The last day to order a handmade copperplate print from “The Anarchist’s Design Book” is April 10. After that, artist Briony Morrow-Cribbs will get to work making the prints one at a time.
The prints are $110 each. The complete boxed set is $1,300. You can place an order and read more about the prints here.
Making these prints is a lot of work, but the result is something unlike any modern printing method. The intaglio process creates an image of astonishing texture and clarity. You can read more about them here and here, which has a movie of Briony making the prints.
After five prototypes, I’ve completed the first project for the expansion of “The Anarchist’s Design Book,” which should be out in 2018.
I now have to make a SketchUp drawing of the stool, which will take longer than building the stool from wood. After busting out a lot of staked chairs and stools this year, I’m able to build this stool in 3-1/2 hours, which includes finishing time.
The finish on the stool – a combination of “uzukuri” and “shou sugi ban” techniques I’ve been experimenting with for more than two years – also allows me to add an appendix to the design book on these processes and the tools involved.
I’m quite happy with this design. It’s simple, comfortable, inexpensive and easy.
I have to take a break from the projects for the expansion of “The Anarchist’s Design Book” to build a commission and write an article for Popular Woodworking Magazine. When I complete those projects, I’ll return to making a staked armchair, a staked settee and two boarded projects for the book.
The boarded projects include a nailed-together version of the Monticello bookcases I built in 2011 and a boarded English settee. This has long been on my list of projects to build. If you aren’t familiar with the form, check out this entry from TheFurnitureRecord.com.
I try not to make this blog about personal stuff, but ever since boyhood I’ve tended to fixate on things. It might be an object. It might be a task. But I won’t sleep (literally – ask Lucy) until I scratch that itch.
Today it was this three-legged stool. I woke at 3 a.m. (typical) and began working on the next phase of this design until my wife woke at 5:50 a.m., showered and turned on her hairdryer. Something about her hairdryer puts me back to sleep – it’s why I am still conscious now.
After six hours in the shop – three of it just staring at the stool’s component – this is where I am. I still need to add the chamfers to the seat and clean off all the sawblade marks, but I’m pretty happy with the direction this is headed.
The mass of the legs, stretchers and seat are more balanced. I’ve added curves to make the seat less jarring. And the stretchers are now tapered octagons, like the legs.
I didn’t intend to start revising or adding to “The Anarchist’s Design Book,” but new designs are gushing out of my sketchbook these days, so I’ve stopped resisting.
This stool design started with a Welsh stool from the 18th century and came together in two days. It needs a second prototype to reach the finish line, but it’s good enough to show. Here are some details if you are interested in designing your own.
The stool is 25-1/2” tall, which is perfect for me. I can sit on the bench with my feet resting flat on the floor. The stretcher is 6-3/4” off the floor, so when I put my feet on it, my legs are in a traditional sitting arrangement.
The seat is 1-3/4” x 12” x 20”. This gives you enough depth so you don’t feel as if you are falling off and you won’t cut off blood circulation to your legs if you sit back on the seat. (Also, 12” is a classic stool depth.) The 20” length is suited so you can place your hands on the seat to either side of your torso. This allows you to easily reposition yourself or to help give you a push if you wish to hop off the seat.
The 45° cuts at the back remove weight – visual and literal.
The legs are 1-3/4” double-tapered octagons and start life about 27” long. The double tapers meet at the point where the stretchers intersect the legs – a natural place for bulk. The front legs use the following angles: 26° sightline and 13° resultant. The rear leg has a 0° sightline and 22° resultant. These angles give the stool immense stability.
The legs have 1-1/4” diameter tenons at the top. They start out about 2” long. The tenons are not tapered on this design.
The stretchers start as 1-1/8” octagons and are turned. The front stretcher is a cigar shape and terminates at each end with a cove and a 5/8” diameter x 1” tenon. The T-stretcher is 1-1/8” diameter at the rear leg and tapers to 3/4” at the front stretcher. Both ends have 5/8”-diameter tenons. (Note I swiped this tapered tenon from Bern Chandley, a chairmaker in Melbourne, Australia.)
What am I going to change for Stool 2.0? I’m going to add a wide and flat chamfer all around the top of the seat and saddle the seat. I’m going to bulk up the legs and stretchers a bit to see what happens. I might replace the 45° angles on the seat with ellipses.
But the second prototype will have to wait. I have tea coasters (yes, coasters) to build for a special client.
The Kiwi Coffin Club of Rotorua and the DIY Coffin Club for Hawkes Bay, both on the North Island of New Zealand, are featured in a short article in today’s World News section of The New York Times. You can read the article here.
The Kiwi Coffin Club
This quote from the DIY Coffin Club for Hawkes Bay website sums up what these clubs do and why: “The club is win-win time. It gives members a chance to plan ahead, talk about what is coming (even when hoping it is a long time arriving), socialise, help others, save money and personalise our final resting place.”
DIY Coffin Club for Hawkes Bay
Here are two links to get you started on your own underground furniture:
Last October Chris posted the Coffin Chapter from “The Anarchist’s Design Book.” You can read that here.
In the summer of 2014 Chris and several friends had a coffin-building party and you can read about that here.
