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LostArtPress on InstagramFace vises show up on workbenches about the 14th century. The first image of a face vise I’m aware of is in a northern Italian drawing of woodworkers building Noah’s Ark. The vises on low workbenches hold the work for planing edges, ripping, cutting tenons and many other tasks. It would be tempting to think that vises this massive were used for large-scale work only, but the historical record tends to differ. Take a look at the nuts and chop on (the above painting), “La Sagrada Familia,” by Juan del Castillo (1634- 1636), a Spanish baroque painter. This bench has a remarkably massive benchtop supported by stubby legs that are joined with end stretchers. The vise chop seems to run the entire length of the benchtop and is driven by massive ellipse-shaped nuts. From the painting, it appears that you rotate the nuts counterclockwise to tighten the vise screws. This is reverse from the modern “lefty loosey; righty tighty” scheme, and is a fairly common in early representations of bench screws. I’m fascinated as to when (and how) screws became standardized. But that’s for another book. In this scene, Jesus and Joseph use a frame saw together to either rip a board or saw a tenon’s cheek. This activity is interesting to me because it echoes the way French menuisiers are shown ripping veneers on a low workbench in the 18th century’s “l’Art du menuisier.” Also worth putting in your craw: When you start looking at a lot of New World workbenches from areas conquered by the Spanish, you’ll see lots of these massive vises and the screws will be longer, sometimes freakishly long. Why? I have no clue. — from “Ingenious Mechanicks” by Christopher Schwarz #Ingenious_MechanicksOne of my favorite woodworkers and persons in the general sense. He has passion, good humor and a sharp tongue in spades. And we are pleased to announce that you can now pre-order the new book, “Joiner’s Work,” from @peterfollansbee in our store.I’m checking the final proof of Peter Follansbee’s (@peterfollansbee) new book “Joiner’s Work” this morning. It should be available for pre-publication ordering this evening for $49. Pre-orders will get a free pdf of the book at check-out. It’s a big and spectacular work.
- Let Follansbee be Your Guide davidffisherblog.wordpress.com/2019/03/20/let… via @wordpressdotcom 1 hour ago
- How to Sharpen a Curved or Flat Scraper blog.lostartpress.com/2019/03/20/how… https://t.co/iHYNdAC3tZ 3 hours ago
- Timeless Design blog.lostartpress.com/2019/03/19/tim… 1 day ago
Category Archives: Hands Employed Aright
Joshua Klein and Mike Updegraff have just released a podcast that discusses the making of the new book “Hands Employed Aright” and how the life of craftsman Jonathan Fisher has informed and changed their own work. You can check out … Continue reading
I gasped a little bit this evening when I opened the latest issue of Fine Woodworking magazine and saw a full-page review of Joshua Klein’s “Hands Employed Aright.” The review is on page 20 of the February 2019 issue and … Continue reading
This is an excerpt from “Hands Employed Aright: The Furniture Making of Jonathan Fisher (1768-1847)” by Joshua A. Klein. Fisher’s biographers have dealt extensively with his academic interests, especially mathematics and science. The archives at the Fisher House are full of … Continue reading
The Lost Art Press storefront will be open today from 10 a.m. to 5 p.m. And then we’re having a book-release party for “Hands Employed Aright” with the author Joshua Klein – all the way from Maine. The party starts … Continue reading
Editor’s Note: For those of you who have purchased “Hands Employed Aright,” you’ll note that we also used Jessica Roux’s illustration as endsheets. It was more expensive than typical endsheets, but worth it in every way. And now you can … Continue reading
Mark your calendar for Saturday, Sept. 8. Joshua Klein of Mortise & Tenon Magazine is coming all the way from Maine to celebrate the release of his book “Hands Employed Aright.” Josh will be around the shop during our open … Continue reading