Raney Nelson at Daed Toolworks has finished a new batch of Improved Pattern Dividers, which are now up for sale in his store. I use mine every day in the shop, and they are as wonderful as blacksmith-made dividers, but the tension is easily adjustable.
We’re glad that Raney has been able to get these back into production. If you’ve ever wanted a pair, here’s your chance.
Fig. 1. Simplest form of square shooting board. Fig. 2. Alternative pattern with detachable mitre stop. Fig. 3. Mitre shooting board. Fig. 4. Square board with one end raised. Fig. 5. Donkey’s ear mitre shooting board. Fig. 6. Board for wide internal mitres. Fig. 7. Waste piece to prevent edge from splitting. Fig. 8. Wood planed at angle in its width. Fig. 9. Wood planed at angle in thickness. Fig. 10. Angle in both width and thickness.
Although the shooting board is a well-known appliance in the workshop, we are frequently asked by readers for more information about it, and we therefore give here the chief types and their use.
The purpose of a shooting board is that of planing the edges of thin wood, either to form butt joints, to make the edge straight, to trim an end square, or to form a mitre. Normally the edge is made square, though in special cases it can be at an odd angle, as we shall see. If you tried to plane the edge of a piece of thin wood in the vice it would be difficult to hold the plane square and it would be liable to wobble. When the shooting board is used, the wood is held flat on the upper step, and the plane is worked on its side on the lower step, all wobbling being thus eliminated.
Types of Shooting Boards. The simplest form of shooting board for square trimming is given in Fig. 1. It can be of any length from about 18 ins. upwards in accordance with the size of the work to be trimmed. The upper step might be from 4 ins. up to about 6 ins. wide, and the lower one should project far enough to take the largest plane in use—say, 4 ins. At the far end a stop is fixed, this fitting in a groove. The near end is at right angles with the working edge, but it is tapered in width, partly to simplify fitting, and partly to enable it to be driven in with a dead tight fit. After being knocked in, screws are driven in and any projection is trimmed off flush.
There are one or two points to note. Firstly the heart sides of the two pieces face each other, so that in the event of shrinkage the twisting tendencies are opposed. Then again, ledges or battens are screwed to the underside, also to help in keeping the parts flat. Along the under-corner of the top platform a chamfer is worked so that any dust which may accumulate will not interfere with the true running of the plane. So far as thickness is concerned, the upper step should bring the work to about the middle of the plane—7/8 in. wood is about right.
A rather more elaborate type of square board is given in Fig. 2. The two parts are fixed to two or more notched cross-battens, a slight gap, say, 1/8 in., being allowed between them to allow dust to escape. Such a board is more likely to keep flat but will not produce better work. If desired, a detachable mitre stop can be fitted with dowels, though generally it is more satisfactory to have a separate mitre shooting board, as in Fig. 3. The construction of this is similar to that of Fig. 1, except that the stop recess is cut in at 45 deg.
Yet a third kind of square board favoured by some workers is that in Fig. 4. In this one end is raised so that as the plane passes forward a different part of the cutter comes into operation, thus spreading the wear over a wider length of edge. It is satisfactory providing the cutter of the plane is sharpened with its edge perfectly straight. Otherwise the shaving will be thicker in one part of the cut than in another.
Mitre Shooting Boards. The board normally used for small mouldings and for wood mitred in its width has already been dealt with in Fig. 3. When wood is mitred in its thickness, however (as in the case of, say, a plinth) the donkey’s ear board in Fig. 5 is used. The construction is obvious from the illustration. The piece beneath, running along the length, is to enable the board to be held in the bench vice. External mitres are trimmed in this way, the wood being held so that the plane always cuts into the moulding, so avoiding splitting out. Internal mitres need the board in Fig. 6. The stop of this could with advantage be fixed in the middle instead of at the end so that the moulding could be placed at either side of the stop, enabling the plane to work into it. Note the dust groove.
Use of the Shooting Board. When the end of a piece of wood has to be trimmed square it is held against the stop, and the plane worked so that its sole bears against the edge of the upper, step. As the plane is worked, the wood is pressed steadily against the plane. To prevent the far corner from splitting, the corner can be chiselled off. Should, however, the wood not be wide enough to permit this, a waste piece with its corner chiselled can be held against the stop as in Fig. 7. Thus the far corner of the wood is supported and is so prevented from splitting. Note that the waste piece should be somewhat thicker than the wood being planed. In the case of a joint being planed the method is somewhat different. The wood should overhang the edge of the upper step by about 1/4 in. or so. The joint is planed true by virtue of the trueness of the plane itself. The latter does not touch the upper step. Remove shavings from the centre of the wood until the plane ceases to cut, and then take a couple of shavings right through. If the plane is accurate (and is long enough) the joint will be straight. It may be necessary to take an extra shaving where needed, but it will not be much out. It is better to rely on the truth of the plane rather than to keep it running along the step—unless the wood is quite short.
Incidentally, always have one board face side uppermost and the other face side downwards. In this way the two will go together in alignment, because if the edge is not dead square (possibly owing to the plane side not being square with the sole) the two angles will cancel out, so to speak.
Odd Angles. Sometimes several ends have to be trimmed at an odd angle, and, when the angle runs across the width, a piece of wood planed to the required angle can be placed against the stop as in Fig. 8. Thus any number of pieces can be planed to the same angle.
When the angle is across the thickness, an angle piece can be used as in Fig. 9, the wood being placed above it. Fig. 10 shows how compound angles which occur in both width and thickness can be dealt with. The two angle pieces are prepared to the required angles first, and the wood placed as shown.
Editor’s note: Raney Nelson at Daed Toolworks has been bringing the Improved Pattern dividers back into production at his shop. Details on the tools and how to purchase a set are below.
After months of revising process and materials, the Improved Pattern dividers are back in production, at a slightly lower cost, and will be for the foreseeable future. I’ve added a batch of 40 sets to inventory today, and will be adding more sets early next week.
While it may take several weeks or perhaps even a few months to catch up with demand, I am firmly committed to keeping these available for as long as there is a desire for them.
What changed? Well, primarily there are two changes that make the tools fully viable long-term from a production standpoint. First is a change to the steel used. While I am extremely fond of the O1 tool steel these have been made from previously, it is a very demanding material for production of the dividers. After trying out a number of other steels, I’ve settled on 12L14 – a low-carbon alloy that is specifically formulated for increased machine-ability through selective inclusion of lead throughout the matrix. This method makes the steel much easier to cut and mill, with little or no effects on the actual alloying composition. The steel is tough, and has a similar chromium content to O1, making the aesthetics of the steel quite similar. The only significant difference is that 12L14 is not a through-hardening steel, and so is not conducive to forming cutting edges. If you have a need for forming a cutting leg on your dividers, you can contact me (raney@daedtoolworks.com) about a custom run of dividers in O1 or another high-carbon steel.
The second change is in the process of tuning the pivot joint. In order to hold very accurate settings, the fit between the through-bolt and pivot bore of the legs must be fitted to very tight tolerances (about .0005″ or less). By hand-lapping the bores with barrel laps in final fitting, this fit is much easier to ensure and maintain. Finally, the addition of very fine Teflon washers between leaves has made the already smooth movement even smoother, and ensures consistent tension throughout the range of movement.
These are thicker than the glued-up panels one could use for a tool chest , but you get the idea.
Q: Rather than glue up a bunch of my reclaimed pallet wood, I’m thinking about using some pre-formed “project boards” from the big box store to build a Dutch tool chest (further glue-ups in the house have been outlawed, so it’s either that or wait until it’s warm enough for Titebond in my unheated shop). I’m not too worried about the source material looking like a bowling alley for Smurfs, but I question whether milk paint will stick to something that appears to be 30 percent glue.
And because they also sell a 16″ project board, I thought I’d ask if either of you have seen a DTC that deep. Seems like I’d have to make it 36″ wide so it wouldn’t tumble over, and at that point, I might be better off with an English chest. What are your thoughts?
A: You can certainly use “project boards,” but there are a couple of cons: they cost about twice as much as gluing up your own panels from 1x, and they are often moisture-laden. They might look flat and inviting while sitting there all shiny in their plastic wrap, but remove the plastic and they might cup like a Pringle. But they might not. It’s a crap shoot.
For a Dutch tool chest, however, a 1×12 is wide enough for all but the lid. In fact, that’s the recommended material for those who don’t have access to a jointer and planer (and who don’t want to process material by hand). So were it me, I’d look for the flattest, straightest 1×12 you can find, then go to town. And for the lid, when I’m gluing up panels for a class with our limited number of clamps, I use Titebond and leave the clamps on for only an hour. Now I’m not saying you should…but surely there’s an hour in the day when you could get away with it? (Then hide the panel behind the garbage can overnight while the glue fully cures.)
But yes, milk paint will stick to the project boards – but if you’re at all concerned about it, you can apply a barrier coat of dewaxed shellac between the raw wood and the paint.
And sure – you can make a Dutch tool chest 16″ deep (which will end up at 17-1/2″ after you attach the front and back). In fact, it’ll be more stable than the usual 12-3/4″ deep DTC). I’ve seen them in all sizes. The only drawback with making it deeper (or larger in any dimension) is that it’s no longer as portable.
I posted this at my blog but am sharing it here because it’s the best way I know of to thank those who contributed to the fundraiser Megan organized on my behalf last week. A Little Acorn will show up at your Inbox next weekend, and it’s going to be a fun one!
When Megan Fitzpatrick mentioned that several people last Saturday had asked if there was any way they could help, given my current experience with pancreatic cancer, she suggested she could put together a fundraiser for medical expenses. I was touched – truly – both by readers’ offers of help, and by Megan’s readiness to set something up. But I had to give some thought to my response.
Asking for help is not one of my strengths. Even accepting help that’s offered is sometimes hard. I recognize the importance of reciprocity. It’s great to be one of those people who give and give and give, but you can only give if others are willing to receive. And at some point, those who are unwilling to receive are missing out on a good chunk of what life is about. So I am trying, believe me (and please don’t say, as my first husband used to, “very trying”).
Second, while I often contribute to fundraisers, I find the whole fundraiser thing a challenge sometimes. Who wants to be seen as needy, or a victim? I know; this is another problem I have to deal with (one of many). Asking for help, or accepting it, does not a victim make. But some people have given online fundraisers a bad name. And the idea that many people in America rely on fundraisers to cover the cost of life-saving medical care drives me nuts. I lived in England for 16 years, and while the National Health Service was (and remains) far from perfect, single-payer healthcare beats the heck out of potentially losing your home due to medical expenses. Also, it’s not news that the American healthcare system, too, while technologically awe-inspiring and peopled with professionals who are the embodiment of patient-centered service, falls far short of ideal, especially in its financial dimensions.
Finally, it’s not news that we’re in the midst of a raging pandemic that has cost millions of people their livelihoods. Yes, I have cancer, but all in all, Mark and I are in better shape than many, with paying work that each of us can do safely during this time, which added to my difficulty in saying “yes, thank you, let’s do it!”
I want to make sure people know that Mark and I have health insurance. While we have friends who don’t, both of us have made a point of paying for coverage since long before we even knew each other. As I explain in an upcoming blog post for the Pro’s Corner at Fine Woodworking, I bought my first health insurance policy in 1995 when I saw how much a client of mine, who had excellent healthcare coverage, had to pay out of pocket to fix his broken foot. His out-of-pocket expenses could well have put my then-new business out of commission, and we all know that those who work in the building trades are at higher risk for work-related injuries than most who work in offices.
Mark and I are both self-employed. Paying the health insurance premiums has often been a stretch, especially for me, but we’ve considered it no less important than paying our mortgage. Finding the right balance between affordable premiums (if $845 a month per person can be described as “affordable”) and coverage in case of a claim has also been a challenge. Like many of our self-employed friends, we chose our policy, paid the premiums and hoped we’d never have to use it, beyond the reductions it provides in charges for prescriptions, wellness scans and such. As it turns out, our high-deductible HSA-linked family policy will cost us $24,800 this year in out-of-pocket expenses before our “coverage” kicks in. Yes, just having insurance coverage is an enormous help – as we’re now learning, the basic charges for anesthesia, chemo and all sorts of related care are astronomical. But in a year when our income will already be seriously reduced due to changes we’ve made in how we work, thanks to the pandemic, forking out $25,000 (or, let’s be realistic, likely more) would hit us hard. Were we not living in Covid World, things would be at least somewhat different – I wouldn’t hesitate to take friends up on their offers of rides to the hospital, and Mark could be working more closely to normal. But with a significantly compromised immune system, it would be foolish for me to get in a car with anyone else, which has disrupted Mark’s work far more than we anticipated. In fact, it would be more than foolish. It would be irresponsible and ungrateful, considering how many people have already helped us out.
After mulling all of this over, I said yes to Megan’s generous offer of help. I had no idea how many people would respond, nor how quickly. I’m still in shock.
To each of you who have contributed, I am grateful. My gratitude is not just a feeling. I plan to express it concretely, in the following ways, as well as others:
First, I promise to do my level best to beat this disease. Life expectancy for those with pancreatic cancer is depressingly low, with two years generally cited as the outer limit. But every week, friends introduce me to others who have lived much longer. Of course, prognoses depend on all sorts of variables; as people tell me constantly, every tumor is different, and the side effects of treatment can also kill you. Beating the odds will take more than standard medical care, and your generosity will make it possible for me to augment the standard chemotherapy, etc. with integrative protocols. While these cost far less than the medical “standard of care,” they are not covered by insurance. Even before the last 24 hours I was feeling optimistic. Now I feel even more so.
Second, I will share everything I learn, in the hope that this information may be helpful to others. Hence my upcoming post about the importance of being informed when choosing health insurance coverage.
An illustration that will go in “Shop Tails.” What do you expect from a loner/nerd of 14 who has a pet guinea pig named David and is studying Classical Greek?Unfortunately I had to consult a retired professor of Classics, Betty Rose Nagle, to find out what those scribbles said. “The House of Doctor David” is the title. Dr. David is saying, “Woe! Woe! I want to eat.” (I think that’s a scallion.) The nurse cat is saying “Doctor, you have to stop eating.” The feline patient is saying, “Doctor, come close so you can help me.”
Third, I’m hard at work on “Shop Tails,” a new book for Lost Art Press. I didn’t want to mention this early on, as I had no idea whether I would live long enough to finish it – in late-November, the specialist in Indianapolis had given me four to six months if I didn’t pursue chemotherapy, adding that there are two chemo regimens, and fewer than 50 percent of pancreatic cancer tumors respond to either one. Crushing odds. When I was struggling with the decision whether to pursue chemo (for so many reasons, the cost and the odds among them), I realized that if I went ahead, I would need a concrete goal to power me through. I wrote to Chris Schwarz on a Saturday morning, asking whether he might be interested in publishing a book about animals, life and work. I made sure to include a note along the lines of It’s fine to say no. This is not “Give me a contract or I’m going to die.” He wrote back with a strong YES that afternoon. Another reason why I am filled with gratitude — and having a far better time right now than I would ever have expected.
So, for now, thank you. Your support has me feeling far more appreciated than I had any reason to imagine. I am endlessly grateful to Megan, Chris and all the others – editors, publishers, clients, relatives, friends – who have provided me opportunities to do work I find meaningful.