Here’s how it works: Type your woodworking question in the comment field. Joel will answer it. It is that simple. (Note that he will likely not be sitting at the computer all day, but will drop by as his schedule allows to post answers.)
Update: Thanks for all the great questions today, and thank you to Joel for spending part of his Saturday with LAP. Comments are now closed.
We will open our doors to the public on Saturday, July 29, from 10 a.m. to 5 p.m. at 837 Willard St. in Covington, Ky. We’ll be selling our complete line of products, signing books and – most of all – talking about woodworking.
I’ll display a bunch of the furniture I’m building for my next book, “The American Peasant.” Plus, I’ll be happy to demonstrate the grooving cutters I use to add spells and wards to the furniture.
We’ll also show off the Anthe building – the 1890s-era factory we are restoring to become our new headquarters. If you would like a tour of the Anthe building, we’ll lead walking tours that leave from Willard Street to 407 Madison Ave. The tours begin inside 837 Willard St. (our current building) at 1 p.m. and 3 p.m.
If it’s too hot for you to walk (or you have mobility concerns), you can drive your car the 0.7 miles to the Anthe building and meet us there.
Please keep in mind that Anthe is under construction, so be sure to wear comfortable shoes with good traction. There is, however, electricity, plumbing and HVAC there. Other than the two tours, the Anthe building will not be open to the public that Saturday. Our fulfillment employees don’t work on weekends. So if you show up there (outside of the tours mentioned above), you’ll find the doors locked.
Cutting patterns and symbols in wood, and enhancing them with vibrant color, are folk traditions kept alive in the slöjd craft. Through decorations imbued with meaning, chip carving has given soul to slöjd woodcraft throughout history. Even today, chip carving offers a natural complement to an artfully crafted spoon, cutting board or shrink box – and it provides the opportunity to develop your own creativity and meaningful patterns.
“Karvsnitt” teaches you techniques for cutting triangle chips, fingernail cuts, lines and letters — plus you’ll learn what kind of wood, knives and tools you need to get started, and techniques for painting your finished work.
You’ll find 15 projects, from simple decorations on knife handles and signs to more demanding objects such as boxes and combs. In addition to providing practical knowledge, “Karvsnitt” opens a window into older slöjd and folk art, and provides fascinating in-depth descriptions of the traditional meanings of different patterns and symbols.
We have sought to reproduce the Swedish edition of this book in every way possible, from the paper’s opacity to the binding and the endsheets. In short, this is a high-quality book that is made to last for generations.
One of the tool chest forms that has been on my list to explore is the Swedish chest, which I’ve encountered a few times both in the United States and Europe. It’s similar to the Dutch tool chest, with its slanting front lid. But the Swedish one is in many ways simpler.
The chest shown here came from the family of Johan Lyrfalk, who owns Rubank Vertygs AB, a woodworking supplier in Stockholm, Sweden. Last Saturday, he brought it out for us to inspect and measure during a visit to his store.
Note how the bent hasp holds the lid open and accessible.
The chest is most likely pine and it is assembled with through-dovetails at the corners. The top and bottom are screwed to the carcase. The slanted lid is kept flat with two battens that are neatly joined to the lid with blind sliding dovetails. The steel hinges are let into the carcase and are screwed through the lid and into the battens, increasing the reach and strength of the screws.
The interior of the chest is fairly open. There are openings for three drawers (this chest had only two of them remaining). The drawers are assembled with half-blind dovetails (two dovetails per corner). One nice detail of this chest is the top edges of the drawer sides are beveled to the inside. That reduces the number of corners you will bump into when you reach for a tool.
The middle drawer. Note the bevel on the drawer side.
The drawer frame and dividers appear nailed and screwed to the chest from the outside, keeping with the aesthetics of the chest.
The interior walls of the chest are lined with tool racks. And there’s a tool rack on the lid.
How the tool rack on the lid was used was a question among the woodworkers looking at the chest. The lid is propped open by its hasp, which allows the tool rack to be handy. But you’d have to remove the tools to shut the lid. Some speculated perhaps this chest was rarely closed and used mostly in a workshop environment.
Dimensions are: 32” wide, 18-1/2” high and 19-1/2” deep. The top is 11” wide, as is the drop lid. Most of the stock for the carcase is 7/8” thick.
The interior tool racks.
This chest is definitely one on my to-build list. We are always looking for tool chest classes that teach a variety of good lessons for classes (or for publication). The Anarchist’s Tool Chest is my personal favorite to work out of; but as a class, it is mostly about through-dovetails and nails. Even in a one-week class working flat out, it is difficult to get to making the lid, much less the rest of the interior bits.
The Dutch tool chest, as a class, is a more balanced experience. You get some dovetails, dados, rabbets, maybe some tongue-and-groove.
The Swedish tool chest could be a primer on through-dovetails and half-blinds, for the drawers.
I’ll have to build one to find out.
The tool chest at the Vasa.
After we spent an hour poring over Johan’s tool chest, he returned it to its resting place. The next day we went to see the Vasa exhibit. And there, right next to one of the workbenches from the Vasa, was an almost-identical chest (just a little longer). Perhaps the universe is sending me a message.
Joel Moskowitz at Union Square Market last weekend.
Joel Moskowitz, founder/owner of Tools for Working Wood and co-author of “The Joiner and Cabinet Maker” (With Christopher Schwarz and the anonymous 19th-century author) is hosting this Saturday’s Open Wire here on the Lost Art Press blog. If you read Joel’s blog, you know his intellectual curiosity about all things woodworking (among other subjects) is boundless. So while you could probably get a great answer on just about any topic, stick to woodworking, woodworking tools and trade history – that ought to be enough to keep us all busy reading for the day! Oh – and he’s been working on a super-secret project…that he _might_ be ready to reveal this weekend. No promises though.
The blog post will go live at about 7 a.m. for questions (post them in the comments), and Joel will stop in as his time allows to answer. Comments will close at around 5 p.m. Eastern.
