Lost Art Press

Roubo Translation News

Posted on by Lost Art Press

roubo_proof1_IMG_7014

This is going to read like a letter that recalls your car.

Lost Art Press is committed to bringing the first-ever English translation of A.-J. Roubo’s masterpiece to market in March 2013. No, make that July. August? Well crap.

OK, forget the form letter.

“To Make as Perfectly as Possible: Roubo on Marquetry” has been at the printer since July 1. But because of the complex nature of the project and the proofing process, we are scheduled to go on press this week. Then our pages head to the bindery on Sept. 3. And they will be shipped to us no later than Oct. 10.

That’s the bad news.

But there is lots of good news to report here. Here is some:

1. The trade edition will be released in time for Woodworking in America, Oct. 18-20. So we will have both editions of the marquetry book – the deluxe and the trade edition – at Woodworking in America in Covington, Ky.

2. As part of Woodworking in America, we will be holding a book-release party on Thursday, Oct. 17. Details to come, but if you ordered the deluxe edition you will be the first to be invited. If our luck holds, we will have as many people involved in the project – translators, editors, designer, etc. – as possible on hand to sign your copy of the book.

3. I reviewed the deluxe edition of the Roubo translation on Thursday and I can say this: It is awesome. Huge. Designed to a “T” by Wesley Tanner. And inspiring.

So thank you for your patience. I know this has been a long journey from the time we started this project more than six years ago. I know that once the book is released, I will allow all the stress and angst from the printing process to fade. Until then, beer please.

— Christopher Schwarz

P.S. We still have some deluxe editions to sell from our one-and-only press run. Details here.

roubo_proofs2_IMG_7016

New England Planted, Prospered, Declining, Threatnd, Punished

Posted on by Lost Art Press

FORP_flattened_IMG_7039

Beyond the great Atlantick flood
There is a region vast,
A country where no English foot
In former ages past:
A waste and howling wilderness,
Where none inhabited
But hellish fiends, and brutish men
That Devils worshiped.

This region was in darkness plac’t
Far off from heavens light,
Amidst the shaddows of grim death
And of eternal night.
For there the Sun of righteousness
Had never made to shine
The light of his sweet countenance,
And grace which is divine:

FORP_screw_oiled_IMG_7042

Until the time drew nigh wherein
The glorious Lord of hostes
Was pleasd to lead his armies forth
Into those forrein coastes.
At whose approach the darkness sad
Soon vanished away,
And all the shaddows of the night
Were turned to lightsome day.

The dark and dismal western woods
(The Devils den whilere)
Beheld such glorious Gospel-shine,
As none beheld more cleare.
Were sathan had his scepter sway’d
For many generations,
The King of Kings set up his throne
To rule amongst the nations.
— Michael “Mr. Doomsday” Wigglesworth, 1662

FORP_toothed_IMG_7049

I’m Done. Really. I’m Done.

Posted on by Lost Art Press
My Friday haul – Sipo, mahogany and sugar pine.
My Friday haul – Sipo, mahogany and sugar pine.

At my current pace – about three significant pieces a month – I have enough rough lumber to keep me busy for the next two years.

But when I walked into Midwest Woodworking Friday morning, I knew I was going to buy more. Frank David and his employees had sorted through the shop’s stores and come up with a lot more incredible stuff, including a cache of 4/4 sugar pine that I’d never seen.

As we unpacked that particular pile, I pulled six 16”-wide (or wider) 100-percent clear 16’-long boards aside. At less than $5/board foot it was a steal. And I made it only one-third of the way through the pile.

Customers hit the amazing cache of 5/4 mahogany.
Customers hit the amazing cache of 5/4 mahogany.

Then I hit the mahogany – I picked up enough 8/4 for eight Roorkhee chairs.

And then, the Sipo (Entandrophragma utile). Midwest has a half-dozen planks of 16/4 that are 24” wide and 14’ long. Beautifully figured. Clear. Completely dry. And about $9 a board foot.

Daryl of Midwest attempts to cut a Sipo plank on a radial arm so. No dice.
Daryl of Midwest attempts to cut a Sipo plank on a radial arm so. No dice.
Daryl tries a recip saw on a Sipo plank.
Daryl tries a recip saw on a Sipo plank.

I bought a plank – about 128 board feet worth – and needed to crosscut it to get it into my truck. Neither radical-harm saw at Midwest would do the trick the Sipo was too thick. Then we tried a recip saw. It was slow. Finally, one of the other customers loaned me a little battery circ saw that was the solution. I cut through both faces with the circ saw. Then removed the waste between with the recip saw.

What’s the Sipo for? I am thinking ahead: H.O. Studley workbenches.

After hoisting each plank onto my personal pile, I said aloud: “That’s it. I’m done.”

Five planks later, everyone around started mocking me.

I took my wood home and unloaded it.

Today I returned to Midwest to help other customers. Somehow I ended up unpacking that pile of sugar pine again. And I got down to some 18”-wide boards that had been there for 40 years. After pulling every plank, I told myself: That’s it, I’m done.

Five planks later… I really was.

The wood and machinery sale was a bittersweet affair for me and Andy Brownell, who did a huge amount of work organizing the event. The owner, Frank David, was there on Friday and it’s clear his health has deteriorated. It was great talking to him and catch up.

midwest_frank_andy_IMG_7021

He’s suffering from congestive heart failure and is staring death in the face with the same pluck and optimism he used to run Midwest for decades.

“They say people can live with this for eight to 10 years,” he said. “We’ll see.”

I’m not sure what is in store for Midwest, the lumber inventory or the machinery – it’s none of my business, really. But I can say that the legacy of Midwest Woodworking and Frank David will live on through my work for at least the next five years as I pick through the incredible pile of lumber that takes up an entire wall of my shop.

— Christopher Schwarz

French Oak Bench: Last Details

Posted on by Lost Art Press

FORP_shelf1_IMG_7012

Last night I finished the leg vise, drilled the holdfast holes and installed the shelf.

Now I just have to flatten the top (and yes, tooth it) and tend to some accessories:

1. A drawer to the right of the right leg.
2. A swing-out grease box.
3. A tool rack at the rear.

I hope to flatten the benchtop today because tomorrow this bench is going to work. I have a potential buyer for my 2005 Southern yellow pine bench stopping by early Friday morning.

— Christopher Schwarz

FORP_planing_stop_IMG_7006

(The Few) Upcoming Classes

Posted on by Lost Art Press

dutch_chest_open_IMG_5280To the relief of my family (“Hey, I didn’t know dad had a beard,”), I’m paring back my teaching schedule with a machete. However, there are several schools I have committed to for the upcoming year. Here is a partial list:

Nov. 2-3, 2013, Wortheffort school of woodworking, San Marcos, Texas
Dutch Tool Chest
This is a new woodworking school in Texas with a strong focus on the community and teaching young woodworkers. I’ll be there teaching a class on the Dutch tool chest to woodworkers of all ages. Shawn Graham tells me the class is full, but it is definitely worth your while to get on the wait list – classes always have churn.

March 17-20, 2014, William Ng Woodworking School, Anaheim, Calif.
Roorkhee Chair
This will be my first time to teach in California. The Roorkhee chair class is probably my favorite class for a couple reasons – the chair teaches you a lot of unusual skill (riveting?) and we always have time to finish and wax the chairs.

March 22-23, William Ng Woodworking School, Anaheim, Calif
Dutch Tool Chest

May 5-9, The Woodworkers Club, Rockville, Md.
The Anarchist’s Tool Chest
Another school (and area of the country) that is new to me.

June 9-13, Marc Adams School of Woodworking, Franklin, Ind.
Build an 18th-century Workbench
This workbench will be the full-on plate 11 Roubo workbench with its sliding dovetail joinery. I’m already working on sourcing some fantastic wood for it. This is the only workbench class I will be teaching until 2015.

And that’s about it. I have a few weekend commitments with clubs in various places – Alabama, Alaska, Michigan etc., but other than that, I’ll be shackled to my keyboard and workbench here in Kentucky.

— Christopher Schwarz