βHe was very open minded, like the ocean containing water from all rivers.β
β Pema Chujen on Chokyi Tenpa Tsering, the founder of the Parkhang printing lamasery monastery in Tibet. Read the fascinating New York Times article here.
βHe was very open minded, like the ocean containing water from all rivers.β
β Pema Chujen on Chokyi Tenpa Tsering, the founder of the Parkhang printing lamasery monastery in Tibet. Read the fascinating New York Times article here.
Last summer I attended the Lie-Nielsen Open House and intended to publish a photo gallery when I returned home. For various reasons beyond my control that project was shelved. I thought I would finish the project to help fill in for a slow week here on the blog. If you have never attended the open house at Lie-Nielsen I would highly recommend it. Consider making room in your schedule for the next event this July.
The gallery contains 1325 photos from the event and will use ~400MB of bandwidth per viewing. For that reason I would not recommend browsing from a cell phone unless you are connected to WiFi.
I have tested the gallery to work with all manner of desktop computers, tablets and smart phones. A direct link to the photos is available if you would prefer to just download the whole set and view them on your preferred device offline.
This is the first gallery I have posted in a long time. The software and hosting is new. The website is just an empty shell that may have unresolved bugs. If this test goes well I will be adding more galleries from other events when I get time.
βJeff Burks
As cautionary woodworking tales go, Nancy R. Hillerβs might just be the funniest β and the most sincere.
Standing in contrast to James Krenovβs βThe Impractical Cabinetmakerβ from 1979, Hillerβs new book, βMaking Things Work: Tales from a Cabinetmakerβs Life,β is not about waiting for a particular plank of wood to tell you its true purpose. It is not an exhortation to fuss over each detail, no matter the personal cost. There is not a shop cat.
(Side note: I do love Krenovβs books, but they have not taught me squat about making a living.)
Instead, Hillerβs funny and occasionally ribald story is about a cabinetmaker who was trained to work at the highest level possible and how she has dealt with the personal anxiety that occurs when the desire and drive for excellence collides with paying the monthly bills.
The backdrop for βMaking Things Workβ is a cast of characters who could populate a Cohen brothers film β a Missouri furniture maker who masquerades as a Brit to impress his customers. A 30-something client and her older husband who seem hell-bent on cheating every trades worker in the Midwest. And Hillerβs British trainers, who through teasing, criticism and mockery finally let her know what βnavy cakeβ really is.
At the center of it all is Hiller. She seeks to run an honest business, make beautiful things and be fairly paid. Doing all three things at once is an immense challenge, and she tells her odyssey in a series of vignettes that read like a modern-day Aesopβs fable. There is a lesson in each chapter about the craft, business or personal relationships. But itβs up to you to decode them. Her indirect approach is one of the great charms of the book.
If you are considering abandoning your cozy corporate job to make furniture, βMaking Things Workβ is required reading. It will illuminate you as to how difficult the profession can be. If you are undaunted after seeing the quality of Hillerβs furniture and reading about her struggle to make a living, perhaps you have a shot.
For amateur woodworkers, the book is a great read. Hiller is a fine and precise writer who knows exactly when to land a punch line (sometimes with a sledgehammer).
For those of you who appreciate the manufacturing quality of Lost Art Press books, βMaking Things Workβ will please you. Hiller used one of our printing vendors here in the United States. This is a book designed to last.
Most of all, kudos to Hiller for taking on this book like a piece of fine furniture. She managed most of it herself, from the writing to the production to the distribution.
βMaking Things Workβ is available from Hillerβs website here. Highly recommended.
β Christopher Schwarz
One of the things that makes me nuts about woodworking shows is listening to older woodworkers complain about 20-year-olds and how they (among other vices) have little interest in woodworking.
This weekendβs Lie-Nielsen Hand Tool Event was no exception. What was exceptional is that I listened to much of this drivel while people in their 20s and 30s wandered around Braxton Brewing, used the hand tools and talked to the makers.
A lot of our customers are young adults, and the only difference I see between them and the older generations is the younger woodworkers are apt to use materials in addition to wood β metal, plastic and ceramics. And they are more likely to adopt technology into the things they make β robotics, 3D printing, CNC, laser cutting.
Historically, interest in woodworking goes up and down a little bit but remains fairly steady through time. (Unlike interest in scrapbooking or personal journaling, which peaked at crazy heights and then almost disappeared.)
The urge to make useful things is an important part of the human experience.
Woodworking has long been dominated by people older than 50 because they have more money and arenβt chasing around their kids or changing diapers (generally). Younger woodworkers donβt have the same kind of time to devote to the craft. But they are out there. And when their kids get older, they buy a place with a garage and they have some disposable income, they are going to buy a handplane or a table saw and build a workbench.
Yes, it sucks that many schools have eliminated shop class. And itβs stupid that we now encourage kids to go to college who would be happier in a trade.
But despite all that, people find a way to learn woodworking. Itβs just not the way you did it (see also, YouTube). And they might not build the same things you like to build. And they might use different kinds of tools. And they just might not like hanging out with old dudes who complain about the younger ones.
β Christopher Schwarz
I donβt think Iβve ever used that many exclamation marksβ¦ ever.
If you are coming to the Lie-Nielsen Hand Tool event at Braxton Brewing on Friday or Saturday, look for Don Williams. Heβll be selling his excellent beeswax and mind-blowing polissoirs.
Whatβs a polissoir? Oh my. Go here and look around. Itβs a simple pre-industrial finishing tool that will change your mind about wax finishes.
The polissoirs are handmade in Virginia by one of Donβs neighbors to Donβs specifications and are things of beauty. The blocks of pure beeswax are purified on Donβs farm by him and his wife. The wax is, pardon the expression, the beeβs buzz.
And if you want to learn (a lot) about traditional finishing techniques, just ask Don about his shellac collectionβ¦.
The show starts both days at 10 a.m. Free admission. Great beer, coffee and conversations about woodworking and tools. What more could you want? A foot massage? Donβt ask me.
Full details on the event are here.
β Christopher Schwarz