We just received word from our printer that “Carving the Acanthus Leaf” by Mary May shipped to our warehouse yesterday, two weeks ahead of schedule.
That means our warehouse will receive the books next week and we should be able to start shipping out pre-publication orders at the end of next week or so. As a result, the special pre-publication offer will end on Nov. 13. So if you want a free pdf of the book in addition to the hardcover copy, order before then. After Nov. 13, the pdf will cost extra.
Double Book-release Party We are holding a special book-release party for “Carving the Acanthus” and “From Truths to Tools” on Dec. 9 at the Lost Art Press storefront in Covington, Ky. Mary May and George Walker will be there to sign books, give presentations on their work and answer your questions. We’ll post details on this free and fun event in the next couple weeks. So save the date.
Next up for Lost Art Press We have two books that are now being designed: Richard Jones’s opus on wood technology (still wrestling with the title on that one) and Joshua Klein’s book on Jonathan Fisher, “With Hands Employed Aright.” We hope to have both of these books sent to the printer by the end of the year.
A little farther down the pipeline: Jögge Sundqvist’s “Sloyd in Wood” and my greatly expanded edition of “Roman Workbenches.” Both are almost ready for the designer. It looks like 2018 is going to be busy.
Our printing plant is in the final stages of work on “Carving the Acanthus Leaf” by Mary May. And, as always, our books are a creative struggle to the end.
This week we’ve been working on the “diestamp,” the debossed image on the inside of the dust jacket. We take great pains with our diestamps because they will live on longer than our dustjackets. (If you want to see my favorite diestamp, check out the one for “Calvin Cobb – Radio Woodworker!” and see if you can figure out the Easter egg.)
Diestamps are old technology. And though many printing plants can produce amazing covers with holograms, laser cutouts and unusual leather finishes, getting a diestamp with fine detail is a struggle. Almost every time I send our diestamp to the nice people at our prepress service, I am sure they smack their collective foreheads.
Their response is usually: I don’t think we can hold that level of detail without the image blurring.
To their credit, they are willing to try different approaches. Lately, we’ve been using a stamp made from magnesium and some different foils to see if we can achieve the fine lines shown in the samples above. In this case, we found the correct combination of a magnesium die and a cream foil that gave us the effect we’re looking for.
With the diestamp complete, our job is over. It’s up to the printing plant to bring all the different parts – the book block, boards, endsheets, cover cloth and dustjacket – together to complete the book. We haven’t been told when the book will ship, but history suggests it will be in within the next three weeks.
Mary May probably didn’t realize the unintended consequences of one of her chapter titles: “A Rite of Passage for the Classical Carver.” She doesn’t yet know how often she will have to don ministerial robes and confer rites of passage on those who learn to carve acanthus leaves, severely disrupting her woodcarving life.
A “Rite of Passage” is usually something that marks a significant milestone in one’s life. Yet, with Mary’s teaching techniques, passing that milestone just became significantly easier. Besides, most everyone who has attended one of Mary’s in-person classes has already passed the “acanthus milestone.” A simple Acanthus leaf, similar to the first project in this book, is a frequent staple of her classes. Even as a klutzy beginning woodcarver, I brought home an acanthus carving from my first class with her. She makes acanthus carving accessible and achievable.
This book will certainly increase the number of acanthus carvers in this world.
Mary’s step-by-step descriptions and illustrations take you by the hand and lead you on a wonderful journey that includes 13 different acanthus leaf variations. Don’t worry, this is not a journey of increasing difficulty, but one of exploring different uses and different styles. All of them are achievable. Mary guides us through: the basic leaf carving, on mouldings, on cabriole legs, on a turning, on a bracket. And she offers us different styles: the simple leaf, Italian renaissance, Scandinavian, Greek, French Rococo, Baroque.
One might expect this to be simply a how-to book about carving acanthus leaves. It is, but very much more. Yes, we learn to both draw and carve leaves. But Mary also offers a richly illustrated and detailed discussion of the history of the acanthus. Mary leads us through centuries of cultural and stylistic variations. Once we become aware, we’ll start seeing acanthus leaves everywhere.
Interspersed among the carving lessons are short stories from her life. Some of the themes are: miles of mouldings, never too old to carve, display a carving and catch a husband, “opportunities” not mistakes, the atypical jack-o’-lantern, and the young bride in a bed full of wood chips. These are simply delightful insights to how Mary May has become the masterful carver she is today.
On the Technical Side Mary includes a wholesome “Getting Started with Woodcarving” chapter that is actually a mini-course in beginning woodcarving. She highlights tools and equipment, safety, the all important grain-following techniques, layout tips and tool sharpening techniques.
Yet another “Getting Started” chapter dives into the acanthus itself, with a detailed lesson in leaf anatomy followed by instruction on how to draw and carve a typical leaf. Here we see the beginning of Mary’s step-by-step illustrations. Hundreds of these illustrations and photographs are effective substitutes for when Mary can’t be standing beside the workbench helping us learn.
Drawing instructions? Do we really need to learn to draw to be able to carve effectively? Mary suggests that learning to draw is helpful, that it builds confidence in understanding the design before committing tools to wood.
I agree, from experience…. A little personal diversion: I once undertook a lengthy stay at a place where it was inconvenient to drag along carving tools, my workbench and all the other comforts of carving. Instead, I took a copy of someone else’s book about acanthus leaves, a few pencils, a pad of paper and a big eraser. I spent many hours drawing from photos in that book. I learned that the best looking acanthus leaves are dependent on the constantly changing curves being just right. It was time well spent. Subsequent carving was much easier.
These drawing lessons, one general lesson and one for each leaf, actually double the value of this book. Drawing, for me, is a gateway to understanding carving. When I get a good feeling for the object with the low-cost investment of paper and pencil, the actual carving is enjoyable and stress free. Maybe you will find the same benefit. For those who want to skip drawing, there are drawings provided for each chapter.
By the way, as an “enginerd,” my day job has always been precise and used concise tools. The engineering mindset told me that one can’t make a curve of constantly changing radius, such as a natural spiral, with a fixed-radius tool such as a compass. Mary’s drawing lesson changed that mindset. She shows very clever ways to use fixed-radius drawing tools to get very close to the constantly changing curves we need for the spiral forms of acanthus leaves.
Mary goes on to entertain us with short stories and 13 spectacular carving lessons. Every lesson includes a description of the leaf and photos of how carvings are used in real situations, typically on furniture, or architectural pieces. Then comes a section about drawing, and a section about carving that particular leaf, all abundantly illustrated with step-by-step drawings and photos.
Stock up on paper, pencils and basswood. Prepare for many hours of thoroughly enjoyable carving, and get ready for your rapidly approaching “Rite of Passage.”
Order the book from the Lost Art Press website here. The book ships in late November. You can download a free sample chapter via this link.
This review is based on the digital PDF that one can receive with early ordering. I have not yet held the actual book. It is 8-1/2” x 11”, 336 pages. Christopher Schwarz has promised it to be a durable book that can lie flat on the carving bench, and he always delivers what he promises.
— Bob Easton
About Bob Easton: After 40 years in the Information Technology industry, many as a software engineer, Bob turned to woodworking about 10 years ago. He entered through the door marked “small boats,” built a couple of rudderless boats and then slowly drifted over to woodcarving. He was blessed to meet Mary May many years ago and helped her establish the website for her online Woodcarving School (https://www.marymaycarving.com/carvingschool/). Bob occasionally adds drivel to his own blog at https://bob-easton.com/blog/
You can now place a pre-publication order for Mary May’s “Carving the Acanthus Leaf” in the Lost Art Press online store. The book is $49, which includes free shipping in the United States and Canada.
Customers who place a pre-publication order will receive a free and immediate pdf download of the book. The book is expected to ship in late November. You can download a sample chapter of the book here.
For customers outside the United States, we will offer this book to all our international retailers (a list of retailers is here). It is the decision of the retailer as to whether they carry this book or not.
“Carving the Acanthus Leaf” is May’s first book and is the result of three years of intense work. It is a deep exploration into this iconic leaf, which has been a cornerstone of Western ornamentation for thousands of years. May, a professional carver and instructor, starts her book at the beginning. She covers carving tools and sharpening with the efficiency of someone who has taught for years. Then she plunges the reader directly into the work.
It begins with a simple leaf that requires just a few tools. The book then progresses through 13 variations of leaves up to the highly ornate Renaissance and Rococo forms. Each lesson builds on the earlier ones as the complexity slowly increases.
One remarkable aspect of the book is how May has structured each chapter. Each chapter begins with a short discussion of how this particular leaf appears in architecture or the decorative arts, with photos May has taken from her travels around the world. Then you learn how to draw the leaf from scratch. Though you are provided with a full-size or scaled drawing of each leaf, May insists that drawing the leaf makes it easier to carve it. Each step of the drawing process is illustrated in detail.
As May explains how to carve the leaf, she augments each step with multiple photos and illustrations that show where and how each tool should move through the work. The result is that each leaf can have as many as 100 photos and illustrations of each step of the carving process.
In addition to the intense instruction, May also provides a short essay between every chapter that illustrates her journey from a young pumpkin carver to the world-renowned carver she is today. The overall effect is like apprenticing with a master carver, with both the demanding instruction and the personal experiences that make woodworking such a rich craft.
“Carving the Acanthus Leaf” is manufactured to survive many hours of use in the shop. The heavy paper is both glued and sewn so the book will lie flat on your benchtop without the pages coming loose. The pages are protected by cloth-covered hardboards and a tear-resistant dust jacket to protect its contents. This is a permanent book – produced and printed entirely in the United States.
Mary May’s first book “Carving the Acanthus Leaf” has been delivered to the printer and we will open pre-publication ordering on Friday.
The book will be $49 (which includes shipping in the United States and Canada). All customers who place pre-publication orders through Lost Art Press will also receive a free download of a pdf of the book. The book should ship before Thanksgiving.
This is a massive book. It’s 336 pages and filled with more than 1,000 full-color step photos and illustrations demonstrating how to carve 13 different acanthus leaves, from an understated Scandinavian version, to the classic Greek to the gorgeous Renaissance-style leaf. Woodworkers of all skills – from the beginner to the seasoned carver – will find lots of techniques explored and explained.
“Carving the Acanthus Leaf” will be a hardbound book with a tear-resistant dust jacket. The binding will be sewn and glued so the book will sit flat on the bench for many years without the pages coming loose.
We will have more details on the content – including a free excerpt – on Friday. As always, we will offer this book to our retailers across the globe but it is up to them to stock it. So I don’t have any information on who will carry it.
We just received word from our printer that “Carving the Acanthus Leaf” by Mary May shipped to our warehouse yesterday, two weeks ahead of schedule.
Mary May probably didn’t realize the unintended consequences of one of her chapter titles: “A Rite of Passage for the Classical Carver.” She doesn’t yet know how often she will have to don ministerial robes and confer rites of passage on those who learn to carve acanthus leaves, severely disrupting her woodcarving life.
