conversation with Graham Blackburn, one of my woodworking heroes. I had a few of Blackburn’s books from the 1970s, and I knew he had a command of woodworking history. So I interviewed him about the origin of the word “jack” in “jack plane” for a short piece I was writing for the magazine.
We then started talking about saws.
During the conversation, Blackburn said I could find the answer to one of my questions in the book “Grimshaw on Saws.”
Huh? I replied.
I’ll never forget what he said next: “You don’t have a copy of Grimshaw, and you’re an editor at a woodworking magazine? Hmmm.”
I was ashamed. So ashamed that I went down to Cincinnati’s public library that weekend to check out Robert Grimshaw’s 1882 treatise on saws. It was sitting on the shelf next to a bunch of other old woodworking books I’d never heard of. I wondered which of those books were also “required reading” in Blackburn’s world. I checked out as many of those cloth-bound books as the library would let me. I went home. I started reading, and I haven’t stopped.
The things I learned from the old books were different than what I expected to learn. I actually expected the shop practices to be different – you know, they had different ways of cutting a mortise, a tenon and a dovetail. But really, not much has changed in the way that steel (usually) defeats wood.
While there are a wide variety of ways to perform every standard operation, the pre-Industrial craftsman didn’t seem to have secret tricks as much as he had lots of opportunities to practice and become swift.
Instead, what surprised me was the small set of tools that were prescribed for a person who wanted to become a joiner or a cabinetmaker.
Joseph Moxon, the earliest English chronicler of woodworking, describes 44 kinds of tools necessary for joinery in “Mechanick Exercises” (1678). For some of these tools, you’d need several in different sizes (such as chisels), but for many of the tools that he described, a joiner would need only one (a workbench, axe, fore plane etc.).
Randle Holme’s “Academie of Armory” (Book III, 1688) has approximately 46 different joinery tools explained in his encyclopedia. An exact number is hard to pin down because some of the tools are discussed twice (for example, mallets, smoothing planes and hatchets) and some tools seem shared with the carpentry trade.
If we jump forward more than 150 years, not too much has changed. The list of tools required by the rural joiner in “The Joiner and Cabinet Maker” (1839) isn’t all that much different from the tool list described by Moxon and Holme. “The Joiner and Cabinet Maker” gives a significant description to about 40 tools used by a young apprentice during his climb to journeyman.
As the Industrial Revolution begins to crank out mass-manufactured tools, the basic list of tools recommended for basic joinery starts to expand. There are more kinds of boring bits available, new kinds of metallic planes (such as blocks, shoulders and routers), plus some new saws, including the coping saw.
By the 20th century, the basic list of tools for joiners stands at about 63, according to books by Charles Hayward, the traditionally trained dean of workshop writers. Still, when I looked at Hayward’s list it seemed rather paltry compared to what was in my shop. (See this book’s appendix for a comparison of these tool lists.)
At first, I attributed these short lists of essential tools to three things:
• Everything in the pre-Industrial age would have been more expensive because it was made by hand.
• The general level of economic prosperity was lower.
• Technological innovation had yet to produce the fantastic new tools shown in the modern catalogs.
But all that was just denial kicking in.
Judging from the descriptions of the nature of work before mass production ruled the earth, there were two things going on that were related, but that are easy for moderns to miss. One, artisans didn’t require as many tools because the basic skill level was higher. Descriptions of hand work support this fully. (Don’t believe me? Read Moxon’s description of making an eight-sided frame in section 19. Try to build one yourself that way – I did – then let’s chat. If that doesn’t convince you, then read André Roubo’s descriptions of Boulle work – then go back to making woven stretchy potholders.)
Also, the structure of the economy in the 17th, 18th and early 19th centuries was different – it was still basically a pre-Capitalist culture. Large portions of the population were self-employed. Modern consumerism – for better or for worse – had yet to take hold.
To be sure, there were early craftsmen with huge tool sets. There are always going to be a few tool whores in the guild. (I’m looking at you, Duncan Phyfe.) But tool inventories and other published accounts indicate that the pre-Industrial woodworker could use fewer tools to make furniture that was equal to or better than what we make today.
But here’s the other thing that’s important: Their tools were different. To the uneducated eye, the tools of the 17th and 18th centuries look crude. But have you ever examined an 18th-century moulding plane that wasn’t dogmeat? I have. They are refined to a level that exceeds many modern tools.
Everything extraneous has been taken away. Everything necessary is right where you need it and is easy to manipulate.
I have a few early tools, including one particular strapped hammer for the upholstery trade, and I simply cannot imagine how any aspect of the tool could be improved. It is utter simplicity, yet it has a graphic beauty that surpasses everything I’ve seen from the Victorians.
After reading enough accounts of early tool sets, it began to sink in that I didn’t need as many tools to build the furniture on my long to-do list. But then I found out that you can’t buy a chili dog without the bun.
Once the idea of a smaller tool set took hold in my brain, the logic and beauty of its surrounding pre-Industrial economy became as beautiful as my early strapped hammer.
Every year, your spouse and friends ask us which books they should buy for you during the holidays. And if they aren’t sure which book you want, they ask us: “Well, which books are your best-sellers?”
Until today, I had only a gut feeling about it, but I’d never really looked at the statistics. After some ciphering, I came up with a list that had a few surprises.
10. Doormaking and Window Making by Anonymous. This was a shock. This small book is a reprint of two historical texts brought to our attention by joiner Richard Arnold. It found an audience among people who restore old buildings.
9. Campaign Furniture by Christopher Schwarz. This book is one of the few in print on this style of furniture, which my grandparents collected for many years. I’ve been told by readers that it is a nice text on classical casework.
8. Kitchen Think by Nancy Hiller. I was a little surprised by this one because it was released in the summer of 2020. It’s a fantastic book, as is everything Nancy writes. If you are interested in how to design (and build) a kitchen that is in context for your house, this is the book.
7. By Hand & Eye by Jim Tolpin and George Walker. This one is no surprise. Ever since this book was released, it has continually found new audiences who are interested in designing good-looking furniture using whole-number ratios.
6. The Anarchist’s Workbench by Christopher Schwarz. On the one hand, I am not surprised to see this book on the list. It is, after all, about workbenches (the birdhouses of the intermediate woodworker clan). But on the other hand, the book is free as a pdf. Free.
5. The Woodworker’s Pocket Book edited by Charles Hayward. I love this little book. I knew it would be a home run among woodworkers, and I was (for once) correct.
4. With the Grain by Christian Becksvoort. This book is immensely popular because it is incredibly practical and avoids the heavy science stuff, but it still tells you exactly what you need to know to use solid wood in furniture effectively.
3. The Essential Woodworker by Robert Wearing. This book is a classic and should be on the shelves of every woodworker who is curious about hand-tool woodworking. We fought hard to bring it back into print, and readers have been thrilled as well.
2. The Anarchist’s Design Book by Christopher Schwarz. I am so happy to see this book on this list. This book took so many years to write and get just right. I feel like it’s the right combination of practical construction advice and a screed about poorly made and overly ornate furniture.
1. The Anarchist’s Tool Chest by Christopher Schwarz. This book helped us get this company on its feet and the capital to publish the works of other authors. Even after 10 years, this book still sells and sells – thanks to word of mouth.
On a last note, please remember that we are a small publisher (we recently graduated to “small publisher,” up from “microscopic publisher”). So none of these books would make a blip on the screens of a corporate publisher. And our annual revenue could easily be found between the couch cushions of the CEO of Penguin/Random House.
Maybe someday we’ll hit the Medium Time – with a book on birdhouses.
— Christopher Schwarz
I’ve had a few questions lately about fitting the lid to the Anarchist’s Tool Chest, so I’m betting there are at least 10 other readers who need the same answers.
In a non-class situation (that is, when I have the leisure of waiting on stock prep), I wait to cut lid parts to final size until the carcase is completely done. That way, I can measure the glued-up carcase at the top, then cut my rails, stiles and lid panel so that the lid assembly is a perfect fit (including an extra 1/8″ or so at the front and sides) to the top edges of the carcase.
Then, after I glue up the lid assembly, I can set it atop its chest and show the dust-seal pieces to the lid to mark them off the work instead of measuring. I’m far more likely to get good results that way.
Once the lid is done, it’s time to attach it. At the back, it is flush to the carcase – the hinge gains get cut into the top of the back edge of the chest, and the underside of the lid’s back rail, and you end up with a gap of about 1/16″ to 1/8″. Yes, a little dust can get in, but I’ve had tools in my first ATC in my basement shop for more than five years, and they’ve remained rust-free. For five years before that, my shop at home shared space with my books and computer…so it was well heated, air conditioned and humidity controlled. In either case, that little gap? No problem.
For more on how I install hinges, click here.