You can claim your free tickets for the Dec. 9 book release party with Mary May and George Walker using this link. The event is 7 p.m. to 10 p.m. at our storefront: 837 Willard St., Covington, KY 41011.
Each author will give a short presentation on their work, answer questions and sign books. Drinks and snacks will be provided by Lost Art Press.
— Christopher Schwarz
In 2015, I closed my public email address to preserve my sanity, though some would question whether I succeeded in my goal.
Lately, a lot of people have attempted to seek advice, feedback or whatever through my personal site: christophermschwarz.com and through help@lostartpress.com. I’m up to about five messages a day now.
Please don’t waste your breath, your fingers or your 1s and 0s. These messages are all simply deleted.
I know deleting them might seem rude. And some of you have told us how rude you think it is in long rants… which get deleted.
Trust me. It’s not you. It’s me. I had multiple public email addresses for 17 years and answered every damn question sent to me – no matter how odd or how much research it required. I helped lazy students with their papers on hand craft. I found links for people too lazy to use a thing called Google. I answered sincere but incredibly time-consuming emails from people who wanted to tell me their life story and get detailed advice on the steps they should take to become a woodworker.
And those weren’t even the ridiculous requests. It’s too early in the morning for me to even think of those.
It was all too much. I was spending hours each day answering emails. It cut into my time researching, building, editing and writing (not to mention time with my family). And then one message snapped my head in two. Out of respect for the individual who sent it, I won’t go into detail because he would be identifiable.
The email he sent was longer than my arm. It was going to take me hours to formulate even a half-a$%ed reply.
I deleted it. Then I deleted my inbox and my old email address.
So now I’m half-sane.
— Christopher Schwarz
P.S. If you really want to ask me detailed questions, the best way to do that is to visit our Covington storefront on the second Saturday of every month. I’m happy to talk to anyone about anything. I know some of you will whine that you are too poor to travel (while typing on your $2,000 computer…), but people have made the trip from almost every state in the country.
I am pleased to announce that Mary May and George Walker will be at the Lost Art Press storefront on Dec. 9 to celebrate the release of their new books.
Mary, the author of “Carving the Acanthus Leaf,” and George, one of the authors of “From Truths to Tools,” will each give a short presentation on their work that evening, answer your questions and sign books. Lost Art Press will provide drinks and snacks for this free event.
Only a limited number of people can attend (fire marshal’s orders), so we will offer free tickets to this event starting at Friday at noon Eastern time.
Note that Saturday, Dec. 9, is also the last open day for 2017. So if you need books signed by me (note: I am happy to fake any signature, including: Tommy Mac, Roy Underhill and André Roubo) that’s the day to do it.
We hope you can come!
— Christopher Schwarz
I want y’all to know that you have adoring spouses and family members. Every year in mid-November we get flooded with requests from people who want to give you gifts with a little extra something special.
A few years ago, we got a request from a woodworker’s wife. She had bought one of our books at a used bookstore. She mailed it to us, and her request was something like this:
Please write an essay on the inside cover that will inspire my husband to continue woodworking. In your essay, I would like you to touch upon the following themes from his life:
It was then that John and I designated November and December the “Lexapro” season – when we are regularly pulled into anxiety-provoking family situations.
During the 2015 Lexapro Season (or was it the 2012 season?), a spouse asked if we could include a day of woodworking lessons with the book she wanted to buy for her husband. We replied with, “We charge $700 a day for one-on-one lessons.” And then she became very incensed that we couldn’t do it for free.
I hear those white pills rattling, rat- rat- rattling for me…
If you do have an overachieving spouse, we recommend they stop by our storefront on one of our open days if they want a personal signature – that really is the only way we can fulfill unusual requests. (Our last open day of 2017 is Dec. 9.) Because I’m in Kentucky and our warehouse is two hours away in Indiana, there’s no way to pull certain orders, sign them in blood and repackage them.
I honestly wish we had the staff to honor requests such as these as they are an indication of how much you are loved. And who doesn’t love love? But we are just two guys, and I have bathrooms to clean.
— Christopher Schwarz
I will teach two classes in June 2018 at Dictum in Germany – one class on building a Roubo workbench and a second short course on building a staked three-legged stool.
The classes are held at Niederalteich, a gorgeous monastery in Bavaria. Students can stay in the comfortable guest rooms at the monastery or at one of the local bed and breakfasts in the town. The monastery has a really good restaurant and lively beer garden. It is a perfect setting if you want to disconnect from the outside world and focus on the craft.
The staked furniture class is June 9-10. During the class we’ll build a three-legged staked stool. This class is an excellent introduction to the world of chairmaking. We’ll discuss how to design and execute compound-angle joinery without math or trig tables. And we’ll explore the tapered mortise and tenon, the foundation of staked furniture.
For more details or to sign up for the course, visit this page.
The workbench class is an intense five day class from June 11-15. Each student will build a Roubo-style workbench. The class will focus on making the bench and helping you decide what vises or workholding you need in your shop. We will build the bench using traditional mortise-and-tenon construction and the massive sliding dovetail used on early French benches.
For more details or to sign up for the bench course, visit this page.
Note that these classes do not mark my return to a regular teaching schedule. Teaching these classes in Bavaria helps fund my research into early woodworking in Europe. Plus, I owe the people at Dictum a personal favor for which I will ever be grateful.
— Christopher Schwarz, editor, Lost Art Press
Personal site: christophermschwarz.com