We’ve just added our Lost Art Press Bandito shirts to our online store. The shirts are $25 and are available in sizes M to 2XL. These are the shirts we printed for Woodworking in America. They were a big hit, but we came back with some in each size.
Once these lieutenant green shirts are sold out we will offer the Bandito shirt in a wide variety of sizes, color and even styles.
We’ll also be putting up the “By Hammer and Hand” posters in the store later this week – we just have to wait for the special mailing tubes to arrive in the warehouse.
David Savage delivered a fire-and-brimstone lecture to the students in his Rowden workshop on the business of the craft during tea one morning and then left the bench room with a flourish.
One of the students turned to me and asked: “Are all British craftsmen this eccentric?”
I didn’t know how to reply at first. Later that day, however, the answer came to me: Actually, all really good instructors are like that.
During my two weeks at Rowden in the deepest, darkest Devon, I got to interact with a type of woodworking student that is rare these days: the long-term pupil who wants to make a living at the craft and has invested his or her last cent to pay for the instruction.
You might expect them to be 100-percent joyful to get to work under such expert tutelage for six days a week over 12 months. But that’s not exactly what I encountered.
Instead I saw the same wariness, skepticism and frustration that I experienced while training as a newspaper journalist at Northwestern University. During my four years, I nearly despised my instructors and still call my torturers by name 25 years later. Roger Boye. David Nelson. Richard Schwarzlose. Leland “Buck” Ryan.
They seemed to delight in trashing my work, telling me I should drop out and never offering a word of praise during four hard years.
As it turns out, they were giving me an education that I couldn’t appreciate until I’d left the school and worked professionally. They knew something: The writing business chews people up, and the only way to survive is to be the best – both technically and ethically.
You can’t deliver those sorts of lessons to hobbyists during a one-week class. It’s a miracle that my students had the drive to work 50 hours straight on some mind-bending piece of woodwork. I couldn’t beat them up because I was just so grateful that they cared enough to attend.
So what about the hard lessons? Who will deliver them?
In my shop, it’s me. Nothing is good enough unless it’s better than what I’ve done before. I sharpen my eye for good work by visiting museums and furniture exhibitions. So I have to raise my own bar and jump over it.
Most days I wish David Nelson were in my shop telling me my work was like a puddle of dog urine. I could then seethe and fantasize about putting Nair in his jockstrap.
But those sorts of fantasies aren’t so healthy when you are both the torturer and the victim.
Can you help us Find a WINNER? Go here. I have just been fitting the handles to my own new tool chest. Near the end of the job, fitting components with screws is satisfying and tricky. One slip and the surface is scarred. Overtighten and the screw head is burred or worse it snaps off. Done well, it depends on preparation, good pilot holes, choice of screws and screwdriver.
There are dozens of screwdrivers in my box, gathered over the years they are used for a multitude of indelicate tasks. Opening tins of paint is a favourite. Yet a really good screwdriver should be very carefully fitted to the screw head. Do this well and it will sit in the head of the screw, gain purchase and drive the so and so home with no damage to the job or the screw head. Happy days.
This is the head of a well prepared screwdriver see how the worn end is reground to exactly fit the slot and see the two small chamfers on either side of the blade this is to suit the width of the screw head, stopping it projecting beyond the chamfered screw head and scuffing the countersink in the job
This is the set of screwdrivers we have picked to go in the cabinet that Chris Schwarz made and Jon Greenwood has prepared. They are cabinetmaker style handles in beech; boxwood would have been posher but it has no effect on the job.
There is another class of screwdriver that is maybe better than these. these are gunsmith screwdrivers. Here the blade is not tapered as in the blades above but parallel where they fit the screw. So, more contact with the screw but more expense. The blades above came off eBay and with a small amount of work from Jon Greenwood will be usable for years. Just remember all screwdrivers get worn out just now and again, so dress the end to fit the screw you are using.
These screwdrivers are for slotted screws. We found a nice set of Posi drivers from DeWalt that will be arriving soon for more general work. These cost us about £16 from one of the sheds.
A lot of trouble with Posi drivers is again that they get worn, and rather than pick a new one out of the box we bash on with the job, burring over screw heads. So this little set will enable our young Woody to help avoid that. Many of us at Rowden have taken to using a small cordless drill to do all the small screw driving around the shop.
I would like to put one of these drivers in the box as well but I don’t think we have one spare. Though this is a hand tool box I think we all use these now pretty well all the time.
Remember folks these tools are going into a tool box made by Chris and being GIVEN away in a competition. Closing date is end of November. You must be under 25, a Woody or would-be Woody. Write to me tell me why we should give it to you and send some images – that’s all it takes. Here are the details. PASS IT ON PLEASE
Can You Help us Find a Winner? Chris Schwarz came here this summer and made this wonderful tool chest. He sells these in America for $4,000 which is a pretty fair price. We are offering this chest a s prize to a young talented woodworker full of tools and with an all expenses paid trip to Rowden for a one week course (this will be for the finalists). Entries close Nov. 30, 2015. MORE DETAILS HERE and pass it on.
All they have to do is send me a short paragraph about themselves and why they make and a file of images of what they have made. Anyone 25 or under. I am not restricting this to UK, but finalists would need to get to Devon for the week course and would need to get the tools chest home if they won.
What Tools go in that Tool Chest? Today and over next few weeks we are going to look at the tools we are putting into this chest and why. The aim will be to fill the chest with either new or secondhand, quality tools. Many will come from my own tool collection or from Rowden toolboxes or, maybe, from donations. What I can’t find here I will ask other makers to help donate and what is left we will buy. Maybe one or two tool sellers and manufacturers are going to be asked to contribute a specific tool that we cannot supply ourselves.
Chisels This will be controversial. Well, this is an English tool chest and I wanted Sheffield steel chisels. I could have gone for Ashley Iles chisels, which are very popular in Rowden. But I didn’t. I could have gone for Lie-Nielsen carbon steel chisels, but they are American and I get the message from my students that one member of the staff is pushing the A2 chisels as being just as good as O1 steel.
Well, after 40 odd years doing this I would disagree. O1 carbon steel takes a sharper edge than A2. This modern A2 is great above 30°. It is also great for the amateur who does not sharpen every day as it holds the 30° edge for a long time. But a bench chisel is not just for battering with a mallet.
At Rowden we grind at 25° and hone at UP TO 30° (without the training wheels). The advice we give is that once 30° is reached, regrind to 25°. Then you can pare and chop with the same blade. Above 30° you can only chop. I have a mixture of pre-1960 Marples chisels and Japanese chisels in my own tool chest and I have bought the blades shown on eBay for my own students. The steel is hot forged, not cold fabricated. This makes it, I believe, a carbon steel better than O1, which is the modern high carbon steel.
So I have gathered a mixed set of Marples and Sorby blades plus a very nice thin-bladed paring chisel that I have had for 20 years. You can see from the existing Marples labels two or three of them are hardly run in, let alone used. Most have boxwood handles and the narrow neck that defines the period of Sheffield steel that I am talking about – pre-1960.
I use Japanese paring chisels, so this lovely paring chisel will go in the chest. It’s a really beautiful tool: thin bladed, forged steel, as hard as it comes and sweetly shaped by an expert. Jon Greenwood, bless him, is tasked with the problem of flattening the backs of these blades and grinding and honing a perfect edge. Ready for work.
Next screwdrivers, then marking and measuring, then maybe planes. We are really stuck with the saws!
