Lately, I’ve been thinking, “Why not grab some of this internet sponsorship cash?” And so we have taken on a sponsor – the Malodorous Rubber Mallet Co. I’ve agreed to use the company’s mallets in social media photos and will be impartially reviewing the mallet against all other mallets ever made in this dimension (and others) in the coming weeks.
All I can say at this point is that this mallet is so good that you can smell it coming. It offers the Perfume of Percussion. The Whiff of Whacking. The Bouquet of Beating.
Geologists know the value of a good vest. No, Chris won’t be modeling ours sans shirt. Don’t get your hopes up.
Our Chore Coat has been popular so far, so Chris and I wanted to follow it up with another garment that would be useful, not just merchandise. His idea was a work vest that’d layer over a shirt or under a coat, with plenty of pockets and a low collar. Sounds good, I said, and we were off to the races.
Tatra Mountain guides wore leather vests.
We kept it simple, with three outside patch pockets, a low band collar for ease of layering and an inside divided pocket for a pencil, marking knife, 6″ ruler, Sharpie, lumber crayon, paintbrush, tire pressure gauge, Slim Jim, asparagus stalk, Timberlok, cigarillo, chopsticks and other workbench essentials.
Dick Proenneke made a cut-off vest to be layered under his overalls.
We’ll be producing a limited run of these vests – probably no more than 100 pieces – out of a beautiful English-woven moleskin fabric. More on moleskin later. (It’s not made out of dead moles. But it is awesome.) Later versions of the vest will be made using a cloth that is easier to get.
Furniture builders wear vests too.
We’re glad to be working with Sew Valley in Cincinnati again. They’re growing and improving every month and we’re delighted to support them as best we can.
Russian firewood haulers? Yep. Vests.
Expect to see our final prototype later this month.
This week I’ve thrown myself into production for Crucible Tool along with help from Megan Fitzpatrick and Brendan Gaffney. Today, Megan and I finished up 600 card scrapers and sent them to the warehouse. They should be for sale by the end of the week – so take this as fair warning.
We have a new jig for machining the scrapers in a CNC mill. This speeds the process and eliminates the abrasive polishing of the edges. That’s a win for everyone’s lungs (and fire suppression equipment). Abrading metal blows. And burns.
Speaking of abrasives, during the last month, we’ve redesigned the way we make hammer heads to reduce – and almost eliminate – the abrasive grinding processes to make the heads for our lump hammers.
I know that some of you simply want your hammers and don’t care about how they’re made. If that’s you, know that we should have a batch of hammers for sale next week. You can now go back to your cat videos.
For those interested in how your tools are made, here’s what we’ve been up to. When we started making the hammers we machined the heads and then had five abrasive processes to finish them. We used three grits on the flat faces and two on the striking faces.
With the magic of changing the tool paths, we’re down to one abrasive process. We’re hoping to eliminate that one as well and just have a little power buffing.
The heads won’t look different to the naked eye. All the facets are the same. The striking faces are the same dome shape. But the surfaces look a wee bit different under a loupe. I think they look better.
Note: After five minutes of hard use, all our hammers look about the same.
All these changes will make the heads easier to make. And it’s safer for the machine operators. So thanks for your patience (like you had a choice).
— Christopher Schwarz
P.S. Before you email John and Meghan: No, we’re not working on dividers. That tool has been suspended until it can be redesigned.
This weekend I’m at Fine Woodworking LIVE and, to be honest, it’s a tad weird. After being in the other camp for 22 years, it’s disconcerting. I feel like I’m crashing their party.
It’s all in my head. Everyone here is as sweet as milk, and I’m sure it will go fine. (Unless the FWW staff tells me I was brought on to be Christian Becksvoort’s manicurist and astrologer during the event.)
The drive today through Upstate New York was stunning – I got to see Spring occur in reverse. And it reminded me of a fateful drive I took on the same highway 13 years ago when John and I were starting this yet-to-be-named publishing company.
We were racking our brains for a good name for the company. I’m averse to naming things after me. I don’t have a big enough ego to shoulder that load. So “Hoffman & Schwarz Ltd.” was right out. Plus, it sounded like a German audio equipment company.
One of the other contenders was “Tried & True Press” (this was before Tried & True finishing products – I hope). It’s a good name, but I was taught to avoid clichés like the plague.
Another: “Said & Done Publications.” I like this one, but it didn’t have any connection to woodworking. If you’d like to have it, it’s yours.
“Straightedge Publishing.” The problem with this name was it could also be the parent company of a skateboarding magazine. Or a publisher of books for people who don’t consume alcohol or drugs.
And then there was “Sawset Redemption LLC.” (OK, I’m lying and I’ve had two beers.)
In any case, 13 years ago I remember muttering to myself during that long drive when “Lost Art Press” just popped out of my mouth. Nervous that I would forget it, I grabbed a pen and a business card and wrote the name down while using my steering wheel as a desk. This is illegal to do in 36 states, FYI.
So. Good day.
— Christopher Schwarz
P.S. If you are at Fine Woodworking LIVE, please do stop by and say hello. I’ll be the guy in the Prism Conference Room scraping Steve Latta’s corns.
This weekend I’m at