Lost Art Press

Some Retailers for ‘To Make as Perfectly as Possible’ (Standard Edition)

Posted on by Lost Art Press

Perfectly-Standard_500Several of our retailers have indicated they will carry the standard edition of “To Make as Perfectly as Possible: Roubo on Marquetry.”

So far we have commitments from the following retailers:

Lee Valley Tools in Canada, which ships worldwide
Classic Hand Tools, which serves the U.K. and is now taking orders for the book
Tools for Working Wood in Brooklyn, which ships worldwide
Highland Woodworking in Atlanta, which ships worldwide

As other retailers sign on, we will post that information here.

If you live in the united States, you can order your copy direct from us before Oct. 10 and receive free domestic shipping. To read more about the book, download some sample pages and order your copy, visit our store here.

— Christopher Schwarz

Too Idle, Too Talkative, Too Passionate

Posted on by Lost Art Press

lumbering

These men cannot live in regular society. They are too idle, too talkative, too passionate, too prodigal, and too shiftless to acquire either property or character. They are impatient with the restraints of law, religion, and morality; grumble about the taxes by which rulers, ministers, and schoolmasters are supported; and complain incessantly, as well as bitterly, of the extortions of mechanics, farmers, merchants, and physicians to who they are always indebted.

— Timothy Dwight, president of Yale College from 1795 to 1817, on the lumberers of Maine.

The No. 7 Reason to Attend Woodworking in America 2013

Posted on by Lost Art Press

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7. The third Peter – Peter Follansbee. (Hmmm, it seems the theme of this year’s WIA is “Peters in Woodworking” – Peter Ross, Peter Galbert and Peter Follansbee are all speaking).

I hope you know Peter Follansbee from his book “Make a Joint Stool from a Tree” (now offered with free shipping from Lost Art Press). But if you haven’t heard Peter in a classroom/lecture situation, you are only getting half of the picture of the man.

His quick and dry Massachusetts wit and deftness with an axe is worth traveling to see. This year Peter is demonstrating 17th-century carving (I’ll be sitting in on that) and is giving the keynote at the big WIA banquet on Friday night.

Sign up for Woodworking in America, Oct. 18-20. Thirty Peters agree.

— Peter Schwarz

The No. 8 Reason to Attend Woodworking in America 2013

Posted on by Lost Art Press

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8. Peter Ross, the blacksmith wunderkind of Colonial Williamsburg, will be speaking at WIA. Peter makes some of the finest historic tools, and locks and hinges and hardware I’ve ever seen. He’s going to be talking at WIA on lots of subjects where the blacksmith’s art crosses paths with that of the woodworker – including fixing tools that have been overheated and some of his insights into historic tools.

Peter should know. He was one of the few craftsmen at Williamsburg to inspect and record all of the contents of the Benjamin Seaton tool chest during its U.S. tour. His work and drawings are in the newly revised “The Tool Chest of Benjamin Seaton” book. It is a must-have for history and tool nerds. (Nerd alert: I’m going to ask Peter to sign mine.)

Prying Peter out of his shop in North Carolina is a major coup for WIA. Don’t miss this.

Continued tomorrow.

Sign up for Woodworking in America, Oct. 18-20. Monkeys will not fly out of your bum.

— Christopher Schwarz

The Principal Stones Used in the Mechanical Arts

Posted on by fitz

grindstone_rn

The Thanks of the Society were voted to R. Knight, Esq., for a Collection of Hone-Stones and Grind-Stones, presented by him; together with the following Descriptive Catalogue of them.

Sir,                                                                                                                                Foster Lane.
In compliance with your request, I have sent, for the Society’s acceptance, a collection of all the principal stones used in the mechanical arts, and of which the following is the catalogue. I have arranged them under two heads, viz. arenaceous and schistose: the few that do not come under either of these heads are separately described, and I shall be happy to give you any further information I am able on the subject.

                                                                     I am, &c. &c.
                                                                                                    Richard Knight.

1. Grit or Sandstone.— Of this variety the universally known and justly celebrated Newcastle grind-stones are formed. It abounds in the coal-districts of Northumberland, Durham, Yorkshire, and Derbyshire; and is selected of different degrees of density and coarseness, best suited to the various manufactures of Sheffield and Birmingham, for grinding and giving a smooth and polished surface to their different wares.

2. Is a similar description of stone, of great excellence. It is of a lighter colour, much finer, and of a very sharp nature, and at the same time not too hard. It is confined to a very small spot, of limited extent and thickness, in the immediate vicinity of Bilston, in Staffordshire, where is lies above the coal, and is now quarried entirely for the purpose of grind-stones.
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