Our customer service lines are buzzing with customers asking what will happen to the 837 Willard St. storefront when the Anthe building comes on line. Will people still be able to visit the Willard Street shop? Where will the books, tools and apparel be sold? What about the woodworking classes?
Here’s the plan as of now.
Nothing will change at Willard Street for at least two years. The first phase of construction at the Anthe building is to build and perfect our fulfillment center. That requires money and work and cleaning and infrastructure. This phase is the most important to us. It will allow flexibility and a more personal touch when filling orders. And it will save us a load of money.
The second phase is to get the storefront up and running at the Anthe building, which is at 407 Madison Ave. (a short walk from Willard Street that I make every day). People want to visit and buy our stuff in person, and a dedicated storefront allows this.
The third phase is to build new editorial offices, photography studios and workshop spaces on the second floor. It’s important to me that all of us work together. Help each other. Try to make the company better and the Anthe building a better place to work. Megan and I will help fill boxes with orders at peak times. At slow times, the fulfillment people will help us in the workshops and creating content.
I do not like hierarchy.
Through all this, the Willard Street storefront will carry on as a classroom and storefront for Lost Art Press and Crucible. People can visit both places if they want – though there’s no guarantee who will be at Willard Street at any particular time.
We don’t have any plans beyond what I’ve written above. So any questions beyond this post have this answer: We don’t know.
So if you are planning on visiting our Willard Street storefront this summer, please do. We are there typically from 10 a.m. to 4 p.m. on Monday through Saturday (we are closed on Sunday). As always, knock on the front door, and we will be happy to let you in and give you a tour.
It’s been one bonkers week since we closed on our purchase of the Anthe Building, which will become our new headquarters here in Covington, Ky. (If you don’t know what I am talking about, click here.)
This blog entry is a brief update on a shed-load of work. But before you read further, please take a moment to digest the following.
This project is being done to code by licensed and bonded professionals. We are following all applicable federal, state and local guidelines. If you feel compelled to make some comment like “that’s not safe,” “that’s not right” or “you should do this instead” know that the world will never see your wisdom. I’m going to delete it. The only thing worse than armchair woodworkers are armchair plumbers, electricians and general contractors. Thank you.
We have three big goals before June 1, which is when we plan to start fulfilling all orders from here. (Note, we are actually already fulfilling some orders from here at Willard Street, breaking in the shipping software and building new processes.)
Clean the first floor room and make it safe and appropriate as a climate-controlled fulfillment center.
Add the bits we need to make accept and send deliveries (a paved driveway and a rollup door).
Build an ADA-compliant bathroom and amenities for our two new fulfillment employees.
This week was all about No. 1. How do we remove 125 years of oil from the floors and walls? The answer: Dawn Degreaser. I have never worked with the stuff before, but it is amazing. The clean-up crew wets the surface with the degreaser at full strength. They wait 10 minutes. Then they scrub with a stiff-bristled brush (or an electric floor scrubber). The sludge is sucked up in a shop vacuum immediately and disposed of properly.
The difference is shocking. In one week we went from a room that reeked of oil to barely a wisp of smell. In fact, the degreaser is working so well that we think we can use the original floor with a few repairs and patches, instead of covering everything with a floating floor.
Also in the process, the carpentry crews have been dismantling the modern improvements made to the building (I have been helping a bit because I love this process of discovery). Also, the HVAC crew put in the three mini-split heads for the first floor.
And we are starting to draw and plan for No. 3 (the bathroom).
What about No. 2 (paving and a new rear door)? Glad you asked. Site-prep and pouring begin next week. Then the rollup door can be installed and the broken modern metal doors at the back can be removed and sent to the scrap yard.
Editor’s note: We hired local historian Heather Churchman of Covington Uncovered to research the Anthe family, whose company, Anthe Machine Works, occupied 407 Madison Ave. for decades. You can read more about the history of the building here. And if you would like to help fund the Anthe Building restoration project, there are more details here.
The Anthe family created a legacy in Covington that lasted from 1897, when Frank D. Anthe founded Anthe Machine Works, until 2019, when Frank’s great-grandchildren closed the company. Anthe was Covington’s second-oldest business when it closed.
Frank Anthe built the Anthe headquarters at 407 Madison Ave.— the building just acquired by Lost Art Press, which plans to establish its own multi-generational legacy there.
Frank was born in 1868. His parents, Joseph Anthe (1826-1890) and Maria Susanna Brandner Anthe (1826-1899), were born in Hallenberg, in the Hochsauerland district, in North Rhine-Westphalia, Germany. Joseph’s occupation in 1870 was listed in the Covington City Directory as stove molder; in 1880, it was grocer.
Two years after Frank established his company, on Sept. 14, 1898, he married Clara Cecilia Greifenkamp (born in 1874). Flora was their first child, born in 1899, and Frank Joseph Anthe, the oldest son, was born in 1901. Frank and Clara’s three other boys—Elmer, Ralph and Arnold—died as young children.
Frank D. was one of the founders of the White Villa Church and Country Club in Northern Kentucky, about 18 miles south of Cincinnati. Along with his community-oriented lifestyle, Frank instilled a great work ethic and sense of entrepreneurship into his oldest son.
Frank died in 1919, leaving his oldest son to take over Anthe Machine Works at 15 years old. Clara had died in 1914. In some ways, the two elder Franks managed the easier days of the business.
Frank Joseph would go on to marry Grace Hale. They had two sons, Frank Joseph, Jr. and Donald, and a daughter, Kathleen.
Like his father before him, Frank Sr. was well known in the community: he was a founding member of Crestview Hills, Ky., and the city’s first mayor. The family lived in Fort Mitchell, in a Tudor-style home that is listed on the National Register of Historic Places.
After Frank Sr. died in 1963, Donald (Don) was the next Anthe in line to take over the business. He was 34 when he took over.
Don was used to going to the Anthe shop when he was a teenager, as he told The Cincinnati Enquirer in 1983: “It was a real treat…I think [dad took us there] to get us out of my mother’s hair… but my father made us come down here every Saturday. He would take us out for lunch. We got to go to a pool hall for a sandwich and a Coke.”
Everyone called Don “The Captain.” His brother Frank Jr. was known as “Sonny.”
Frank “Sonny” graduated from Beechwood High School and he was a member of the school’s first football team in 1945. He attended Villa Madonna College.
Don also graduated from Beechwood High School in 1948. He served in the U.S. Marine Corp during the Korean War from 1949-1953. Before his father died, Don was working as a traveling salesman for Bauer and Black, an elastic supports company.
After he became President of Anthe Machine Works in 1964, Don designed the company’s woodcutting tools by hand. The tools were sold all over the world. Times were really, really good, until, as that 1983 interview mentions, recession hit.
Don said, “[In the early ’80s, when the home building industry suffered], the furniture business just plain stopped.”
Manufacturers stopped buying Anthe’s tools.
“I can tell you right now our business is off by 75 percent from what it was before the recession,” Don said in the interview.
At the time, they had a staff of five, down from 10, including Don’s brother Frank.
Owning the building their grandfather had built provided the brothers with peace of mind: “[The company has managed to avoid losses], but that’s because we own the building. When I don’t feel like paying myself rent—when there’s no way I can afford it—I don’t. If we had a big loan to make payments on, we’d have been out of business a long time ago.”
At the time of the 1983 interview, the Anthe Building still had a stairway covered in turquoise paint that Don and Frank had “slapped around as children.” There was even a partially full bottle of whiskey that their father Frank Joseph Sr. had left in a drawer.
After Don and Frank retired, Don’s sons Mark and Doug took over the business for its last years.
Frank Jr., aka Sonny, died in 2013. Don, the Captain, was with us until November 4, 2020. Don’s obituary said that, “when [Don] was at home he enjoyed working in his yard and then taking naps with his beloved dog Willie.”
Their legacy will and still lives on.
—Heather Churchman
Heather Churchman is a communications manager by day and an architecture-obsessed local historian by night. A passionate and curious spirit, she can often be found whispering sweet nothings to the buildings of Covington, Kentucky. Born in Oxford, Ohio, educated at Ohio University, and now a proud resident of #LoveTheCov, Heather is living proof that you can take the girl out of Ohio, but you can’t take Ohio out of the girl. Follow Heather’s explorations of local history and all the weird and wonderful things she uncovers along the way at Covington Uncovered on Instagram.
Not everyone has the money to afford one of the special products we’re offering to help fund the restoration of the Anthe Building, our new headquarters. And I’ll be honest: We are uneasy asking for help. It’s not in our nature.
But several readers have asked for a way to contribute directly, without having to purchase an item. Here are two ways. One, you can send money via PayPal to our PayPal account at paypal@lostartpress.com. Or you can contribute directly here. Honest, any amount helps. We are currently cleaning the walls with industrial Dawn and hot water. Even $20 buys us another bottle of purple Dawn and gets us another clean wall.
Thanks to everyone who has contributed to this point. It has made a big difference. Today the HVAC started to go in. And we have been removing the modern drop ceiling and floors in the storefront, which is where we will sell our books, tools and apparel.
A few weeks ago, Chris asked me to research The Anthe Building. To help, he put me in contact with Heather Churchman, who runs one of our favorite Instagram accounts, Covington Uncovered. Heather was instrumental in the development of this piece for her research, knowledge of Covington history and where to find necessary information. In this post and a couple more to come, Heather and I will share information with you about the Anthe building, company and family, and why the history of this building is so fitting for the future of Lost Art Press. We also met with Jason French, curator at Behringer-Crawford Museum, who shared with us some historical items from Anthe Machine Works (check out his Curator’s Chat video on Anthe Machine Works here) and is helping to coordinate an interview and oral history project with members of the Anthe family soon.
p.s. If you would like to help fund the Anthe Building restoration project, we are selling some limited-edition items here.
In 1890, 1895 and 1897, Frank D. Anthe is listed in the Williams & Co. city directories as “Anthe Frank, mach. H. 648 Philadelphia.” This indicates his occupation was machinist and the address, we presume, was his home address. Anthe Machine Works has long advertised that it was established in 1897, and this change is noted, in part, in the 1898-1899 city directory, with two addresses and the structure of his name: “Anthe Frank D. machinery, n.e.c. Stewart and Russell Av. H. 648 Philadelphia.”
Looking at historical Sanborn maps, Heather noted that in 1886, the area around 407 Madison had dwellings that were near a huge industrial block with Fred J. Meyers Architectural Iron Works occupying most of the space.
I want to pull you aside for a moment, with an excerpt from the book “They Built a City: 150 Years of Industrial Cincinnati,” published by The Cincinnati Post in 1938, to illustrate the prominence of the machine tool industry during this time:
“Probably the first Cincinnatian to invest mind, brawn, and money in the business of manufacturing machine tools was John Steptoe, a foundry man who hustled about his shop on Clay Street. About 1850 Steptoe fashioned a wood planer, a machine used extensively in local woodworking plants. Marketing his product proved so profitable that Steptoe in 1855 took in as a partner Thomas McFarlan, carpenter, who not only believed that woodworkers needed machines to increase production, but also that he could give them exactly what they wished. The firm of Steptoe & McFarlan was therefore soon putting out mortising and ennoning [stet] machines which were revolutionary in trade practices.”
John Boh notes in the July 2006 Bulletin of the Kenton County Historical Society that Cincinnati and Covington began to see more and more machine tool manufacturers around this time, in part, thanks to the introduction of the steam engine.
Continuing in “They Built a City,” pages are spent on the history of the machine tool industry along with dozens of listings of large machine tools producers during this time, noting that a number of companies rebuilt and repaired machine tools for resale.
“…Because a great many improved, as well as newly designed machines are being made here, some companies specialize in this type of research and engineering: Anthe Machine Works, 407 Madison Avenue, Covington. …These plants have made Cincinnati the recognized world center for machine tool production. More than 35 of the 150 plants in America are situated here. They build practically every tool used in industry….”
Back to the Sanborn maps. By 1894, the entire space around 407 Madison was barren after a fire destroyed Fred Meyers, which Heather says, explains why the buildings at both 407 and 409 Madison are considered “newer” for the neighborhood.
In 1902, Anthe must have been renting space at Phoenix Manufacturing Company due to this article in the May 12, 1902 edition of The Cincinnati Enquirer: “Not since the fire at the F. J. Meyer Wire Works, on March 4, 1892, the day of the inauguration of President Grover Cleveland, have the firemen been compelled to cope with such a large fire as that of Saturday night, which at one time threatened the entire neighborhood at Third and Russell Streets.”
The fire gutted Phoenix, a four-story building. Anthe is mentioned near the end of the article: “The loss to the Anthe Machine Works east of the scroll works was about $10,000 and is not fully insured. Several of the firemen were injured by falling glass and cut and bruised about the hands and face.”
The listing in the 1904-1905 city directory: “Machine Works, Frank D Anthe propr. n.e.c. Stewart and Russell Av.”
On August 29, 1905, a building permit was issued by Auditor Gould to F. D. Anthe. The permit was for a “three-story brick factory building to cost $3000.”
Building 407 Madison Ave.
We get some details on the 1897 construction of the Anthe building from an application written in 1983 for the Covington Downtown Commercial Historic District to be named to the National Register of Historic Places. It states:
“The Anthe Machine Works, a similar business, however, has been located in a factory and offices with a fine Neo-Classical front at 407-409 Madison built (or rebuilt) for the same family firm at the turn of the century. This is the kind of small shop of highly-skilled workers (many of them probably of German background), making very specialized products, that characterized the Covington economy, and to some extent, the downtown area, throughout the later 19th and early 20th century, although sometimes on a large scale, like the Stewart Iron Works that have remained at Madison and 17th Street for almost a century.”
and
“Schofield, of Schofield & Walker, used a similar manner in orange brick for the Anthe Buildings, constructed or refaced shortly afterward nearby at 407 and 409 Madison (Photo 5, distance).”
and
“The Weber Brothers, Schofield, Walker, and William Rabe who worked first for [Daniel] Seger and then with Schofield from 1898 and 1904, may also have designed the many similar buildings throughout Covington.”
When walking through the Anthe Building you get the sense that things have stayed beautifully stagnate, at least structurally and architecturally, over time. This sense also rings true in an article written by Mike Pulfer, who featured the Anthe company in The Cincinnati Enquirer in 1983. He interviewed Don Anthe, who took over the company after their father died (Frank J. Anthe) in 1963. (An interesting aside: According to the article, Frank J. Anthe took over the company from his father, Frank D. Anthe, when he was only 15 years old.)
In the article, Don remembers spending Saturdays cleaning up the basement, whitewashing the walls and running errands for his father. At the time this article was written, because of the recession, business was down 75 percent. Where Anthe used to employ 10 employees, they were down to five. Part of their saving grace, Don states, is that the family owned 407 Madison.
“The structure, a row building put together in 1897 as the Anthe Building, is the epitome of low overhead,” Pulfer writes. “It looks much the same as it [stet] in its infancy, with its original wainscotting and wood floors. The stairway that leads to the third and uppermost level remains decorated in the same turquoise paint Don and Frank Anthe had slapped around as children.
“Steel powder and shavings litter the floors on the first and second levels, where more than a dozen machines are scattered. The third floor is used for storage and utilities.
“The office, with a display window fronting Madison Avenue, is basic and functional. The antique photographs of the business and the partially consumed bottle of whiskey Frank Joseph Anthe left behind remain tucked away in the bottom of a desk drawer.
“‘We’re largely known in the woodworking industry as custom tool builders,’ Anthe said. ‘If somebody wants a special router bit, we’ll agree to make him one or two, or a half dozen or a dozen.
‘The larger manufacturers won’t handle anything less than 100.’
“…A couple of decades back, ‘People were telling us plastics were coming in and they were going to take over the furniture industry,’ Anthe said. ‘They said we’re going to be out of business …Well, plastics came in, and plastics went out. People like wood.’”
Fast-forward to an article written in October 16, 2003 in The Cincinnati Enquirer that states that the building was designed with reinforced beams to support the Anthe machines’ weights. And in the 1970s, many of the firm’s belt-driven machines had to be replaced with electric ones to meet new workplace regulations.
By January 30, 1906, there were two ads in The Kentucky Post:
“MACHINIST—Good man with general experience in toolroom. F.D. Anthe. 407 Madison Ave. Covington.”
“CABINET MAKERS—Two, good at once. 407 Madison Ave.”
The 1908-1909 city directory listing: “Frank D prop Anthe Machine Works 407 Madison Ave h 646 Philadelphia.” And looking at a 1909 Sanborn map, 407 Madison is identified as “Machine Shop, Woodworking.” 409 Madison Ave. does not yet exist.
Other Businesses at 407 Madison Ave.
Anthe posted ads for factory space for rent in local newspapers as space became available.
1924: “FACTORY SPACE for rent: 3rd floor; plenty of light; reasonable rent; elevator furnished.”
One of the first businesses to rent space in the newly built Anthe building was Kelley-Koett X-Ray Manufacturing Company (which employed Herman Anthe, Frank J. Anthe’s brother), in 1905. They rented the second floor, per an article written by John Boh in the January/February 2020 issues of the Bulletin of the Kenton County Historical Society.
We can tell the types of other businesses that rented space, in part thanks to newspaper job ads.
1914: INNER SOLE CUTTER—On block. No. 407 Madison av. Covington, Ky.
1917: GIRLS—Exper. On power sewing machines to make skirts, middles and dresses; good pay; steady work. 407 Madison, Cov.”
1919: JOB-PRINTING pressfeeder: experienced. PICTORIAL SOAP CO. 407 Madison av. Covington, Ky.
1921: WE REGRIND CYLINDERS: Drop in and see the only cylinder grinder in Northern Kentucky. General Machine Work a Specialty. Dixie Regrinding Co. 407 Madison Ave.”
1926: Solicitors Wanted: Crew managers and helpers, men and women, to sell our new kitchen utensil, “EJECTOR FORK.” Write or call at office. THE CHRISMAN MFG. CO., 407 Madison Av.”
1926: Unusual Values: in Lamp Shades, Bases and Uncovered Wire Frames: The Chrisman Mfg. Co. 407 Madison Ave., Second Floor.”
Anthe posted job openings from time to time as well.
1942: LATHE HAND: Experienced Men Only: If engaged in war work do not apply. ANTHE MACHINE WORKS. 407 Madison Ave.”
1946: “MACHINISTS—For lathe or milling machine, only experience men need apply, 407 Madison Ave., Covington, Ky.”
1951: “SUBCONTRACTS WANTED: Machine Shop equipped with 6 engine lathes, 4 milling machines, cutter, grinder and heat-treating equipment is looking for work.”
Historical newspapers are a treasure trove of personal information. In them we learned that Frank Anthe defeated Rev. James H. Lions, pastor of the Shinkle M. E. Church, in a 1928 handball tournament involving 20 businessmen at the local YMCA. Frank Anthe’s $50 overcoat was stolen from his office in 1932. And in 1921, yeggs went to the trouble of breaking into his safe, only to walk away with $50 in war savings bonds.
A Building that Was Meant to be
One of the reasons Chris fell in love with the Anthe building is because of its tie to local woodworking history. Then, we made another discovery:
A printing company (!) occupied the entire second floor from 1931 to 1976.
“Gottleib Frederick Adolf (“Fred”) Schramm fled from the German Kaiser from Tubingen, Germany, passed through Port Huron, Mich., and eventually settled in Florence, Boone County, Kentucky about 1896,” writes John Boh in an article in the January 1991 Kenton County Historical Society Review.
Schram dropped the second “m” in his name, began printing for Hopeful Lutheran Church and did other contract printing for a decade before establishing a print shop with a partner on Pike Street in Covington. Their first big contract was to print stationery and whisky labels for Crigler and Crigler distillery. Schram bought his partner out and in 1931 moved to the second floor of the Anthe building. The business, which eventually was passed to Schram’s son, John, remained in operation until John’s retirement in 1976.
You can see the printing presses and letter trays that were used on the second floor of the Anthe building at the Schram Print Shop at Heritage Village Museum in Sharonville, Ohio. Schram Printing Company donated these items in 2004, and Heritage Village built a structure, Schram Print Shop, in their living history museum, to house them.
The Anthe Building is impressive when you walk through it. But what I kept seeing were the people. Present in the lone wooden hanger.
The broom.
Buzz, Al, Terry and Lonnie.
And while reading the obituary I found for Victor J. Schraivogel, who died at age 69, a retired machinist who worked at Anthe Machine Works for 44 years.
In 2003, Jenny Callison interviewed Doug and Mark Anthe for an article titled “Long-standing businesses survive on service” in The Cincinnati Enquirer.
“Doug and Mark Anthe operate the cutting tool plant started by their great-grandfather in 1897,” Callison writes. “There are other elements of continuity; Anthe Machine Works occupies the same structure where it began more than a century ago. It continues to make cutting tools for the furniture industry.
“‘We stick to the plan for the people before us,’ Doug Anthe said. ‘We produce a good product and back it up. But we have the ability to shift.’”