Lost Art Press

When woodworker and instructor Kelly Mehler died unexpectedly last year, he left behind a shop full of meticulously maintained woodworking machines that he used in his personal work after he closed his woodworking school.

The Mehler family is trying to find new homes for these machines, avoiding the chaos and unpredictability of an auction. These machines would have to be picked up in Kentucky.

I’ve worked on almost all of these machines when I taught at Kelly’s school and can vouch for them. As of now, they are in Kelly’s workshop in Berea, Kentucky. If you are interested in any of them, I encourage you to contact Kelly’s son Jason Mehler at [email protected].

You can download a pdf with additional photos of the items for sale here.

Here is what is available:

Felder AF-22 Dust Collection System: $1,400 OBO

Felder BF7-41 Combination Machine: $6,000

Powermatic 701 benchtop mortiser: $600 OBO

DeWalt 701 20” Scroll Saw: $450

Powermatic 3520 Lathe w/Baldor Motor and chuck vacuum device: $4,200

Lagune Revo 18/36, 230V Lathe: $2,500

Felder F700Z tilting shaper/milling machine: $4,000

Powermatic 719A chisel mortiser: $1,000

Delta 17-990X Drill Press: $750

Centauro S400P Bandsaw: $3,000

Delta 28-475x bandsaw: $550

Chisels, attachments, calipers and tools for lathes, custom shelving. $400 with lathe purchase

— Christopher Schwarz

Peter Follansbee’s “17th-Century Essex County Cupboard” is about as close a description as we’ll ever get to how complex pieces of 17th-century furniture began in the forest and progressed through the workshop. This particular cupboard contains a multitude of operations: riving stock, insane amounts of tricky (and simple) joinery, drawboring, nailing, faceplate and spindle turning (some of it on a massive scale), plus sometimes-wild mitering jobs to add all the decoration to this enormous and beautiful piece. Plus, it includes measured drawings by Jeff Lefkowitz, with details of the turnings and mouldings.

Building a cupboard like this isn’t just figuring out the joinery. It’s also figuring out how the original makers may have held some of the odd-shaped bits to work on them. It’s puzzling over the order of operations to assemble the components. It’s figuring out when to carve and paint, when to rive and when to cut joints to keep the whole operation moving forward. 

It isn’t often that Lost Art Press gets to publish a book like this. Written by a joiner at the top of his game after a lifetime of research, training and daily work. Plus a project that is worthy of all the long years of toil it took Follansbee to be able to build it.

Follansbee has spent his adult life researching and building 17th-century furniture to understand the tools and processes used to build the cupboard featured in this book. “17th-Century Essex County Cupboard” represents the culmination of decades of serious research and shop experimentation. But it’s no dry treatise. Follansbee’s wit – honed by 20 years of demonstrating at Plimoth Plantation – is reflected on every page. 

Even if you never plan to build this cupboard, you’ll find Follansbee’s book a gripping account of what has been for him (so far) a twice-in-a-lifetime project.

And, the first 100 books ordered include a special treat: a signed bookplate from the author!

“17th-Century Essex County Cupboard”