Megan and I are teaching two scholarship classes for The Chairmaker’s Toolbox this fall. I’m teaching a chair class (surprise) Sept. 15-19. Megan is teaching a Dutch toolchest class (double surprise) on Oct. 17-19.
For these classes, we supply all the materials, plus lunches, morning pastries and a yay-you-did-it dinner for the students. If you would like to contribute a little something to offset those expenses, we have created a link that allows you to do that.
Note that these contributions are not tax-deductible. If by some chance we collect more money than we need, we donate the excess to The Chairmaker’s Toolbox.
Thanks to everyone who has contributed to help these classes in the past. The Chairmaker’s Toolbox is absolutely creating the next generation of woodworkers. We’ve had some amazing students who are now professional woodworkers and are teaching others. So it’s working.
This comb-back chair is based on the chair on the cover of “The Stick Chair Book,” with some modifications detailed below. The finish is fresh milk paint (a recipe from a forthcoming book) tinted with a French mineral pigment called “saffron.”
This particular chair is set up for lounging. This summer, I have been tweaking this design to make it more suitable for reading by the fire. The back is pitched at 20°, and the seat (about 16-3/4″ high) has some additional pitch. The chair is quite comfortable, and I wasn’t keen on selling it (which is rare for me).
The seat, legs and stretchers are in red elm, which is tenacious and lightweight. The arm and comb are white oak, which bends well. And the sticks are fast-growth hickory, which is flexible and strong. All the joints are assembled with hide glue, which we make from scratch here.
In addition to changing the seating geometry, I made some small design changes to this chair that I’m happy with. The stretchers are now oval/rectangular octagons, which makes them a little lighter (visually) but just as strong as equilateral octagons. Above the seat, I omitted two of the short sticks to create some negative space between the back sticks and the short sticks. This gives the chair a bit more of a Welsh feel and breaks up the solid wall of sticks presented in the original design.
The arm has the most changes. It’s steambent, like the original design, but is now fully shaped with spokeshaves. The original design had chamfers. The hands taper to a bit of a point (an old shape that I love), and the tapers lean toward the outside of the chair, giving it a welcoming look. All these design changes will be discussed and explained in the forthcoming revised edition of “The Stick Chair Book.”
The finish is a durable milk paint we make here at the shop. It has a low sheen, unlike the chalky look of commercial milk paint. No topcoat is necessary. The paint, applied by Megan Fitzpatrick, shows some subtle variations of color in places — it’s not an automotive finish. The chair as a whole was shaped entirely by hand, so there are subtle tool marks evident. These are the by-products of handwork.
How to Buy the Chair
The chair is $2,300. That price includes shipping and crating to anywhere in the lower 48. If you wish to buy the chair, send an email to lapdrawing@lostartpress.com before 3 p.m. (Eastern) on Wednesday, August 27. Please use the subject line: “Saffron chair.” In the email please include your:
U.S. shipping address
Daytime phone number (this is for the trucking quote only)
If you are the “winner,” the chair will be shipped to your door. The price includes the crate and all shipping charges. Alternatively, the chair can be picked up at our storefront. (I’m sorry but the chair cannot be shipped outside the U.S.)
During my last day in the U.K. last week, we crammed in as much as possible. It was like a hot dog eating contest. But instead of cased meats, we were consuming culture. And instead of a stomach ache, I became consumed by ennui (just kidding, I got Covid).
One of the last stops before Paddington Station was at Robert Young Antiques in London. I’ll make any excuse to stop here. Everything in the store is wonderful. Of course, we were on the lookout for stick chairs. And we found three winners.
In the front room was this Welsh comb-back with unusual arms. Look how far forward the hands are to the seat. That is unusual. The seat is shallow – 12” at most. But you would be surprised how comfortable these shallow chairs can be.
Also of note: the oval side stretchers. These are a fairly Welsh characteristic as far as I can tell. And they are one that I have embraced with my chairs lately.
And, of course, the seat is not saddled.
The second chair was also Welsh and what we call a root-back chair, likely an 18th-century example.
These chairs have a wildness to them that I always love. This chair is twisted to the right – almost like a corner chair. It’s difficult to see it in the photos. Definitely not symmetrical (symmetry can be boring, darling).
As always, I love to see three-leggers out in the wild. And the little “heart” on the arm indicates it’s sold. Awww. Someone else loves it, too.
The third chair is wild. Look at the negative space between the front post and the back sticks. That is nuts. Also, check out the back sticks themselves. They are fanned out dramatically. That’s a bit unusual for a folk chair. But what is even wilder is that the sticks are hexagonal/octagonal. And they carry their shape above the arm.
The whole chair is fascinating. The legs are so diminutive compared to the massive seat. Even after a few days of sitting with this chair, I don’t quite have it figured out.
Scholarship applications are now open for six spots in a special comb-back class in our Covington, Kentucky, workshop Sept. 15-19. The class is offered through The Chairmaker’s Toolbox, a non-profit organization that provides education and support to those who have been historically excluded from the craft.
The six students will spend five days building and finishing a vernacular comb-back chair using lots of hand tools and occasionally the band saw. The scholarship covers full tuition, all materials, and breakfasts and lunches during the week. (Housing and transportation are the responsibility of the student.)
Full details and the application are here. The deadline to apply is July 6, 2025. People of all skill levels are encouraged to apply.
This is the fourth year I have taught this class, and it’s one of the highlights of my year. The classes are intense, but they’re filled with good food, camaraderie and the occasional moonwalking lesson.
The “goose girl” statue in our Main Strasse neighborhood.
Our workshop is in the inner city in an old German neighborhood. The shop is an 1890s German barroom. As a result, you don’t really need a car once you get here. You can walk anywhere you want to go (including Cincinnati, which is right over the Roebling Suspension Bridge). Covington itself is a diverse, open and accepting community.
A lot of students come here with odd ideas about Kentucky (Will there be plumbing? Will people be riding horses?) I guess you’ll have to come find out for yourself.
You don’t need all the tools to take the class – some students show up with just a tape measure and a lot of enthusiasm. And that’s more than enough. We have plenty of chairmaking and general woodworking tools here we can loan you.
If you aren’t going to apply for the scholarship, please consider passing along this information to someone you know who might be interested.
This Irish armchair is one of the most comfortable chairs I make, and I built this particular example in elm and sycamore for an upcoming revised edition of “The Stick Chair Book.”
This chair is an original design of mine, but it borrows heavily from the Irish chairs I studied in person during 2019 and countless other examples from auctions and antique dealers. It is ideal for relaxing or reading, with its broad backrest cradling your back just below your shoulder blades.
The seat is tilted 7.4°, with the back tilted another 25°. Yet the chair doesn’t try to put you in a horizontal position like a chaise-lounge. The seat is 16-3/4” off the floor, which makes it comfortable for a wider range of sitters than most modern chairs.
The backrest and seat come from a single board of American sycamore from Tennessee. The rest of the chair is elm. These two woods are ideal for chairmaking because they resist splitting. So the joints on this chair are hammered and wedged particularly tight. All the joints are assembled with hide glue, which we make here, and are wedged for durability.
The chair is finished with a soft wax (also made here). It offers a low lustre and looks better the more you use the chair. The finish isn’t terribly durable, but it is easily repaired (just add more soft wax). The legs have painted green “socks” on the feet. This is a traditional touch that protects the feet from scuffs (and looks good).
How to Buy the Chair
The chair is $1,800. That price includes shipping and crating to anywhere in the lower 48. If you wish to buy the chair, send an email to lapdrawing@lostartpress.com before 3 p.m. (Eastern) on Friday, May 30. Please use the subject line: “Irish chair.” In the email please include your:
U.S. shipping address
Daytime phone number (this is for the trucking quote only)
If you are the “winner,” the chair will be shipped to your door. The price includes the crate and all shipping charges. Alternatively, the chair can be picked up at our storefront. (I’m sorry but the chair cannot be shipped outside the U.S.)
