After a few blog about “apron hooks” (see here and here), reader Wendy Neathery-Wise decided to do something about it. She made me one.
The hook is her design. Though it looks a bit like the Masonic symbol, it’s not. The compass is the Lost Art Press logo. The square is from the cover of “The Anarchist’s Tool Chest.” And the hook contains the always mysterious letter “E.”
It works great. I attached it to my existing apron strings and there is one less thing I have to fumble with as I get ready to work in the shop.
It may be thought by some that this letter will appeal to a very small circle of readers, for the young men of the present day do not wish to learn trades; they consider it menial, and much prefer to be clerks or professional men. This is a fact. A New York carriage-maker, at a meeting of manufacturers in New Haven recently, said:
“One of the serious wants of this country and of our trade is good boys. Our boys are deteriorating, as are our men. The greatest difficulty that we experience in New York is that of getting boys who have brains and are willing to learn a trade thoroughly. The example of men who have made millions in a few years is held up before our boys in school, and the boys become inflamed with the notion that they must make their millions and be able to found new crossroads colleges before they die. So they eschew trades and become poor professionals.”
Tell the average boy that he ought to learn a trade, and he will look up with wonder and, perhaps, contempt, and say, “No trade for me.” But for all that, I hold that of every three boys who become clerks, two would have done better in health, in pecuniary results, and in the long run in comfort and social position, to learn a trade. Good mechanics to-day are better paid than the average of clerks, are more certain of situations, and, when from accidental causes out of a situation, have less trouble in getting another. In many trades the best workmen receive $3 a day. In some they are able to make by piece-work $4 and $5, while the average salary of clerks and subordinate book-keepers amounts to less than $800 a year. Some excellent authorities affirm that, take the country through, it amounts to less than $600 per annum. The expenses of the clerk, also, are larger than those of the mechanic. (more…)
Starting next week, all the books that I’ve written that we sell through Lost Art Press will be signed via a letterpress bookplate.
For the last six months, I’ve been signing the books via a simple adhesive label. We wanted something nicer. These bookplates are about five times nicer and 32 times as expensive.
These self-adhesive bookplates measure 2-3/8” x 2-3/4” and were printed at Steam Whistle Letterpress and Design in Cincinnati, Ohio. The bookplates are on acid-free Mohawk stock and were hand-set and printed on vintage equipment restored by Brian Stuparyk at Steam Whistle.
If you need some letterpress work (invitations, business cards, whatever), I highly recommend his shop. Brian has been obsessed with printing since he was a kid and has quite the collection of vintage machines and type.
As a convenience, we are also offering these signed self-adhesive bookplates by themselves for $2 (that price includes shipping). That way you can affix them in a book you have purchased from one of our retailers. Let me repeat that in a different way: All books sold by Lost Art Press that are written by Christopher Schwarz are already signed by him via this bookplate. You don’t need to buy this item if you are buying a book from us. This item is for people who have bought a book from another retailer and want to add his signature to it.
Here are some quick answers to questions we’ve received about signed books.
1. Why use a label or bookplate? Why don’t you just sign the book itself?
Our inventory is in Indiana. I am in Kentucky. There simply are not enough hours in the day for me to drive to Indiana and sign all our books. Until the day comes when we can consolidate all our operations in one city, this is the best that we can do.
2. Why don’t you offer these bookplates signed by other authors?
I suspect we will do that in the future. It’s a time-consuming process, and our first goal is to produce books, not get them autographed by the author.
3. Can I get you to sign my book with no bookplate?
Sure, just show up at one of the places I am teaching (my schedule is in the right rail of the blog). I’ll sign your book, your bare chest, whatever.
Several weeks ago I made the long journey to Iowa for the HandWorks tool event being held at the Amana Colonies. Because many woodworkers were unable to attend the event, I have assembled a gallery of photographs to help document everything that transpired. I’d like to thank Jameel Abraham and his entire family for putting together one of the best woodworking shows I have ever attended.
I would suggest asking any questions about the content of the photos here in the Lost Art Press comments section. Since many of the show presenters are also readers of this blog, you may actually get an answer. The presenters are welcome to make free use of these photos at their discretion.
I can’t post the original article from October 2012 – that is the property of Popular Woodworking Magazine. But you’re smart. You can figure it out. Or you can buy the issue here.
