Category: Joiner’s Work

Peter Follansbee’s fantastic and sprawling tome on early American woodworking is now available for pre-publication ordering here. The book is $49 and will ship in May. Customers who order before the publication’s release date will receive a free pdf of the book at checkout.

“Joiner’s Work” took eight years for Peter to complete, and it shows. Not only does it cover a lot of haircuts and wardrobe changes in his step photos, it also covers an enormous swath of Peter’s work. For the last eight years, Peter has been documenting his work at the bench and the many variations and iterations of the typical pieces from a 17th-century joinery shop.

As a result, Peter illustrates not just one joined chest, but more than a dozen variations, all with different carving patterns, slight joinery variations and different arrangements of rails, muntins and panels. It is a visual feast and I spent many hours just digesting the carved panels.

If you’re new to 17th-century furniture, here’s what you need to know: It’s neither dark nor boring. Instead, it’s a riot of geometric carvings and bright colors – all built upon simple constructions that use rabbets, nails and mortise-and-tenon joints. Even if you don’t fancy yourself a period furniture maker, there is a lot in here to learn.

If you like green woodworking, “Joiner’s Work” is doctoral thesis on processing furniture-shaped chunks of lumber from the tree using and axe, froe, hatchet and brake. If you are into carving, Peter dives into deep detail on how he festoons his pieces with carvings that appear complex but are remarkably straightforward. And if you love casework, “Joiner’s Work” is a lesson on the topic that you won’t find in many places. Peter’s approach to the work, which is based on examining original pieces and endless shop experimentation, is a liberating and honest foil to the world of micrometers and precision routing.

The book features six projects, starting with a simple box with a hinged lid. Peter then shows how to add a drawer to the box, then a slanted lid for writing. He then plunges into the world of joined chests and their many variations, including those with a paneled lid and those with drawers below. And he finishes up with a fantastic little bookstand.

Construction of these projects is covered in exquisite detail in both the text and hundreds of step photos. Peter assumes you know almost nothing of 17th-century joinery, and so he walks you through the joints and carving as if it were your first day on the job. Plus he offers ideas for historical finishes.

What Peter doesn’t provide, however, is detailed construction drawings of each piece with a cutting list and list of supplies you might need. As you quickly learn in the opening chapters, the size of the projects (and their components) are based on what you can harvest from the tree.

There’s immense flexibility in this method of work. But to help keep you oriented, Peter provides pencil sketches (made by the wonderful Dave Fisher) that explain the anatomy of each project, plus rough sizes that will help you plan out your work in the woods and at the workbench.

If you are accustomed to CAD renderings, this will feel unfamiliar. But if you are brave, I think you’ll find it a freeing way to build these pieces (which frankly look weird when built using contemporary precision techniques).

Throughout the book you’ll have the voice of Follansbee to guide you. If you’ve ever heard him speak, you will instantly recognize the rhythm of the language and the dry humor. We took great pains to retain Peter’s voice in this book (I think we succeeded).

“Joiner’s Work” is a massive tome, coming in at 264 pages in an 8-1/2″ x 11″ format. The text and full-color images are printed on coated #80 paper. The pages are bound to create a permanent book. We sew the signatures then glue and tape the spine with fibrous tape. The pages are then wrapped by heavy hardbound covers that are covered in cotton cloth. The whole package is wrapped in a #100 dust jacket that is coated with a supermatte laminate to resist tearing and long-term wear.

And, of course, all of this is done in the United States.

Order your copy here.

— Christopher Schwarz

This week I’m performing the final edit on Peter Follansbee’s forthcoming book, “Joiner’s Work.” If all goes to plan, it should be released in April.

Peter started work on this book eight years ago as a way to expand on the work from his book with Jennie Alexander, “Make a Joint Stool from a Tree.” The new book covers the construction of carved boxes, numerous chests, a bookstand and the fantastic geometric carving that blankets almost all of his woodwork – including his kitchen cabinets.

Because “Joiner’s Work” is firmly rooted in 17th-century American technique, it contains an outstanding guide to processing green wood from the log to the finished part. I don’t know anyone living who has done more of this sort of work, and so Follansbee offers no theories, ideas or concepts about green woodwork. Just hard-won experience: what works, what doesn’t and what to do when things go wrong.

The projects are similarly no-nonsense, and Peter declines to offer 21st-century precision – such as CAD-perfect construction drawings – as a way to build 17th-century work. Why? If you’ve seen 17th-century chests where the builder used a router to help carve the panels, then you probably already know the answer in your heart. It looks wrong and silly. Instead, Peter offers a flexible way of approaching the projects that allows you to use what you have on hand to create boxes, chests and other work.

My favorite section in the book is on the carving. Peter unlocks the simple geometry behind the patterns he uses and shows – step-by-step – how he lays out and executes each cut. He insists that the tools and techniques are simple. After reading it, I believe him. It is simple. It’s just amazing to me how the end result is greater than the sum of its parts.

Finally, I have to say something about Peter’s voice throughout the book. If you’ve ever taken a class from him or attended one of his lectures, you know he has a sharp wit. And he uses it to cut things apart. This book has the Full Follansbee. Reading it is like listening to the guy. It’s a delight to read.

We’ll post more details about the book, and when it will be available, shortly. “Joiner’s Work” was a long time in the making, but I promise it will be worth it.

— Christopher Schwarz