When we pulled up to the Festhalle Barn the morning of the Handworks show, we were impressed to see a long line of people wrapped around the barn, along the fence and into the street.
As we made our way to our booth, we realized this line started at our booth. I put down my bag and the first guy in line pounced on me.
“I’m here for the calipers,” he said.
Calipers?
“The Studley calipers, the limited edition ones. You only have 50,” he replied.
“Dude, that was two years ago,” I said. “We don’t have any calipers.”
He insisted that we did, and that I had been blogging about it leading up to the show. He got a little cranky and I thought he might take a swing at me. The next guy in line had the same story. I looked and John and mouthed “WTF?”
We still don’t know what happened and why 100 people thought we were selling calipers. So if you are coming to Woodworking in America, read this next sentence: We don’t have any H.O. Studley calipers. We have the book and DVD on Studley, but not the calipers.
(If you want a nice pair modeled after Studley’s, you can buy them from Lee Valley Tools here.)
We do have some other cool stuff at Woodworking in America. A beautiful letterpress poster for $20 that was a joint project between Steam Whistle Letter Press and us. We’re bringing about 470. We sent 25 to Classic Hand Tools in England, which they will offer over there. If we have any posters left over (and we should) we’ll find a way to put them up in our online store.
We also have our crazy Bandito shirt – a skeleton holding two dovetail saws – that was designed by Shelby Kelley. Will these sell? We don’t care. We’ll just wear them all if we have to. The shirts are in an olive green with black ink. Also $20.
Book Signing for ‘Virtuoso’
If you’d like to get your copy of “Virtuoso: The Tool Cabinet and Workbench of H.O. Studley” signed, stop by the Lost Art Press booth at 2 p.m. Saturday. Author Don Williams and photographer Narayan Nayar will be there to sign your books.
Our booth is at the back of the Marketplace, a small corner next to Stumpy Nubs’ triple-wide booth.
Stop by to say hello to me, John or Brian Clites, our new forum moderator.
Given a choice between reading estate inventories or criminal records I go for the criminals. The carpenter above was found guilty in August of 1678 and his punishment was having ‘M’ branded on his thumb. If convicted of murder he would have been hanged. Life was not easy for the working class in the 17th century and punishment was harsh.
The Tyburn Tree…built by Carpenters.
Before being taken to Tyburn the condemned spoke with an Ordinary (a member of the clergy) and a statement was entered into the official records. Themes of Idleness, Excessive Drink, Swearing and Lude Company were often written into this final statement. Theft of even very small amounts could lead to execution.
May 1690 Execution at Tyburn: Andrew Browne condemned for Felony and Burglary, he is Aged 30 years, was born in Shrop shire, and bred a Carpenter. He followed that Employment Three Years in Red-Lyon-Fields. But leaving his Trade, and taking to an Idle Life, he fell into Evil Company, and thereby Committed the foresaid Crime. He said, that he had been guilty of swearing and excessive Drinking, of which, he now Repents.
They do not labour like the ant, Their work is play and play their want.
Apprentices seldom had an easy life and there are many accounts of runaways and other trouble.
October 1718 Execution at Tyburn: Henry Abbott, condemned for Burglary in breaking the House of Mr. Jonathan Jones, and stealing then 5 Silver-Spoons, a Silver-Cup and other Plate and Goods. He said he was 19 Years of Age…That he was bound Appentice to a Carpenter in White-Chapel, with whom he had been two Years, he left him, upon the account of his great Severity to him and his Hastiness in giving him Blows on the Head, and anywhere else he could hit…That as soon as he had left him, he went to serve another Carpenter, who was to maintain him for his Work till he had serv’d out the Remainder of his Time, which was five Years; but of those…he had not serv’d above two when he committed the Fact he now stood condemn’d for; which he confess’d, but said it was his first, and would be his last, if he should live never so long.
May 1728 Execution at Tyburn: George Gale alias Kiddy George, about 17 Years of Age…born of Honest Parents who took care of his Education at School, and instructed him in the Christian Religion, and afterwards put him to a House Carpenter or Joyner, which Business he never followed; but was one of the most wicked, cross and disobedient Boys upon Earth; and married without his Parents Consent. He committed many Robberies, and was a constant Thief for a considerable Time…
Next, we have this fellow and an 18th century version of ‘Wanted!’: Advertisement for January 13, 1716: Whereas James Goodman alias Footman, made his escape (with Irons on, by leaping over the Spikes of the Bail-Dock and the Rails) at the Sessions-House in the Old Bailey, on Saturday last, being the 14th Instant, about 6 in the Evening; he is about 37 Years of Age, 5 Foot 10 Inches high, much Pock-fretten, has many Freckles in his Face and Hands, a wide Mouth, down Look, speaks very broad, a reddish beard, but did wear a brown wig, a Carpenter by Trade, and lately live at Aylesbury…He was shot in the Nape of the Neck about a month since, when he was taken, which Wound is not yet well, and several small Pieces of his Scull taken out of his Wound. Whoever can discover the said Person, so that he be brought to Justice, shall receive Twenty Pounds reward from Bodenham Rowse Head Turnkey of Newgate.
Cabinetmakers were a different story and were usually the victims of a crime instead of the perpetrator. In some cases we learn a bit more about them as in this example from March 1798:
John Westfield a cabinetmaker with Banner and Bruce’s Coachmakers in Long-Acre went to the country for six weeks. John Robinson, age 24, was a carpenter who worked for Westfield as a porter. While Westfield was away Robinson stole a pannel saw, carcase saw, sash saw, dove-tail saw, a stock, 27 bits and one saw pad.
Westfield: When I returned I found the chest broken open in the shop, and the articles in the indictment taken out; they have all been found since. In consequence of a suspicion…got a warrant, and went with the officer to search the prisoner’s lodgings; I found the small saw pad in his chest…
Westfield further testifies that his shop employs 7 to 9 men and sometimes Robinson did some work other than being a porter. Tools were sometimes lent to Robinson, but never the items that were stolen from the locked chest.
John Wray-Officer: searched the prison’s lodgings…Ifound two boxes, a number of duplicates [pawnbroker tickets], some saws, one stock and a centre-bit.
William Crouch-Officer: (Produces a stock and bits, and a saw)…Itook them of a young woman who said they were her husband’s.
Cross-examination of Crouch: Q. I believe you know it is no unusual thing, when poor people have duplicates that they sell them, and honest persons sometimes get possession of duplicates of things improperly come by? A. It is very often the case.
Westfield: That is my saw, it is my own sharpening; the stock has my own name engraved upon it at length.
Cross-examination of Westfield: Q. Do you mean to swear that this is your saw, merely because it is of your sharpening-do you sharpen differently from anybody else? A. There is a great deal of difference in sharpening, the same as difference in handwriting.
Q. Because it is done in a more bungling way than common, perhaps? A. I do not know but it is. Q. Any young beginner might blunder in the same way? A. There is as much difference as there is in handwriting.
John Robinson was found guilty of grand larceny and sentenced to six months confinement in Newgate Prison and fined 1s. A century earlier Robinson would have been condemned to death.
While some of the Old Bailey proceedings were very grim reading (execution for theft of a handkerchief in the 17th century), other cases brought to mind Horace Rumpole and his constant defense of the Timson crime clan…the window was already broken when I reached in and my hand happened to land on the silver plate.
One of my favorite stories is how the writers for “The Straight Dope” column sent a fake hand-lotion recipe to the “Hints from Heloise” column – mixing vegetable shortening and sugar. Heloise printed the recipe and added that she’d been using the concoction for years.
Go ahead. Go to the kitchen and try it. I’ll wait here.
I’ve been reading a lot about the Danish “soap finish” these last few months, plus the chemistry and history behind it. A lot of this research will be included in my forthcoming book (which, by the way, will have a new title, so I’ll call it “Formerly the Furniture of Necessity”).
This week I made and used a soap finish for the first time, applying it to an ash chair that also will be featured in the book. I like using the finish a lot. It’s basically an oil finish (from vegetable or animal oils) that leaves a waxy residue behind that can be buffed up. I’m going to put the chair into hard use in the house to see how it holds up and report back.
This post is to encourage you to give the soap finish a try, and to dispel some of the questionable advice I’ve collected on it.
First, on the sheen of the finish. While aged soap finishes I’ve seen on Hans Wegner chairs are indeed dead-flat, a new soap finish looks much more like a wax finish. I’d call it semi-gloss.
Soap soup. From mixing one quart of boiling water with one cup of soap flakes.
Mixing the soap finish is easy. I recommend you make a very small batch to get a feel for the different results you get from mixing soap flakes and boiling water. You can get everything from a soup to a bowl of exploded jellyfish to a stiff paste. A stiff paste is what I was after.
For my first batch I used one cup of soap flakes and one quart of boiling water. This recipe was a cruel joke. It made a grey soup that was suitable for washing clothes, not finishing furniture. When I applied it to wood it mostly made the wood wet and not much else.
Next I tried equal parts soap flakes and boiling water. This made the blown-up jellyfish parts (I hate jellyfish; I got one in my swimming trunks once and it burned my delicate parts). Even after I let this mixture cool, it didn’t make anything I was eager to apply to finish. It was too runny.
So I took an approach that I recommend you try: Boil a cup of water and pour about half of it into a cup of soap flakes. Mix it and see what happens. If it’s too runny, add soap flakes. If all the flakes haven’t dissolved, add a little water.
The result should be stiff and meringue-like. After it cooled it became a little harder and less mushy.
How to apply it?
You can put it directly on the wood, but I found that to be messier than the process recommended by Caleb James. Essentially you make a rubber like you would for French polish. Take a dollop of the soap and put it in the middle of a soft cotton cloth. Wrap the soap and twist the “tail.” The soap soaks through the cloth as you press it against the wood, applying a nice film after a few minutes of work – your body heat from your hand and the friction soften the soap nicely.
After the soap dries for a few minutes, buff it with a clean, soft cloth.
Some people have reported that the finish raises the grain. I didn’t find that. Perhaps they were using soap soup.
In Chris’ recent post, “We Are Equally Crappy,” a few readers asked about marriage marks, also known as a cabinetmaker’s triangle. Above is Monsieur Roubo’s version. Why have boring straight edges on your triangle when you can have curvy, sexy and French?
(Editor’s note: Roubo offers up about 10 of these useful marks in Plate 5. The full translation will be in the forthcoming “Roubo on Furniture.”)
Timber framers used a different marking and matching system. Roman numerals were most often used but there are other variations.
As European carpenters found their way to the New World they brought these marking systems with them. Examples can be seen in 17th and 18th century roof timbers, especially along the East Coast. The top example (right) is from Delaware, the bottom one is from England. I found only one example from South America.
Beasties threatening a home.
The third kind of marking that might be found up in the rafters, around doors, windows and fireplaces is an apotropaios (meaning to turn away), also known as a witches mark.
In 17th centry Britain witchcraft was a real concern. In 1604 King James I wrote, “…for some they sayeth that being transformed in the likeness of a beast or fowl, they will come and pierce through whatsoever house or church, though all ordinary passages be closed, by whatsoever open air may enter in at.” I’m leaving out the bit about women being more frail and more susceptible to…nevermind.
Typical marks to ward off witches were two overlapped Vs (Virgin of Virgins), M (Virgin Mary), MR (Maria Regina), daisy circles, a series of circles and circles attached to letters. You might see all of these letters and symbols combined.
Misericord with overlapping Vs.
Researchers in Britain are cataloging these symbols in churches. Both the overlapping V and the M symbols have been found integrated into carvings on pews, choir stalls and misericords.
The next time you find yourself in an old building look closely and you might see some of these signatures of past woodworkers.
Just as Chris was taking his first class in years, I went AWOL to accompany my wife on one of life’s greatest adventures, the early arrival of our second son. In the meantime, as many of you noticed, the web site experienced some glitches. Our forum, still in beta stage, crashed twice. Some readers notified us that they were temporarily locked out of their LAP accounts. Others reported problems posting comments using the WordPress function within posts.
Please accept my apology for these inconveniences, as well as my sincerest thanks to all readers for your patience and understanding. While these outages were not limited to our website (Muut and WordPress have been reporting system-wide outages), I do wish that I had been able to communicate better during these problems.
In related news, I am still working with Muut to hammer out some of the bare-bones issues revealed by the forum’s beta release. The areas I’m addressing with them include GUI, user experience, and login/logout issues. If you have additional concerns or suggestions about the test forum, please send them my way.
As a result of these glitches, we are delaying the full forum launch until October. Thank you for your patience. I will do my best to ensure that the result is worth the extra wait!
— Brian Clites
Addendum 9/10/15: A number of users have reported frustration when trying to login to the forum for the first time. Please note that the forum login should be the same username and password that you use to place orders within the LAP store. (Your LAP store credentials are not the same as the WordPress/Facebook credentials that you are prompted to enter for posting blog comments below.) If you have experienced a problem, please ensure you have created LAP store credentials at: http://lostartpress.com/account/register. If you still experience problems, please email me. brian@lostartpress.com