Several readers have reported difficulty laying out the leather seat for the folding stool in the book “Campaign Furniture.” My method for laying it out is unsophisticated. The recipe includes:
1. My butt
2. A stick
3. A nail
4. A can of mushroom soup.
One of the earliest images of a try square that I know of is a carpenter from the tomb of Rekhmire in Egypt, a New Kingdom official from the 18th dynasty (1543-1292 BC). The image shows a carpenter in a traditional (plaid flannel) loincloth using a straightedge on a piece of work. On the floor is a miter square, a form that remained unchanged until the 18th century.
And on the wall is a try square that looks darn modern. It looks nothing like a Melencolia I square.
Many of the hand tools we use today are descended in some way from Egyptian tools that later made their way to Asia and Europe – via Greece and Italy. But as far as I can tell, the Melencolia square emerged sometime after the Egyptians and then disappeared. We woodworkers reverted back to the Egyptian-style try square for some reason.
After making at least a dozen of these Melencolia-style squares, I can assure you that I’ll be keeping the form alive – at least in Kentucky. They are simple, compact and easy to use.
Today I made a pair of squares that are the last in this series. I must get on with building furniture that puts food on the table. These last two squares are the improved “Romanian” form of the Melencolia I square. The improvement is that the blade is a bit wider than the stock, making them easier to true up.
Both of the squares I made today were slightly out of true, and it was indeed much easier to bring them into line because the blade was wider. If you make one of these squares, I recommend this modification.
As a final note, thanks to Jeff Burks for his research and for pointing out these squares to me in the first place. Without his keen eye, I’d have never noticed them.
Once you start looking, it’s easy to see (or think that you see) Melencolia squares in many old drawings.
Suzanne Ellison sent me this 1863 ink drawing of a Sikh carpenter that is in the collection of the University of California. Look at the guy’s feet. One is next to a marking gauge. The other is next to an odd angular thing.
As there is no try square shown in the illustration, it’s plausible that the thing touching the carpenter’s big toe is a simple square with a shaped blade.
If you are building a Dutch Tool Chest, you have a number of good choices when it comes to the hardware. Here is some of the hardware I’ve had success with.
Black Bear Forge. John Switzer, the blacksmith at Black Bear Forge, can provide everything you need for the chest at a reasonable price for handmade work. The strap hinges and hasp are $250 as a set. Chest lifts are $65 a pair. This is gorgeous stuff and is what I have on my personal chest.
John makes things one at a time, so be sure to give him some lead time when planning your project.
Lee Valley Tools carries a lot of hinges that work well with this project.
Unequal Strap Hinges. The two longer hinges (with the 9-1/2”-long leaf) are best for the Dutch chest. With these hinges, you screw the short leaf onto the back of the chest. Yes, it’s traditional.
Equal Strap Hinges. These are also surface-mounted on the back of the chest and the inside of the lid. No mortising is required – only a small notch in the lid to house the hinge’s barrel.
Large Strap Hinges. If security is a real concern, these hinges are a good choice. One end is mortised into the case and the strap is screwed to the lid. I don’t think these look quite as nice as any of the above options, but I’m a hardware snob.
The chest handles for this project can be difficult to source. I have some old brass ones, which are difficult to find for some reason. Lee Valley offers these nice iron ones. I also encourage you to search on eBay. I’ve had good luck there.
Van Dyke’s Restorers also carries a lot of strap hinges. Here is a good place to start. Most of the hinges that have one leaf that is a butt hinge and the second leaf is a strap will work. But check the measurements to make sure the leaves aren’t too big. Some of these hinges are for architectural woodwork.
Van Dyke’s also carries some reasonably priced hasps, including this one.
After you make a bunch of these 16th-century squares, two things become apparent.
1. Gee, these squares are handy, compact and easy to use when scribing lines on work that has been trued up.
2. Gee, these squares are a pain to true up because of all the end grain in the handle.
In fact, truing them up is the only difficult thing about making them. If I’m careful when I build them, then they come out of the clamps dead square and ready for a coat of finish. If they aren’t square, it usually takes me about 15 to 20 minutes of fussing around to get them square. You have to bevel off the moulding profiles on the handle with care so you don’t spelch the corners when truing things up.
The best plane for this task is a heavy jointer, which has the inertia to plow through 2” x 2” of end grain without complaining.
When truing up my fifth or sixth square, I thought about making the blade a little wider than the handle – like an 18th-century wooden try square. That would make the square a piece of cake to true up – no end grain. But none of the images in my library showed that detail.
Jeff Burks to the rescue.
One of the coolest images Jeff dug up is from a Romanian fortified church in Biertan. The pews are decorated with carved tools from the craft guild that built the church furnishings. Construction on the church began in 1468 and continued into the 16th century. Jeff and I have been discussing whether the carving of the tools is indeed from the 16th century or might be later.
In any case, the Melencolia square shown in the sculpted grouping of tools has its blade wider than the handle. Score.
If you’d like to investigate this church some more, Jeff provided these links. Here’s the set of photos where that original image came from. You can read more about Biertan here. Warning, it will make you want to visit. And so don’t read these travel blogs on Biertan here and here.
So I have one more square to make. Then I really have to stop fooling around with these squares and start building a big piece of casework on my calendar.
— Christopher Schwarz
P.S. I posted a couple of SketchUp drawings of these squares on my blog at Popular Woodworking Magazine. Here’s the link. Other stories in this too-long series: