The Gibson chair that is the subject of a video Megan and I are working on. This week has been so busy that we have stalled on it. It will be finished next week.
Update: I am sad that no one asked about cat care. So I’ve closed the comments, and am going home to sulk with a cat on my lap. – Fitz
I’m teaching a class this weekend, so Megan has volunteered to staff the LAP Open Wire today. So in addition to woodworking questions, feel free ask about home renovation and cat care.
Here’s how it works: Type your question in the comment field. Megan will do her best to answer.
Before you ask a question, please read this.
If you could limit the number of questions you ask to one or two, that keeps the load manageable. And remember brevity is appreciated.
If your question is your first comment here, it will automatically be flagged for moderation. Your question will appear after she approves it.
So here we go…. Note that comments for this entry will close about 5 p.m. Eastern.
The Crucible Cross-Peen Hammer is in production, and the first tools will go up for sale in a week or two. This has been a year-long project that required a lot of programming, plus finding a new handle supplier. The result? Craig Jackson, our machinist at Machine Time, said about the finished hammer “I’m happy for once!”
Here are the details on the hammer, which has the in-house nickname “Peeny Weeny.”
The hammer head is milled from a solid block of hardened steel. Weighing 4.5 ounces, the head is 4” long overall with a 5/8”-diameter striking face. The cross peen at the opposite end has a striking surface measuring 1/8” x 1/2”.
Hickory can vary a lot in color.
The handle, made for us by Hoffman Blacksmithing, is hickory and is 11” long overall. The neck of the handle is a scant 3/8” x 1/2”, which was a challenge to cut without chattering. The handles are all sanded and hand-finished with oil. The wedges are walnut.
Overall, the hammer weighs 5 ounces, and is an ideal weight and size for small workshop tasks. In addition to sinking small brads and pins, the cross peen is ideal for starting headless nails without mashing your fingers.
The head and the peen are also ideal for adjusting handplanes. For my entire career, I have used one of these hammers to tap my irons laterally to get the iron centered in the plane’s mouth. I also use the cross peen with side-escapement planes, knocking the iron in place against the blind side of the plane’s escapement.
Adjusting the lateral location of a block plane blade.
Starting a headless brad with the cross peen.
Antique versions of this tool can be hard to find in the United States, especially with a decent handle. Modern imported versions are – sorry to say – not a pleasure to use.
We don’t have a retail price yet. It likely will be about the same price as our standard lump hammer. Though there is a lot less steel, the machine time for this head is considerable. The handle is custom-made and is about three times the cost of the lump hammer handle.
As always, we will first fulfill all domestic orders for the hammer before we can offer it to our other retailers.
A quick note: Katherine has just posted about 32 jars of Soft Wax 2.0 in her store. You can read all about it in her etsy store.
Also, we have now boxed up all the special Anthe Lump Hammers, and we found we had a few extra to sell. You can visit our store here to read about them and consider purchasing one, which helps fund the restoration of our new building.
The future storefront at the Anthe building. There is a long way to go before it will be operational.
Our customer service lines are buzzing with customers asking what will happen to the 837 Willard St. storefront when the Anthe building comes on line. Will people still be able to visit the Willard Street shop? Where will the books, tools and apparel be sold? What about the woodworking classes?
Here’s the plan as of now.
Nothing will change at Willard Street for at least two years. The first phase of construction at the Anthe building is to build and perfect our fulfillment center. That requires money and work and cleaning and infrastructure. This phase is the most important to us. It will allow flexibility and a more personal touch when filling orders. And it will save us a load of money.
The second phase is to get the storefront up and running at the Anthe building, which is at 407 Madison Ave. (a short walk from Willard Street that I make every day). People want to visit and buy our stuff in person, and a dedicated storefront allows this.
The third phase is to build new editorial offices, photography studios and workshop spaces on the second floor. It’s important to me that all of us work together. Help each other. Try to make the company better and the Anthe building a better place to work. Megan and I will help fill boxes with orders at peak times. At slow times, the fulfillment people will help us in the workshops and creating content.
I do not like hierarchy.
The Willard Street storefront isn’t going anywhere.
Through all this, the Willard Street storefront will carry on as a classroom and storefront for Lost Art Press and Crucible. People can visit both places if they want – though there’s no guarantee who will be at Willard Street at any particular time.
We don’t have any plans beyond what I’ve written above. So any questions beyond this post have this answer: We don’t know.
So if you are planning on visiting our Willard Street storefront this summer, please do. We are there typically from 10 a.m. to 4 p.m. on Monday through Saturday (we are closed on Sunday). As always, knock on the front door, and we will be happy to let you in and give you a tour.
