Lost Art Press

Category: Dutch Tool Chests

‘Dutch Tool Chests’ Has Left the Building

Posted on by fitz

I am delighted to announce that the book I started writing four years ago – “Dutch Tool Chests” – is finally in the hands of our printer. I also hope to have proofs to review by the weekend. Above is a mockup of the cover (surprise, it’s gray/blue). The real thing will look a lot better, with cloth over 98 pt. boards and a platinum die stamp. The price will be $39. (As are all Lost Art Press books, it will be printed in the U.S.A.)

Inside the book is everything you need to build your own Dutch tool chest – 192 pages, from choosing materials at the home center or lumberyard to the paint. And of course, lots of hand-tool instruction in between – techniques and tool instruction that will come in handy for any number of projects. Oh – plus a brain dump on through-dovetails (the thing I teach the most), but written so that if you already feel solid in your dovetail abilities, you can skip all but the first sentence of each paragraph in that chapter. I’d hate to bore you.

My favorite parts of the book, though, are the two sections I didn’t write: the foreword from Roy Underhill (thank you, Roy!) and the gallery of Dutch chests from 43 other makers. These clever adaptations and customized interior designs show the great flexibility of the form, and how you can make it your own.

I’ll be sharing more from the book in the coming weeks. For now, I’m just so happy that it’s done. With luck and a lack of printer delays, I hope we’ll have it in house around November 1 (and I’m limbering up my hand for signing copies). And of course, I hope our international retailers will carry it, but as always, that is up to them. (Those that do will likely have it by January.)

– Fitz

Video Postcards from Germany

Posted on by Lost Art Press
Driving on the comb during a chair class in Bavaria.

I just returned from two weeks (and then some) in Bavaria. For the most part I was teaching classes put on by Dictum GmbH. It’s been more than five years since I’ve taught there, so it was great to catch up with old friends and make some new ones.

Here’s a typical scene at dinner one night with the students. We got our menus and the students were explaining what a “divorce salad” was. 

“Is this what you eat when you want a divorce?” I asked.

“Yes, of course,” they said.

“No,” I replied. “You are pulling my chain.”

Eventually we realized they were saying “die wurst,” which means “the sausage.” Not “divorce.”

And yes, they put hot sausages on a green salad here. Don’t knock it until you try it.

I’m returning to Dictum next year for two more weeks of teaching. The plan is to teach two chairmaking classes: A big ole comb-back at the workshop in Niederalteich. And an Irish armchair in the workshop in Munich. When registration opens for these classes, I’ll post the links here.

I made a short video of the Dutch tool chest class. Students came from all over the globe.

In between a few too many beers and Bavarian food, I managed to finish editing Megan’s Dutch tool chest book. It was worth waiting for. Soon we’ll begin designing the book, so it’s definitely coming out  this year.

After teaching, I traveled to Nuremberg with Lucy to explore the city and see a lot of folk furniture at the Fränkisches Freilandmuseum. I could have spent three or four days there, but we had only one. I made a video of some of my favorite pieces and interiors. Take a look.

And now I’m back in the States. Happy to be home, but falling asleep at odd times until my body adjusts.

— Christopher Schwarz

Spots Open in My Tool Chest Class in Munich

Posted on by Lost Art Press

Learn to build a Dutch Tool Chest from an American in the beautiful city of Munich – in July.

I still have a couple spots open in my tool chest class on July 14-16 at the Dictum store in Munich, Germany. If you are looking for a quick and fun vacation, this could be it. The school is right by the train station and tons of restaurants, biergartens and museums. Bring your family (I’ve done that a couple times – they love Munich).

Details on the class are here. The class is taught in English (Southern High Redneck English). And you don’t even need to bring tools.

— Christopher Schwarz

Dutch Tool Chest Book Update/Last Call

Posted on by fitz

I hope no on has a heart attack upon reading this…but I will be turning in the completed manuscript for the long-promised Dutch Tool Chest book by the end of this month. This year. In two weeks.

Why is it so late? I am definitely the problem. I’m not great anymore at working 18 hours a day like I used to. And after a full day at work, well, I just want to go home and weed the garden (temperature allowing) – not stare at a screen. Or sit on the couch with my cats and read a book. But…that’s really no excuse. I’ve to some extent made myself busy during the day; Chris would absolutely have let me work less at the office and work more at home on the book. So there is no one to blame but me. I’ve become a lazy git. (See also: My house renovation is not done.) But the shame and pressure are now outweighing the laziness – on the book, not the house.

With that mea culpa out of the way:

I’m including a gallery of pictures from other makers that shows as many different interesting and effective layouts as possible of the interior. Cool adaptations for a specific set of tools. Cool adaptations for a non-specific set of tools. Interesting use of the spaces in the bay (or bays). Clever rolling bases. Wacky oversized (or undersized) chests. Mind-blowing uses of the back of the fall front and or/underside of the lid. You know – anything that is nifty and sets it apart from the basic interior shown below.

(Mind you, the basic interior works quite well. I like its flexibility, because my tool needs change depending on the class I’m teaching (this chest travels with me if I’m driving). In theory, anyway; 90 percent of my time on the road, I’m teaching either the ATC or DTC.

Never forget to pack your hair clip.

All images used in the book will, of course, be properly credited – and I’d love to include a sentence or two about your inspiration, and/or why you did what you did. I need high-resolution (at minimum, 300 dpi at 5″ x 7″), non-blurry, decently lit images. It would be great to have an overall shot of your chest open and closed, and detail shots of the clever bits. Please also include your name (as you wish it to appear) and your phone number, in case I am in desperate need of contacting you (though I’ll use email first…who talks on the phone anymore?!). The deadline for your submissions is June 7.

Here’s an excellent example of a clever idea…though a bad photo, hurriedly snapped by me during a class in our shop (it’s too close up, and without the context of more background, it’s a little hard to immediately understand that you’re looking at the side wall of the chest, outfitted with storage for large-diameter tools (how is it attached?!) and a clever pencil box. (Olivia, if you’re reading this and have time to send me better pictures…)

Please send pictures to me at fitz@lostartpress.com. (If the file sizes are too large to email, I can send you a WeTransfer or Dropbox invite – whatever you prefer.)

Detail shot of cleverness inside Olivia Bradley’s tool chest.

And thank you to those who’ve already sent submissions – I do still have them!

– Fitz

The Swedish Tool Chest

Posted on by Lost Art Press
The Swedish tool chest and its tool rack.

One of the tool chest forms that has been on my list to explore is the Swedish chest, which I’ve encountered a few times both in the United States and Europe. It’s similar to the Dutch tool chest, with its slanting front lid. But the Swedish one is in many ways simpler.

The chest shown here came from the family of Johan Lyrfalk, who owns Rubank Vertygs AB, a woodworking supplier in Stockholm, Sweden. Last Saturday, he brought it out for us to inspect and measure during a visit to his store.  

Note how the bent hasp holds the lid open and accessible.

The chest is most likely pine and it is assembled with through-dovetails at the corners. The top and bottom are screwed to the carcase. The slanted lid is kept flat with two battens that are neatly joined to the lid with blind sliding dovetails. The steel hinges are let into the carcase and are screwed through the lid and into the battens, increasing the reach and strength of the screws.

The interior of the chest is fairly open. There are openings for three drawers (this chest had only two of them remaining). The drawers are assembled with half-blind dovetails (two dovetails per corner). One nice detail of this chest is the top edges of the drawer sides are beveled to the inside. That reduces the number of corners you will bump into when you reach for a tool.  

The middle drawer. Note the bevel on the drawer side.

The drawer frame and dividers appear nailed and screwed to the chest from the outside, keeping with the aesthetics of the chest.  

The interior walls of the chest are lined with tool racks. And there’s a tool rack on the lid.  

How the tool rack on the lid was used was a question among the woodworkers looking at the chest. The lid is propped open by its hasp, which allows the tool rack to be handy. But you’d have to remove the tools to shut the lid. Some speculated perhaps this chest was rarely closed and used mostly in a workshop environment.  

Dimensions are: 32” wide, 18-1/2” high and 19-1/2” deep. The top is 11” wide, as is the drop lid. Most of the stock for the carcase is 7/8” thick.  

The interior tool racks.

This chest is definitely one on my to-build list. We are always looking for tool chest classes that teach a variety of good lessons for classes (or for publication). The Anarchist’s Tool Chest is my personal favorite to work out of; but as a class, it is mostly about through-dovetails and nails. Even in a one-week class working flat out, it is difficult to get to making the lid, much less the rest of the interior bits.  

The Dutch tool chest, as a class, is a more balanced experience. You get some dovetails, dados, rabbets, maybe some tongue-and-groove.  

The Swedish tool chest could be a primer on through-dovetails and half-blinds, for the drawers.  

I’ll have to build one to find out.  

The tool chest at the Vasa.

After we spent an hour poring over Johan’s tool chest, he returned it to its resting place. The next day we went to see the Vasa exhibit. And there, right next to one of the workbenches from the Vasa, was an almost-identical chest (just a little longer). Perhaps the universe is sending me a message.

— Christopher Schwarz