Due to a small miracle at our printing plant, we now have a big load of “The Woodworker’s Pocket Book” at our warehouse and ready for immediate shipment. And yes, if you order now it will arrive before Christmas.
We love this little book, and so do our customers. Since first printing it, we have had trouble keeping it in stock. It’s a great little companion for any workshop.
The sign over Chester Cornett’s shop in Elizabethtown, Ohio.
Every shop I’ve worked in had a set of built-in aphorisms – things that are said when you encounter a moment of truth at the bench or when the clamps come off. Michael Dunbar’s chair shop probably had more than 100 sayings that he and his instructors had developed. Taking a class there was like living inside Confucius’s “Analects.”
We have some at our shop. Some of these are said out loud. Some are muttered under one’s breath. Others are too private to speak.
“Let us all now drink to the success of our hopeless endeavor.”
This is a Russian dissident toast that I learned in college. I say it to myself as a little prayer any time I begin a challenging project, which is just about every time I begin a project.
“For those people and that money.”
I’ve heard this one a lot in workshops. It’s said when you botch a job and decide not to fix it. I’ve turned it on its head and say it when something goes really right, or when a piece turns out as expected. It is said as a reminder as to who is the customer.
“If you have to ask the question, then you know the answer.”
I’ve published this one before. We say it whenever someone asks “Should I fix this?” “Does this assembly need to be remade?”
“You have to build a shed-load of furniture.”
I picked this one up from David Savage (rest in peace). I say it to students whenever they despair that they’ll never improve.
“Furniture makers have been hiding mistakes from rich people for thousands of years.”
I first heard this one from furniture maker Jim Stuard. He said it whenever he made a flawless repair to a piece.
“By all means read what the experts have to say. Just don’t let it get in the way of your woodworking.”
This is a John Brown quote. And I love it. I say it whenever we do something that goes against prevailing internet/magazine/book wisdom.
“La carrière ouverte aux talents.” (The tools to him that can handle them.)
This quote, attributed to Napoleon, I never say out loud. I say it to myself on the rare occasion when I get something exactly right – a joint, a tool setup, etc.
“The things I make may be for others, but how I make them is for me.”
A quote from Tony Konovaloff, I say this when I do things the hard way instead of the easy way on a project. Or I do something that the customer will never notice.
“Sharp fixes everything.”
I say this to students when their tools are dull and they are struggling.
“Don’t make a clock out of it.”
A German workshop expression shared with me by Peter Lanz. We say this whenever someone is making something far more complicated than it should be. And for no good reason.
This three-legged comb-back chair is available for sale and immediate shipment. SOLD
The chair is based on several Welsh three-legged comb-back chairs I have inspected that have a distinctive square-shaped arm and seat. This particular iteration is set up for lounging, with back sticks that lean about 16° off vertical. The seat height is 17”, with the overall height of the chair at 39”. The seat is 16” deep x 20” wide and nicely saddled.
Three-legged chairs are common vernacular forms found all over the U.K. and Europe, but many moderns suspect they are unstable. After building and using many three-legged stick chairs, here’s the real deal: When you sit in them, they are stable. You can even tilt back on them on the rear leg (fun!).
The only time they are unstable is when you are not sitting in the chair and you try to lean on the ends of the comb, which are unsupported. That’s when the chair wants to tip.
Construction Details
The legs, sticks and comb are made from dead-straight red oak that was both rived and sawn to yield the straightest, strongest parts. The seat is poplar. And the four-piece armbow is made using slippery elm. The interlocked grain and strength of the elm is what allows the arms to curve 93° and still be strong.
The chair is $1,100 plus actual shipping via common carrier. This is a little less than usual because of the three legs. Shipping typically runs between $100 and $225 depending on where you live. Delivery within 100 miles of Cincinnati is free – or you can pick it up at our shop in Covington, Ky. If you are interested in the chair, send an email to fitz@lostartpress.com. Ask all the questions you like, but the first person to say “I’ll take it” gets it.
— Christopher Schwarz
P.S. I have four more chairs in various stages on the bench. The next one is a 16-stick comb-back.
Two of our new sliding bevels, plus a early design prototype that Josh Cook printed out.
As a chairmaker, a small sliding bevel is essential to my work. The tool guides most of the joinery. It also is a companion when I explore historical chairs to understand how they work.
When we completed work on the Crucible Type 2 Dividers, designer Josh Cook and I wondered if we could adapt that tool’s ingenious tension/locking mechanism for a sliding bevel. The answer is yes. And thanks to tool designer and machinist Craig Jackson, we have a bevel in the works that exceeds any expectations I had for the tool.
The Crucible Sliding Bevel is unlike any other sliding bevel I know of. It locks the blade position so tightly that you have to be quite strong to get the blade to move off your desired setting. And if that’s all it did, I’d be happy. But it does something else, too.
Thanks to Craig, the Crucible sliding bevel has dual controls that allow you to do some helpful things. The screw up by the blade controls the rotation of the blade. It works like the adjustment mechanism on any sliding bevel. You can use it to lock the blade, loosen the blade or set the tool’s tension so the blade rotates but with some effort.
The second screw near the back of the tool is used to adjust how the tool’s blade slides in its slot. You can use these two screws to control separately the rotation and the sliding of the blade. That means you can:
Lock the rotation of the blade and then slide the blade to a different position in the body of the tool.
Lock the blade so it won’t slide, but it will rotate.
I know this might sound complicated, but it’s not. Much like the dual controls on the Tite-Mark, my favorite marking gauge, these become second nature within a couple minutes. Also good to know: You don’t have to use the dual controls. You can simply use the control at the pivot point to work the tool – bringing in the second control only when necessary.
Some of the many tool bodies that we experimented with. The colors in the backgrounds of the engravings is marker or metal dye – just experiments. The No. 11 is because this tool is our 11th tool.
Some Specifications
We are making the bevel in alloy steel with a 4″ blade, which is my favorite size. The blade is 3/32″ thick, so it is impossible to mangle. The body of the bevel is 11/16″ x 3/4″ x 4-3/8″ and weighs a nice 10 ounces. The bevels are being made in Kentucky. The control screws are the same size as the screw on our dividers (so perhaps we’ll make a screwdriver soon).
One of the other nice things about this tool is that it is extremely easy to assemble and disassemble. So we will offer a 7″ blade that fits in this tool’s body in early 2022.
So when will these begin selling? We are waiting on a large steel order. The production fixtures have all been constructed and the programming is complete. Depending on when the steel arrives, there is a chance we will offer the first batch right before Christmas.
And the price? This is the most complex tool we’ve made so far at Crucible, and there is a lot of milling to make the custom parts. The retail will be $200, and I think the tool is worth every penny. (As always, if you’re feeling salty about the price, I encourage you to give small-scale domestic toolmaking a go. I love it, but sheesh – making stuff is hard.)
I don’t know if we have enough margin in these tools to offer them through our foreign and domestic retailers. But a few months of production will give us that answer.
In the coming weeks I’ll make a video that shows how the bevel operates.
— Christopher Schwarz
In the end, we went with an understated logo, which matches the look on our other tools.