There’s a quick tutorial on laying out a traditional pommel on a seat with a French curve and only two points. Check it out on the Crucible Tool site here.
— Christopher Schwarz
There’s a quick tutorial on laying out a traditional pommel on a seat with a French curve and only two points. Check it out on the Crucible Tool site here.
— Christopher Schwarz
Megan Fitzpatrick and Brendan Gaffney will each teach a weekend class in April at our storefront in Covington, Ky. Registration will open at noon on Friday, Oct. 20.
Just like with the Welsh stick chair class with Chris Williams, these will be small classes with only six attendees. Also, these are not money-making enterprises for me or Lost Art Press. All proceeds go directly to the instructor.
I’m allowing them to use the space for free because they are my friends, I think they each have something valuable to teach and the classes build the local woodworking community in Covington. Here are the details.
Build a Shaker Silverware Tray with Megan Fitzpatrick
April 7-8, 2018
Cost: $250, plus a small materials fee for wood & cut brads (likely around $30)
Make a classic Shaker silverware tray in this introduction to hand-cut dovetails. In this two-day class, you’ll learn:
Build the Cabinetmaker’s Sector with Brendan Gaffney
April 21-22, 2018
Cost: $300, which includes all raw materials
In this two-day class, students will build their own Cabinetmaker’s Sector, my modernized design for the ancient geometer’s tool, used for drawing, drafting and (in my shop) the layout of dimensions and joinery on woodwork. The class will revolve around the skills of modern hand-tool makers, including careful marking and measuring, mixing metal and wood, hand shaping, finishing and (of course) how to use the tool.
Each student will be provided the wood and the necessary brass hinges and pins, everything needed to produce the sector. The first day will revolve around affixing the brass and wooden tabs into the tools, riveting the leaves together, flattening and lapping the tools and reviewing the principles behind the geometry of the sector. The second day will revolve around shaping the sectors, stamping and inking the sector marks, finishing the sectors and learning to use them in the shop. Every student will leave with a completed sector, plus the knowledge of how it works and how to use it.
I tried to finish the seat of the dugout chair today in preparation for our open day tomorrow (10 a.m. to 5 p.m. – lots to do and see). But I was only able to squeeze in about 30 minutes of work as I was dealing with heavy construction out back with the Lost Art Press Horse Garage.
In any case, I’m trying not to make this seat too refined or precious. I want it to match the ruggedness of the chair. But I don’t want it to look sloppy. So I’m shooting for “done quickly and with purpose.”
This seat is made from the last significant chunk of Eastern white pine from Midwest Woodworking I own. I’m going to miss this stuff.
I don’t wear cologne (heck, I barely wear deodorant). But if someone could make a cologne that smells like Eastern white pine when it’s being cut, I would actually wear that scent. Of course, the scent would only really attract beavers and some bark-eating grubs. But oh well.
— Christopher Schwarz, editor, Lost Art Press
Personal site: christophermschwarz.com
You can now register for the chairbuilding class with Chris Williams via this link.
Note: Registering for the class or the waiting list is free – they won’t ask you for a credit card to register. After the dust settles, we will invoice the six attendees, as discussed here.
If the six slots are filled, please consider signing up for the waiting list. People’s lives will change in the next seven months.
See you in May!
— Christopher Schwarz
This morning I posted an entry on our Crucible Tool site about how to use the continuously changing radius on French Curves to join three points. This is a huge help when creating irregular or organic shapes.
Read the entry here.
— Christopher Schwarz