Today may you find the love Dick Proenneke did, alone but not, 39 years ago today. A journal entry, written by Dick, excerpted from “The Handcrafted Life of Dick Proenneke.”
December 25, 1982:
Partly Cloudy, Calm & 21°
A real nice morning for that special day. A few nights ago I was reminded of Christmas. It was -6° calm and very frosty. By lantern light every busy and spruce sparkled – a million tiny candles winking on and off as I went to the woodshed … On the stump out front I had nailed a big strip of gut fat. I hollered for the birds and it was some minutes before they arrived … Boy oh boy! what a Christmas present. They would work like beavers – get tired and rest for a while and then back at it again. If I called them, they would quit and come to the door for hotcakes.
Everything in order I started to open parcels. Nine in all – excuse me – one in the cache makes it ten. Ten plus small gifts from Glen and Patty, Laddy & Glenda which turned out to be candy and cookies.
Before I got involved I remembered my little turkey bird in the cache. It would be frozen solid and I had better get it thawing …
What a batch of stuff – everything from soup to nuts. Two packages of Beef stick that is very good and will keep well into spring. Two gallons of chopped dried onions. I had ordered one and please write the price on the can so I could pay. Two came and as a gift. Any more I wanted I could pay for. Fruitcake, candy, nuts, a new Taylor thermometer which is a nice one – a tube case with a clip so one can pack it to the mt. top. Dish towels and some material to cover my aluminum foil of the fireplace cover. I find the foil is of benefit in keeping the cabin warm. Heat is reflected back into the living area from it. The excess that I cut off stands against the wall behind my stool next to the stove. Sit there and I can feel the heat reflected from the foil. Items too numerous to mention. Even genuine imported Millet Spray bird feed for caged birds and wild birds. Be interested to learn if I have any birds that will sample it.
Cinnamon drops and lemon drops, dish towels and pot holders and on and on. Nectarines a batch, semisweet chocolate, lentils and white beans and a note “Is there anything we can do for you?” And I suppose the next plane in will have more. I should hang out a sign “Twin Lakes general store.” With the flag flying my cabin has already been mistaken for a Post Office. I do appreciate everything and wish there was some way I could repay everyone for everything for I feel in debt. If only they had all gotten together and sent in a 25 lb. sack of rolled oats from “Nature Kitchen” I would have been “happy as a clam”. It would be evening before I pawed through the boxes again and find Christmas wrapped gifts that I missed first time around. I hate to disturb the contents because I often end up with more than the box will hold when I try to put it back.
Everything neatly stacked in a corner, I did more work on my ice creepers. An uncommon amount of creeper ice this winter. Straps wear and heel claws need replacing.
Building a book, tool chest, chair, backyard fort, orchard, business plan, well, cabin or even a family requires the same basic steps. A desire, need or circumstance that you can’t shake. Gathering or making the things needed. A plan (or not). And then, a lot of steps. Followed by a lot of problems. Solutions, failures, successes. The building continues until one day you think, whoa. I made this.
Near the end of the process of building “The Handcrafted Life of Dick Proenneke,” Monroe Robinson’s well ran dry. There was a second well on the property that hadn’t been used in more than 30 years. Monroe immediately set to work, rebuilding the old pump house that had almost wasted away, replacing the electrical service, water lines, water pump, pressure tank and controls. He worked on it for seven days straight (“seeing clear, clean water gush from a hose feels close to magic,” he wrote to me), and finished just in time for the annual apple juicing day he and his wife, K., hold for neighbors and friends every year. Using an apple grinder and press that Monroe made, folks take home nearly 100 gallons of juice each year.
“Children of all ages love to crank the apple grinder and long handle of the pressing screw, and especially hold their cup in the stream of sweet apple juice as it falls from the press,” he wrote.
Monroe signed the contract for “The Handcrafted Life of Dick Proenneke” in December 2018. We spent nearly three years building this book. Monroe, of course, has spent more than 20, beginning with his first summer caretaking for Dick’s cabin in 2000. For months we thought this book wasn’t going to be printed until after the first of the year. It gave me so much joy to email Monroe and tell him his book was being shipped to the warehouse early.
The first of anything after a build is magic, no? Holding your book, holding your baby, filling a tool chest, pulling up a chair to the dining room table, locking up a new office space, camping outside in your fort, pumping clean water, picking a ripe apple, and lighting a gas lantern and standing outside, looking in.
— Kara Gebhart Uhl
August 1, 1968:
The lake dead calm. A perfect day to move …
Clock wise around the cabin and set everything out that I want to go. Pack it down to the beach. Clean up the cabin and scrub the counter and shelf under and the woodwork of the stove stand. Everything in order. I loaded up and paddled down. Everything found its place and there was lots of room for everything. The cabin didn’t look cluttered as some do. An item or two to make. A knife holder for on the wall and on that project the worst accident of my cabin building career. The piece of wood I was working turned and I raked my thumb with the freshly sharpened ripsaw. The blood ran and I went down and stuck it in the lake and the lake was turning from green to red so I doped it, wrapped a rag around held by a piece of tape and went back to work.
Everything squared away and I saw it was two o’clock.
First night on my new bunk. I think that five inches of foam rubber will make it just right. And too I can hear Hope Creek real plain. That will be a pleasant sound to go to sleep by. I packed my drinking water from Hope Creek and I think there is none better that I ever tasted. I must light the gas lantern this evening to see how it looks inside and from the outside.
Dick doesn’t make a big deal of this move but I will. It had been only slightly more than 10 weeks since Dick packed three loads of gear to his building site four miles along the still-frozen shore of Twin Lakes.
Dick fabricated his own mallet, log scribe and many handles for other tools he would need. He sharpened his saws, axe and auger bits. He canoed to locations miles away and felled, peeled and rafted approximately 300 small trees to use as rafters, furniture legs, bed rails, woodshed/outhouse logs and more.
Dick had built his cabin! He had completed much of the furniture for his home. He had sawn lumber from spruce logs to make his own front door, and for door and window jambs. He had essentially built his home and what he needed inside with his own hands and now had moved in.
He also finished building his woodshed/outhouse/storage structure, except for the sod on the roof.
In the 1977 video “One Man’s Alaska,” produced by the National Park Service, Dick said, “I worked 12 hours a day, six days a week and in 10 days’ time I had the heavy logs up.
“I think there is a lot of satisfaction in having everything that you made yourself. Even your door hinges and everything, cut’er out by hand with the tools you got. I moved in August first. There was still work to be done but it was livable.”
Editor’s note: I am pleased – and slightly surprised – to announce that we are now shipping “The Handcrafted Life of Dick Proenneke” by Monroe Robinson. This book came in much earlier than expected – I didn’t think we would see it until January. Let’s hope this means the paper shortage is abating. Other good news: The book is one of the better print jobs Megan and I have seen from our Tennessee plant. The color reproduction of the vintage photos is spot-on. The book is $52, and customers who buy the book before Dec. 4, 2021, from Lost Art Press will receive a free pdf of the book at checkout.
— Christopher Schwarz
About the Book
Millions of PBS viewers first met Dick Proenneke through the program “Alone in the Wilderness,” which documents Dick’s 30-year adventure in the Alaskan wilderness. On the shores of Twin Lakes, Dick built his cabin and nearly all of the household objects he required to survive, from the ingenious wooden hinges on his front door to the metal ice creepers he strapped to his boots.
And now, “The Handcrafted Life of Dick Proenneke” examines this adventure through the lens of Dick’s tools and the objects he made. Written by Monroe Robinson – the caretaker of Dick’s cabin and his personal effects – the book weaves together vintage photos and entries from Dick’s journals plus new drawings and images to paint a portrait of a man fully engaged in life and the natural world around him.
In 1999, after departing Twin Lakes at the age of 82, Dick donated his cabin and all its contents to the National Park Service. For 19 summers, beginning in 2000, Monroe and his wife, K. Schubeck, served as caretakers for Dick’s cabin, all the while honoring his motto of “keeping it true.” The cabin, its objects and this book show how you can make anything you need from almost nothing. For example:
August 17, 1970: I have been needing a good cutting board. A gas can box end is good but you seldom find one that is not two pieces held together with corrugated fasteners. I had a good wide spruce slab that would make a nice one. I ripped it one and one quarter inch thick. Trimmed it to fourteen inches in length and edged it to nine inches wide. Planed and sanded it smooth and rubbed it with bacon grease.
No one holds a more intimate knowledge of Dick’s handcrafted life than Monroe, and just as Dick shared his life through letters and film, Monroe knew he had a responsibility to share all that he had learned. This book, which includes excerpts from more than 7,000 pages of Dick’s transcribed journals along with hundreds of photos, dozens of illustrations, and Monroe’s thoughtful and detailed commentary, is the result. It’s nonfiction, how-to, adventure and memoir, but at its heart, it’s a guidebook on how to live a life that’s “true,” with materials found and a few simple tools. Appealing to woodworkers, toolmakers, homesteaders, hikers, naturalists, conservationists, survivalists and lovers of Alaska, this book is for those who want to know how one man lived an intentional life, the kind of life many dream of living.
“The Handcrafted Life of Dick Proenneke” is 456 pages, 8-1/2” x 11″, printed in full color on coated #80 matte paper. Its signatures are sewn and secured with fiber tape for durability. The pages are hardbound and covered in cotton cloth. Like all Lost Art Press books, it is produced entirely in the United States.
The cover features a diestamp showing Dick’s cabin, which is pressed into a green cotton cover cloth. For those readers who desire a dust jacket, we have made a specially designed one that you can print out on a large-format printer (which you can find at many office supply stores or a reprographics service).
The dust jacket measures 26-5/8″ x 11-1/4″. You can download the free pdf via this link.
We will kick off the Anarchist Gift Guide on Thursday, Oct. 21 (tomorrow!). That’s a little earlier than usual, but the world is off its axis, and we want to give you plenty of time to get your gifts sorted for the holidays. Plus, this will be our biggest gift guide yet.
If you aren’t familiar with the gift guide, it has been a yearly tradition here for about a decade. It’s mostly little things that we find useful in the shop. It’s not sponsored and not affiliated. It doesn’t plug or promote our products. We do it because we love you (even you, John Cashman).
Hey – That Feels… Almost Normal
It was a relief to receive Nancy R. Hiller’s “Shop Tails: The Animals Who Help Us Make Things Work” from the printing plant in Tennessee. It took only 10 weeks to get it printed. That turnaround time is not like the old days when five weeks was the norm. But it’s way better than some other recent titles. (“The Stick Chair Book” is coming up on 17 weeks in gestation.)
So if you are looking for Lost Art Press books as gifts, here are four quick updates.
“The Stick Chair Book” should be shipping the second week of November. Fingers crossed.
“The Handcrafted Life of Dick Proenneke” is also scheduled to ship about that same time.
We are running dangerously low on stock of “The Anarchist’s Tool Chest.” The cotton cloth we need for the cover is in limbo. If you need this book for a gift, don’t hem. And don’t haw.
With publishing mostly on the ropes, Megan and I have been full-time furniture makers and tool designers during the last few months. We’ve been sending a lot of furniture out the door lately, but that doesn’t help you with Christmas (unless you ordered a chair or a tool chest from us).
The good news is that we should have Crucible Planing Stops in stock before Christmas. These ductile iron bench accessories should be less than $50 and will be super easy to install (drill a 5/8” hole in the movable block; drive the stop in; done).
We have also been working on two new tools that are now in the prototype stage. One is a sliding bevel that holds its setting better than any tool I’ve ever used. And the second is a handy waist apron that is great for woodworking (and will feature a cool vintage-y screen print). Both of these new tools will launch in early 2022.
And by then I hope things will get back to normal, and we’ll have some new titles to announce.
The illustration we used for the diestamp for “The Handcrafted Life of Dick Proenneke” is fitting in myriad ways, the most important being it was created by Elan Robinson.
In 2000, Elan, who was 11 years old at the time, traveled with Monroe to Dick’s cabin.
“I knew I was traveling with a young and impressionable child and I wanted to create a meaningful experience in everything we did,” Monroe says.
By this time Dick had left his cabin to live with his brother in California. The National Park Service had contacted Monroe to restore the roofs on Dick’s cabin and woodshed.
“I wanted Elan to understand that their dad would do this work exactly as Dick’s original work, allowing future visitors to see Dick’s life and craft as it was, with as few changes as possible,” Monroe says. “I wanted Elan to understand the importance I placed on the impressive craftsmanship of the Civilian Conservation Corporation workers during the Great Depression at Chiricahua National Monument where my father worked during my youth.”
Meeting Dick Proenneke
While Elan would spend many summers between elementary school and college graduation with their father at Dick’s cabin, that first summer was particularly memorable.
“The cabin and the surrounding trails were like a wonderland for a kid my age,” Elan says. “Dick never threw anything away, and I remember being really impressed by the stacks and stacks of empty ink jars stashed in Dick’s outhouse. I wanted to write and document my time there like he did. My journal from that first year is funny to read now because of how much I complained about missing my friends, craving different foods, being bitten by mosquitoes, and doing manual tasks like carrying water or putting oakum between the cabin logs to keep the cold out. My memories of that first summer are much more positive than my journal entries!”
Dick made his final visit to his cabin in 2000.
“I was thrilled that Elan would meet him,” Monroe says.
Dick and Monroe exchanged many letters after their first meeting in 1982, and Monroe says Dick always included Elan in his letters. Elan and Dick meeting in person for the first time was a significant moment for both Elan and Monroe. And they were thrilled to accompany Dick on the float plane that took him back to the National Park headquarters where he stayed a few days with Leon Alsworth.
“I only met Dick one time, for just an hour or so, when he visited his cabin for the last time,” Elan says. “I wish I had a better memory of what that was like. But I have a photo, and in my journal from that first summer my pre-teen complaining is interrupted with my entries about how excited I was to meet him. I feel pretty honored to have been there that day.”
On Hikes and Observation
Monroe spent 19 summers at Twin Looks and says many of the more memorable moments centered around the camping trips and hikes he took with Elan around Twin Lakes. They would regularly see dall sheep, brown bear, moose and caribou. Together, Monroe and Elan observed the behaviors of these animals, and Elan spent a significant amount of time sketching them.
Monroe remembers one hike that began with the two of them kayaking from Dick’s cabin 10 miles west before embarking on the hike.
“That night a wind came up so fierce that our tent flattened to the shape of our sleeping bags,” Monroe says. “Since sleep was impossible I opened the tent zipper at 2 a.m. to look out in the orange glow of the ‘midnight sun’ below the northern horizon. Elan set the mood by springing forth with, ‘Oh! What a Beautiful Morning’ as we both gripped our nylon tent before it blew away.”
One summer, Elan, Monroe and Monroe’s wife, K. Schubeck, spent nine days hiking a loop, beginning at Dick’s cabin and then moving west, around the Volcanic Mountains and into Big Valley through Low Pass and back to Dick’s – about 30-plus miles. Early in the trip Elan spotted a fox den that would be a significant site in the course of K. and Monroe’s wildlife observations over the next 15 years.
“We spent several hours sitting in the rain watching one red kit and three black color phase kits fight and play, including a dramatic display of kit competition when the vixen brought in a dead ground squirrel,” Monroe says. “Later on this trip Elan sat motionless next to me as a lone wolf trotted toward us. We watched as the wolf chased, lost, and then caught and gulped a ground squirrel.”
Most children have memories of sitting quietly and listening to adults who don’t realize they’re being so astutely observed. Elan vividly remembers a time when a number of folks from Port Alsworth were visiting Twin Lakes.
“They had all come over to Spike’s Cabin and were sitting in folding chairs in the tight space, talking about Dick, sharing memories, and even arguing about what Dick had thought or felt about this or that,” Elan says. “I was watching all of this from under the bug net on the top bunk. I think I was too young to take part in the conversation, but not too young to be impressed by the intensity everyone was expressing around their memories of Dick, and their strong feelings around his legacy. At school, we had been talking about heroes and legends, and about how stories around real people grow and transform as they are told and retold, and I was aware that I was watching that happen.”
On Illustration
“I did a lot of drawing out at Twin Lakes over the summers I spent there,” Elan says. “I recently dug up my journal from my first visit there, when I turned 12, and it’s full of drawings of animals, scenery and little scenes from our everyday life that summer.”
Monroe remembers an 11-day hike he and Elan took across the lake from Dick’s cabin over the mountains and west to Sheep Lick mountain. They watched caribou, dall sheep, brown bears, black bears and a wolverine, and they even found two fox dens.
“Their journal on that hike included many illustrations including flowers, plants, the skull cap of a young caribou left at one of the fox dens when the fox den had been used by wolves years earlier, the partial skull of duck that the foxes had not bitten apart and an illustration of Dick’s cabin,” Monroe says. “Each time I look at this journal I am impressed with Elan’s art and the skill in creating a written narrative that holds my attention whenever I read it.”
One year Elan kept a nature journal as an independent study project for high school credit.
“I was really interested in botany at the time (I still am) and was really inspired by some of the detailed botanical drawings in the field guides we had at the cabin,” Elan says. “I learned from that summer that sketching the plants we found in detail was a really good way to commit the characteristics of each plant to memory.”
Monroe says Elan drew many illustrations of the Alaskan plants around Dick’s cabin, not only the physical plant but also how the Alaskan Native Peoples use the plants.
“After an injury to K.’s hip, Elan made a poultice of wormwood to relieve the pain and lessen the swelling,” Monroe says. “I was delighted with Elan’s interest and encouraged their efforts as an artist.”
Elan says they have had an on-and-off relationship with illustrating for most of their life.
“I drew a lot in elementary and middle school, but got a little more serious about it in high school,” Elan says. “I really liked the fine lines in the work of M.C. Escher and the moody inkwork of Edward Gorey, and I consumed any manga and anime I could get my hands on.”
Like many artists, there have been times that Elan has struggled with perfectionism.
“I’ve definitely had periods where that gets in the way of me being able to just have fun making art,” Elan says. “I got back into it again about five years ago when I was going through a really rough time with my mental health. I started buying cheap notebooks and drawing with ballpoint pen; the paper meant I didn’t feel so bad about ‘wasting’ nice paper on a drawing I wasn’t completely happy with, and the pen meant I couldn’t spend hours drawing, erasing and redrawing like I tended to do with pencil. I was doing it to try to express some of the stuff I was going through, but couldn’t express with words. I got to where I was drawing every day, often multiple times a day, without thinking at all about the final result, just about how it made me feel. As time went by, when I went back to things I’d drawn a year ago, I was surprised by not just how much I’d ‘improved,’ but how much I’d started to embrace my own style and feel confident about being able to produce something kind of consistent. I guess I needed to let go of meeting some standard of quality in order to feel more comfortable.”
Partnering Together for this Book
Elan says their dad’s work has been a huge influence in their work in the creative field.
“I’ve always wanted to be like my dad when I grew up (again, I still do),” Elan says. “I sometimes wish I had made more of an effort to learn woodworking from him, but even though my carpentry skills pretty much end with tightening screws and assembling IKEA furniture, I’m positive that growing up with my dad and around his artist and craftspeople friends meant that I always felt very supported and encouraged in all of my creative pursuits. I also think I learned a lot from my dad when it comes to attention to detail, and that shows up in the subjects I’m most interested in and the way I like to draw.”
These days Elan works as the community engagement operations manager at Pride Foundation, an LGBTQ+ community foundation supporting transformational work in five states in the Northwest, including Alaska.
“Graphic design has become an increasingly significant part of my role, and I do occasionally get to contribute illustrations to a design project,” Elan says. “I’m really lucky to have a day job that I feel passionate about and where my passions are supported. Outside of work, I write zines, including The Queer Language of Flowers, and occasionally do freelance illustration. I feel like I have a lot of learning to do still as an artist, but it’s been really fun and validating to find more outlets for my work in recent years.”
(You can find Elan’s work online here and on Instagram here.)
As a child and teenager, Elan says they were a little intimidated by the level of detail at Dick’s cabin.
“I tried to draw some of the objects around the cabin, and once spent hours trying to draw the cabin, and although I was pretty happy with how it came out, I knew it wasn’t accurate – I had trouble getting the number of logs and the other proportions right.”
So Elan was excited to revisit Dick’s cabin for their father’s book many years later.
Monroe says having Elan’s art as the cover for his book is deeply meaningful in that it symbolizes Elan’s presence in his care of Dick Proenneke’s legacy.
“It’s really special to me to be able to be a part of this book,” Elan says. “I think that the time I got to spend at Twin Lakes has had a big influence on me – on my relationship with craft, with nature, and with myself and my own sense of what I’m capable of accomplishing, so being a part of the ongoing legacy of Dick Proenneke is meaningful to me personally in that way. More than that, though, contributing an illustration to a book that I know my dad poured so much of himself into, and that I really believe only he could have written, makes me feel so proud.”
“The Handcrafted Life of Dick Proenneke” should ship before the year’s end.