Category: Personal Favorites

As cautionary woodworking tales go, Nancy R. Hiller’s might just be the funniest – and the most sincere.

Standing in contrast to James Krenov’s “The Impractical Cabinetmaker” from 1979, Hiller’s new book, “Making Things Work: Tales from a Cabinetmaker’s Life,” is not about waiting for a particular plank of wood to tell you its true purpose. It is not an exhortation to fuss over each detail, no matter the personal cost. There is not a shop cat.

(Side note: I do love Krenov’s books, but they have not taught me squat about making a living.)

Instead, Hiller’s funny and occasionally ribald story is about a cabinetmaker who was trained to work at the highest level possible and how she has dealt with the personal anxiety that occurs when the desire and drive for excellence collides with paying the monthly bills.

The backdrop for “Making Things Work” is a cast of characters who could populate a Cohen brothers film – a Missouri furniture maker who masquerades as a Brit to impress his customers. A 30-something client and her older husband who seem hell-bent on cheating every trades worker in the Midwest. And Hiller’s British trainers, who through teasing, criticism and mockery finally let her know what “navy cake” really is.

At the center of it all is Hiller. She seeks to run an honest business, make beautiful things and be fairly paid. Doing all three things at once is an immense challenge, and she tells her odyssey in a series of vignettes that read like a modern-day Aesop’s fable. There is a lesson in each chapter about the craft, business or personal relationships. But it’s up to you to decode them. Her indirect approach is one of the great charms of the book.

If you are considering abandoning your cozy corporate job to make furniture, “Making Things Work” is required reading. It will illuminate you as to how difficult the profession can be. If you are undaunted after seeing the quality of Hiller’s furniture and reading about her struggle to make a living, perhaps you have a shot.

For amateur woodworkers, the book is a great read. Hiller is a fine and precise writer who knows exactly when to land a punch line (sometimes with a sledgehammer).

For those of you who appreciate the manufacturing quality of Lost Art Press books, “Making Things Work” will please you. Hiller used one of our printing vendors here in the United States. This is a book designed to last.

Most of all, kudos to Hiller for taking on this book like a piece of fine furniture. She managed most of it herself, from the writing to the production to the distribution.

“Making Things Work” is available from Hiller’s website here. Highly recommended.

— Christopher Schwarz

 

One of the things that makes me nuts about woodworking shows is listening to older woodworkers complain about 20-year-olds and how they (among other vices) have little interest in woodworking.

This weekend’s Lie-Nielsen Hand Tool Event was no exception. What was exceptional is that I listened to much of this drivel while people in their 20s and 30s wandered around Braxton Brewing, used the hand tools and talked to the makers.

A lot of our customers are young adults, and the only difference I see between them and the older generations is the younger woodworkers are apt to use materials in addition to wood – metal, plastic and ceramics. And they are more likely to adopt technology into the things they make – robotics, 3D printing, CNC, laser cutting.

Historically, interest in woodworking goes up and down a little bit but remains fairly steady through time. (Unlike interest in scrapbooking or personal journaling, which peaked at crazy heights and then almost disappeared.)

The urge to make useful things is an important part of the human experience.

Woodworking has long been dominated by people older than 50 because they have more money and aren’t chasing around their kids or changing diapers (generally). Younger woodworkers don’t have the same kind of time to devote to the craft. But they are out there. And when their kids get older, they buy a place with a garage and they have some disposable income, they are going to buy a handplane or a table saw and build a workbench.

Yes, it sucks that many schools have eliminated shop class. And it’s stupid that we now encourage kids to go to college who would be happier in a trade.

But despite all that, people find a way to learn woodworking. It’s just not the way you did it (see also, YouTube). And they might not build the same things you like to build. And they might use different kinds of tools. And they just might not like hanging out with old dudes who complain about the younger ones.

— Christopher Schwarz

Megan Fitzpatrick at Popular Woodworking Magazine is looking for a managing editor to fill the spot recently vacated by Rodney Wilson, who did a heck of a job before moving up in the world.

I joined Popular Woodworking in 1996 as the managing editor, and it is the most challenging and rewarding job I’ve ever had. You have to be hyper-organized because the managing editor has to make sure the trains run on time. That the authors get paid. That the manuscripts arrive on time. And that corrections get made.

On the flipside, you have access to a dream shop of workbenches, hand tools and power equipment, including a 12” jointer and 20” planer. Whenever your head is too full of adverbial nouns, you can walk to the shop and clear your brain by cutting dovetails for an hour.

Megan is a demanding boss, but that’s the best and only kind in modern publishing. Magazines with lesser editors have all closed their doors.

Best of all, the job is open-ended. After I mastered my paperwork and manuscript duties (that took about a year) I was encouraged to become a better woodworker, write articles, begin blogging, travel to visit authors and work on tool reviews. All that led to being able start my own publishing company with John.

If you love woodworking and want to live and breathe it, this is the job.

Take look at the job description here. Yes, you have to live in Cincinnati.

— Christopher Schwarz