Discussions on the forum this week have covered everything from dried hide glue clean-up to a wife’s innocent offer to frame the ATC letterpress poster at IKEA. Remember, if you have a question about our products, procedures in our books or anything related to Lost Art Press, the fastest way to get an answer is our forum. Check it out here.
Heavy Timber Roubo Knockoff Jarrett Seiple has 6×8 timbers and wants to build a bench. The thread has gone on to discuss the pros and cons of building a bench with beams. Want to weigh in or see what people’s thoughts are?
Stacked Cupboard Marselle Bredemeyer is looking for advice on building a cupboard but isn’t sure how to connect the top and bottom pieces. It has been suggested to dowel the two together but cold feet have set in due to inexperience with the method. Recommendations are being requested for what you would do with the provided sketch.
Nicholson Workbench Legs Ed is building a Nicholson bench and is ready to add the legs. Since he knows his top has a bit of a twist to it, he is wondering if he can make sure the legs are parallel to the ground instead of squaring them to the underside of the top. Thoughts?
Staked Furniture in GoT Anyone else notice the staked bench in “Game of Thrones?”
Eastern white pine is also referred to as Northern, soft, balsam or Weymouth pine. The name Pinus refers to the pine family, while strobus means cone. The tree’s natural range is from Newfoundland to Manitoba, south to Wisconsin and Iowa, and east to the Appalachians down to Georgia. Ordinarily it reaches heights of 80′-100′ (24-30 m). Old king’s broad arrow pines, used for masts in the royal navy, sometimes grew to more than 200′ (60 m). White pines can reach 400 years of age.
Pines, like most conifers, grow a straight central trunk. The branches of white pine grow almost horizontally, usually in groups of five. The pine shoot borer, an increasing pest in pine-growing areas, kills the leader, forces one of the branches to take over as leader and results in deformed or multiple trunks. Pine needles are 2″-5″ (5-12.5 cm) long, grow in bundles of five, and are surrounded by a papery sheath at the base which drops off after the first season. White pine cones are 4″-8″ (10-20 cm) long, fairly thin, quite flexible and take two years to mature. The bark forms gray scaly ridges.
Eastern White Pine Bark
Sapwood of white pine is pale yellow-white. Heartwood is cream to light reddish-brown when freshly sawn, turning to a warm reddish-brown on exposure to air and light. Old, clear heartwood is often referred to as pumpkin pine. The wood contains a fair amount of pitch. It is generally straight, even grained and light, with a density of 25 lb/ft3 (.39 g/cc) at 12 percent MC. It is a real workhorse in most shops, used for jigs, braces and mock-ups. As a pattern wood it has no equal. Quartersawn white pine is the most well behaved of all the native woods. Pine’s ease of sanding, chiseling and planing makes it an ideal secondary wood. When used as such, it fills the entire interior of a chest or cabinet with a clean, woody odor. It is also used as a primary wood. Most of New England’s painted antiques are constructed of white pine. Shellac over the knots prevents the pitch from bleeding through. Perhaps it appears at its best when left raw, or oiled to age naturally.
The following topics of discussion are generating a lot of discussion over at the Lost Art Press forum. Remember, if you have a question about our products, procedures in our books or anything related to Lost Art Press, the fastest way to get an answer is our forum. Check it out here.
Wooden Layout Square – Looking for Info Steve Swantee had a photo of a large square he was curious to identify. Turns out it is the large square from “Book of Plates.” Want to see what it looks like finished?
Waterstone Recommendation? Martin Jones is looking to switch from oil stones to water stones and asked for some feedback. He has had a lot of info thrown back his way regarding products and technique. If you want to add to the mix or just see what others are doing, here’s the thread.
Staked Coffee Table Joshua Krieger’s coffee table met its match in a three year old and he is now building a staked one. After putting up his original plans he is keeping us posted on his progress. See his journey and his solution for exposed tenons. (photo at top)
Knockdown Nicholson Bench Ouida Vincent built this bench from Popular Woodworking Magazine in the fall and it turns out a few others did and still are. Questions are still being asked about the process. Thinking of building one?
Drawbored AND Wedged Brian Clites is asked about the advantages and disadvantages of drawboring and wedging a joint. Was it done historically? Readers dug up a trestle table where Christopher Schwarz did just that. (see above) Other participants are looking for specific instructions on how to wedge a joint. Got any suggestions?
The mallet is one of those tools whose shape and form we accept without question until an alternative is brought to our attention. In the opinion of many who have used both types, the German pattern is preferable to the generally accepted British mallet.
The designers of the latter went to great pains to make the tapered shaft in order that centrifugal force should tighten the head in use. The continental designers decided that what is good enough for a hammer head is good enough for a mallet head. Possibly in England in earlier days the general carpenter or cabinet maker had no access to a lathe and so evolved this type of mallet. The German pattern, however, relies upon a bored hole, a turned handle, glue, and wedge.
As most readers already possess a mallet, two alternative sizes are given. The first figures produce an average sized mallet suitable for general work. The figures in brackets are for a lighter model. Mallet shafts are invariably too long. Many workers will prefer a shaft as short as 7-1∕2 in. (compare with the carver’s mallet, handle length about 5 in.). Though beech is the traditional wood for the head, other hardwoods, both British and imported, will give many years of wear. Oak and ash are both suitable. The handle on the other hand ought to be of straight-grained ash, or better still, hickory.
The head is made first, the angles sawn and the hole bored. Preferably a pilot hole of about 1∕8 in. diameter is put through first, boring from both sides. The twist bit will then follow through easily. Bore a similar hole in a piece of thin ply and thread this on the tail centre of the lathe.
Elevations With Alternate Sizes – A. 5 in. (4-3/8 in.) B. 3-1/2 in. (3-3/16 in.) C. 2-5/8 in. (2-1/4 in.) D. 5/16 in. (1/4 in.) E. 1-3/8 in. (1-3/16 in.) F. 8-3/4 in. (8-3/8 in.) G. 1 in. (7/8 in.) H. 15/16 in. dia. (7/8 in. dia.)
Centre the handle, still rectangular in section, and turn down the end nearest the tail stock to fit the plywood gauge tightly. An extra length of 1∕8 in. should be allowed to project beyond the head. The remainder of the handle is then turned to shape with gouge followed by chisel, a rather bumpy operation, but a good finish can be obtained with no great difficulty. The smallest shoulder should be turned on the shaft to fit against the head. Before cutting off a little individual embellishment may be added. This is particularly useful in a communal workshop where several such mallets may be used.
Slot the handle for the wedge or wedges which are made from the waste at the driving centre end. Open out the mortise either for two wedges with a tapered auger such as ladder makers use, or for one wedge with a suitable gouge or a small rasp to give an oval hole on top. Glue preferably with synthetic resin glue. Cramp up with a sash cramp. The plywood gauge is a useful cramping block to allow pressure to be exerted on the head after the shaft has poked through it. Now hold the shaft upright in the vice and check that the head is parallel to the vice jaw. This must be corrected quickly if required. Drive in the wedge or wedges and recramp until dry.
Plane off the projecting wedges and the handle. The top may be left square as it now is,or it can be curved as the drawing shows. The shaper tool produces this shape easily and quickly with a good surface.
A small bevel on all the edges prevents splitting and a coat of clear cellulose or french polish keeps grubbiness at bay.
