After years of work, I am pleased to announce that we now ship our books throughout Canada. You can order them through our regular store and they will ship to you from our Canadian warehouse via Canada Post.
And yes, the price includes shipping in Canada.
Note that we are currently able to ship books only. We are not yet able to ship DVDs or posters to Canada.
Here’s how it works: Canadian customers can now purchase books through our store. They will be charged in U.S. dollars plus the Canadian goods and services tax (GST). The customer’s bank will convert the charge to Canadian dollars, which costs the customers a small fee levied by his or her bank.
Then their books will be shipped via Canada Post from a warehouse in Kingston, Ontario. Customers will not encounter duty charges or any other international transaction fees.
As mentioned earlier, the cost shown on the website includes shipping. And any books that are written by me will also include a signed letterpress signature plate, just like in the United States.
We have just launched this service and we are sure there will be a few bumps in the road. If you have problems, please don’t post them in the comments section. Instead, send a note to help@lostartpress.com and we will take care of it immediately.
And now for a personal note: This huge step forward is due entirely to John. He has worked tirelessly for the last six months to make this work. Anyone who says that it’s easy to ship goods to Canada has never really attempted to do business on even a small scale. John has encountered mountains of paperwork, interviews by Canadian officials and has had to become an expert on Canadian tax collection.
Those of you who have followed our company for the last nine years know that this day has been a long time coming.
Right now I am raising a glass to John (but it’s not a Molson; sorry I can only go so far. That stuff is nasty).
I’ve been digging out the nether regions of our household this week to collect tools to sell at our Covington, Ky., storefront this Saturday from 10 a.m. to 5 p.m. Directions to our store here.
So far I’ve gathered up about 70 items, everything from a Lie-Nielsen No. 4 to a set of oilstones to a set of turning tools. I’ll also be scouring our basement where there is stuff all the way back to 1993 when I took my first woodworking class.
I won’t be selling any junk. And prices will be incredibly fair. (Side note: There will be junk, but I’ll be giving it away. Come claim my first plastic-handled chisel!)
All tools will be sold cash or personal check (sorry, no credit cards). If there’s anything left after Saturday, I’ll post it for sale on our blog later this summer.
Some of the items I’ve set aside for Saturday:
Saws – premium backsaws and totally usable vintage handsaws. Some coping saws.
Planes – A few premium planes. I gave all my vintage ones away to the Baby Anarchists last fall.
Hammers: For joinery, adjusting, malleting etc.
Nice vintage miter jack.
Winding sticks of my own make
A Stanley 386 jointer fence
… and this is what I can see on top of the piles.
It’s all first come, first served. No exceptions. Please don’t ask me to mail anything to you. Pretty please.
— Christopher Schwarz
P.S. And of course we’ll have all our books for sale, plus some blemished books for 50 percent off retail, free stickers and posters and free woodworking advice….
John is headed to Maine this week to attend the Lie-Nielsen Open House this Friday and Saturday. If you live on the East Coast it is definitely worth attending – take a look at the toolmakers and craftsmen who will be there.
John will be there helping sell books (Lie-Nielsen carries almost our entire line), plus answering questions and talking about woodworking. Please do stop by and say hello to him – he’s the backbone of Lost Art Press and the reason you get your books shipped to you promptly and undamaged.
Meanwhile, back in Covington, Ky., I’ll have the storefront open this Saturday from 10 a.m. to 5 p.m. In addition to our full line of products (plus T-shirts and free stickers), I’ll also have a table of hand tools – new and vintage – for sale. Please do stop by (directions to our store are here).
Happy Fourth of July! Here is what is happening on the forum on this holiday weekend. Remember, if you have a question about our products, procedures in our books or anything related to Lost Art Press, the fastest way to get an answer is our forum. Check it out here.
Boarded Bookcase Done Joshua finished his bookcase (right) and has been kind enough to share. It looks great and has apparently been such a hit around the house that he might have to make some more…
Removing lacquer from brass Anyone know of a good way to remove lacquer from brass? As always, the less elbow grease required the better. (Some is expected though…)
Borate-treated lumber for workbench? Jonathan just moved to Hawaii and is looking for wood to build his workbench. It turns out that anything larger than a 2×4 is green treated. He is wondering if borate-treated lumber would work. Any thoughts?
Words of Advice? Have you ever had a project go so wrong that there is no way to salvage it? Daniel feels your pain and is looking for motivation. What keeps you going when you feel like hours have gone down the drain?
A Boarded Campaign Chest? The same Joshua of boarded bookcase fame (above) is making a chest of drawers and needs to do it as quickly as possible. In order to save time his solution is to rabbet and nail the sides and tops of each carcase box together. Will this work? What would you do?
Publisher’s note: I don’t think I’ve ever dealt with publishing a book that has a more tortured history that “Woodworking in Estonia.” First published during the Cold War, the book was translated to English in 1969 under unusual circumstances, and the author never receive a kopeck for his efforts. Our edition seeks to reconcile that disgrace. Ants Viires’ family will receive royalties from every book sold. The book is available for pre-order in our store here. The book should ship in August. Here is the second part of how the first translation was completed. The first part is here.
Translations for Food
Keeping up with the number of publications that were available to U.S.-based scientists and the time it took for full translations was becoming problematic. There were at least 28 academies of sciences and several thousand research institutes in the USSR. Russian-language translations had been given priority, but by 1959 the number of non-Russian abstracts and translations had to be expanded. More translations and the money to pay for them were needed. Enter the American Foreign Food Assistance Program and Public Law 480.
Public Law 480 (PL 480), otherwise known as the “Food for Freedom” program, was signed into law in 1954. The agricultural bounty of the United States was a foreign policy tool that was initially used to help countries recover after the war and keep domestic prices from falling. It was also a means of discouraging communism. Under PL 480, agricultural commodities could be sold to foreign governments for local currencies, donated for famine or emergency relief abroad, or used for emergency situations in the United States. After a country’s request for aid was approved, the U.S. firms providing agricultural goods were paid in U.S. dollars while the importing country paid for the aid in the local currency.
Currencies were paid to the U.S. Embassy in the receiving country. According to the United State Senate Committee on Agriculture and Forestry, under Title I of PL 480 foreign currencies accrued from the sale of agricultural commodities could be used among other things “for international educational exchange…for carrying out programs of U.S. government agencies…” Using the provisions of PL 480 the NSF could set up contracts for translation services in countries receiving U.S. agricultural goods and the services were paid for with the local currencies accruing at the U.S. Embassies. In 1959 the NSF signed its first translation contract with the Israel Program for Scientific Translations (IPST).
IPST was formed by the Israeli government and employed multi-lingual scientists to translate books and other Soviet-bloc publications in chemistry, physics, medicine, biology, mathematics and other fields. Many of the scientists received their education partly in the Soviet Union and partly in English-speaking countries. The 150 or so translators were scientists from the faculties of Hebrew University, the Israeli Institute of Technology and research staff of other institutes. By 1964 IPST had translated 330 books and 800 articles totaling 110,000 pages. The translated publications were printed in Jerusalem and available in the United States through the Office of Technical Services of the U.S. Department of Commerce. Complimentary copies of the English editions were sent to the origin countries in the Soviet Union, and IPST also sold editions to 60 other countries. In 1960 similar translation contracts were signed with groups in Poland and Yugoslavia.
In 1960, Viires’ doctoral thesis “Eesti rahvapärane puutööndus: ajalooline ülevaade” was published by the Estonian Academy of Sciences. The full publication of a thesis was exceptional in the Soviet Union. Abstracts and articles summarizing the thesis were required by the author and printed in limited numbers but were rarely available abroad. It seems despite his “undesirable background,” Viires’ work was deemed too important not to be published in full. However, for this type of publication no royalties were paid. In the April 1961 edition of the “East European Accessions List” of the Library of Congress, Viires’ monograph was listed for the first time.
Through listings in several U.S. government publications, a request for a cover-to-cover translation, the translation of select journal articles, or an abstract could be made. The NSF coordinated the requests with various agencies including the Atomic Energy Commission, the National Library of Medicine, NASA, the Smithsonian Institution and the Departments of Agriculture, Commerce and the Interior. Lists of available translated material (with prices) was published regularly. Copies of translated publications were also deposited at the Library of Congress and several major university libraries.
In the case of “Woodworking in Estonia,” the Smithsonian requested the translation from Estonian to English. Translations by the IPST followed a four-part process with reviews by the editorial staff, science-area specialists and English-language stylists who were immigrants from the United States, South Africa and Britain. The first listing showing the translation was underway was in the CIA’s “Consolidated Translation Survey” of January 1968. It was listed under USSR-Economics as “Estonian Wood Carving Industry.” Once the translation was completed it was listed in the same CIA publication one year later under Scientific-Miscellaneous as “Woodworking in Estonia.” The U.S. Department of Commerce, responsible for sales and distribution, provided a full description of the newly translated book in the “U.S. Government Research & Development Reports” of April 1969.
“Woodworking in Estonia: Historical Survey” was described as “Wood, material forming. Culture, USSR. Rural areas, Trees, Small tools, Containers, Bending, Joining, Anthropology, Economics.” Identifiers were: “Social anthropology, Estonia, Woodworking, Turning (Woodworking), Handicrafts, Furniture.” As was the usual practice for an author in a Soviet-controlled country, Viires did not know his Estonian-language monograph had been listed in a U.S. government publication, selected for translation into English, translated by the IPST and made available for sale in the United States. He received four copies of his translated work, but no royalties.
Late in Estonia’s pre-1940 independence period, copyright laws based on the German model had been drafted but were not enacted prior to the Soviet occupation. During the occupation Estonia was subject to the copyright regulations in the Soviet Civil Codes. The Soviet Union was not a member of any international copyright convention until 1973. Prior to this, a work was copyrighted from the moment of creation, not publication, registration was automatic and royalties were determined by state-regulated schedules. In the spirit of “the work of one should be for the benefit of all,” creative output was essentially owned by the state. Large portions of a published work could be used without the author’s consent and using the work of another was not considered a theft of intellectual property. The first Soviet copyright laws were in place in 1925, with changes in 1928 and 1961, and each Soviet republic was required to be in compliance. Adding to the lack of an author’s rights was the provision for “freedom to translate.” This was a holdover from Tsarist laws that allowed a work in Russian to be translated and published in the minority languages of the country without the original author’s consent. The state could forcibly nationalize any work and also held a monopoly over the printing and publishing industries. The “freedom to translate” provision was not abolished until the Soviet Union joined the Geneva version of the Universal Copyright Convention (UCC) in May 1973. Joining the Geneva version was chosen to avoid the implementation of the Paris accords of the UCC, which gave authors stronger rights over their work.
By 1969 Viires had been studying Estonian language and culture for 32 years. For 29 of those years the Soviets, the Nazis and again the Soviets were determined to wipe out Estonian identity, language and culture while Viires, working in the constricts of an occupied country, was just as determined to document and preserve those same things. According to his family members, Viires was surprised but pleased his work was translated into English and he added the translation to his bibliography. As Liina Viires, Ants’ daughter, explained, to have one’s work translated and published abroad was a good thing. Under the Soviets travel abroad and receiving foreign guests was severely limited and even large areas of Estonia were off-limits. Even though authors in the Soviet era had little control over their work, the opportunity to have one’s work published abroad was a validation and it might open up the possibility, however slight, to communication with one’s peers in other countries.
The publication of Ants Viires’ doctoral thesis was exceptional in the Soviet system. In the 1960s someone at the Smithsonian saw in Viires’ monograph the potential for a valuable addition to the history of woodworking and folk handicraft, and requested a full translation. Although the translation was done without the knowledge or permission of the author, it brought this unique record to the attention of American woodworkers and eventually led to the authorized English translation you are holding today.