Lost Art Press

Cutting the Brush-Wood

Posted on by fitz

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It is an old saying that a child must creep before it can walk. We grow by degrees in almost every thing, and in nearly every direction. The child gradually increases in size—though not so very gradually sometimes—until it comes to the stature of a man or woman.

We grow in knowledge—at first knowing but little, the child slowly acquires the information that, if rightly used, will make him wise in mature years. So it is everywhere, “little by little” the great gains are made. It is step after step that the highest mountain is climbed; one brick upon another and the greatest wall is laid. “Little drops of water; little grains, etc.”
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Odd Jobs

Posted on by fitz

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Let any farmer or person of moderate means look round his house and make a careful minute of all the odd jobs he will find which require to be done. Let him take paper or a memorandum book and note them down. He will find at least twenty little matters requiring repair or amendment. The plank-way to the well or yard; the fence round the garden; a garden gate that will open easily and close itself; repairs to the box protecting the well or cistern; mending tools, harness—and in short almost innumerable small matters all wanting to be done, either on wet days or at some leisure time.

Every one who is not a natural sloven is fully aware of the necessity of attending to these matters, but the great difficulty is he has no tools. His experience goes to show that the last time he tried to do anything of the kind he had to go to a neighbor and borrow some tools to work with. The saw was too close, and very much otherwise than sharp; the chisels were all too large or too small; the bit-stock had lost its spring and would not hold the bits in their place, so that he could not withdraw them, and perhaps broke some and had to buy new ones to replace them. Nothing was fit to use, and hence what he did was wretchedly done.
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Whine, Whine, the Future of the Craft, Kvetch and Worry

Posted on by Lost Art Press

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If you want to see how far I can roll my eyes to the back of my head, ask me this question:

“How can we get young people into woodworking?”

Despite all the hand-wringing about the loss of shop classes in public schools, I am not at all worried about the future of woodworking. Wood is the most important renewable building material on the planet, and the history (past and future) of humanity cannot be written without it.

Truth is, woodworking as we know it might die out. People might lose interest in building reproductions of old stuff. Instead, the craft might look like something like you would find at Maker Faire. (Attend one of those fairs and then try to complain that young people don’t want to build stuff.)

If you want additional encouraging news, listen to this. Half of the students in the classes I teach are in their 20s and 30s. That was not the case 10 years ago when the average age was in the late 50s. Yes, I think this has something to do with the growth of handwork, but the full explanation is too long for a blog entry.

Oh, and after I roll my eyes back into their proper position, here is what I suggest. Don’t complain. Try these things.

1. Give away tools. This is a cue I learned from Carl Bilderback and Fred West. When you meet a young person interested in woodworking, give them your excess tools. Most of the tools I got rid of in my great purge four years ago were given away. Yup. Lie-Nielsen planes. Infills. Saws galore. Tools that were set up and performing brilliantly.

2. Donate money. I’ve given away a lot of money to the Roger Cliffe Memorial Scholarship, which funds students attending the Marc Adams School of Woodworking. Most of these students are fresh out of high school, trade school or college and cannot afford the tools or tuition to take classes. This tax-deductible fund does wonders.

3. Teach. Open your shop door to the neighborhood. Offer to demonstrate stuff at “career day” at school. Next year, I’m doing a series of classes aimed at younger woodworkers who cannot afford to take a week off of work (or family) to take a class. The tuition will be negligible and we’re going to find cheap lodging for them, too.

These things work much better than worrying about the problem at your local guild. If you expect the government or some benevolent corporation to solve the problem for you, I think you are going to be disappointed.

— Christopher Schwarz

What the Heck is that Gizmo? The Grizzly G9900

Posted on by Lost Art Press

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I own some precision measuring tools that are not at all necessary for woodworking but are superb for helping me diagnose problems and describe my world in my writing.

One of these tools is a Brown & Sharpe dial caliper, which I use mostly for examining tools and describing results in print (how thick a shaving can that plane take?).

The other tool is the Grizzly G9900 dial protractor, a marvelous tool for checking miters and bevels that have to be spot-on in complex work.

I have received a lot of questions about this tool since I demonstrated in at Woodworking in America last year and showed it during a short bit on The Highland Woodworker here. When you need to measure things to a fraction of a degree, this is your tool. It is accurate to 5 arcminutes. That’s pretty good.

Is this something every woodworker should have? No way. If you don’t deal in wacky angles, a combination square will do the trick.

But if you deal in work where you need to know angles that are in a fraction of a degree, I cannot think of any better tool for the price. I’ve owned mine for more than 10 years (back when it was about $30), and it has remained true.

— Christopher Schwarz

‘Campaign Furniture’ for Sale Around the World

Posted on by Lost Art Press
Our latest letterpress bookplate design from http://www.steamwhistlepress.com/
Our latest letterpress bookplate design from http://www.steamwhistlepress.com/

“Campaign Furniture” has broken all of our sales records here at Lost Art Press, which has made it difficult for our fulfillment service to keep up (don’t worry, they are only a day or two behind). And we’ve just about run out of signed letterpress bookplates (don’t worry, more are on the way on Tuesday).

We can only hope that our retailers are enjoying the enthusiasm for the book. Many of our retailers have now put the book on their web sites. Here are some links.

Lee Valley Tools of Canada is selling the book for $31.
Tools for Working Wood in Brooklyn is selling the book for $31.
Henry Eckert Fine Tools in Australia is selling the book for $48 AUS.
Classic Hand Tools in Great Britain is taking orders for the book for £28.

— Christopher Schwarz