What do you think of this clock! Nice isn’t it. Yes and no. Yes that is my house and no I didn’t build it. This is a Shaker clock built by Glen Huey for Popular Woodworking issue number 163, 08/01/2007. As a woodworker, I have a strong aversion to purchasing furniture. When I see a piece of furniture that I like, I say to myself “I can make that and I will be able to justify a new tool”. The piece goes onto my list of things to build which is presently, six months behind! So when recently visiting Chris, I noticed this clock that was still sitting in the office. After some pleading, I was able to take it home.
Now, when sitting in my favorite chair looking at this piece I feel inspired. When I look at pieces I have built, I tend to focus on what went wrong. I say to myself, heck there is that gap that was caused by…or, if I do that next time I won’t make that mistake again…on and on. When I look at this clock I see what is right. I notice different things and think “how did he do that”? I grab that article and find the answer. I am also inspired by the dimensions and can use the width/height ratios or the size of moldings on the waist or hood to help me design a new piece. It is nice to see something in my own house that encourages me to get up out of the chair and as Glen says, build something great!
During the last 12 months I’ve taken on a lot of extra freelance work. The money probably should be going into my children’s college fund, but instead I decided to spend a chunk of it on a traditional beech plow plane from D.L. Barrett & Sons in Barrie, Ontario.
Dan Barrett is a 25-year veteran of the trades and has been teaching woodworking and making handplanes for a long time. His sons, Kyle and Jeremy, are both involved in the business. Kyle has been building planes while Jeremy has been doing some machining.
I first stumbled on this family business while judging the toolmaking contest run by WoodCentral and sponsored by Lee Valley Tools. Kyle, who was 18 at the time, built a Mathieson bridle plow plane to enter in the contest. In my opinion, the plane stole the show.
Not only was it stunning to look at, it worked extraordinarily well. Some tools have a break-in period where the user and the tool circle each other like sharks. The results are inconsistent. The adjustments are difficult. The tool feels out of place in your hands.
Not so with this plane. When I picked it up during the contest, it was like I had owned it my entire life. With two taps of a mallet I set the iron and began making a beautiful groove in a maple board in the Lee Valley boardroom where we were judging the contest.
We awarded the plane first place in the craftsmanship division, but in my comments I declared the plane to be the “first among equals.”
After the contest I was stunned to learn that the maker was just 18 years old. I sent him an e-mail and asked him to make me a bridle plow. I didn’t ask the price because I didn’t really care.
A couple weeks ago the Barrett family dropped the finished plane off at my office while they were on their way down to Florida for a vacation. The plane they delivered – my plane – is somehow even better than the one in the contest.
Here you can see the iron, skate and depth stop of the plow plane.
The plane comes with a full set of eight A2 irons (1/8″ up to 5/8″) and they are gorgeous pieces of work in and of themselves. Perfectly tapered. The faces are all flat.
The plane’s stock is a single hunk of quartersawn beech with an exquisitely shaped tote. The fence is also beech with a piece of boxwood attached via a sliding dovetail. The fence slides on two ebony stems and locks down with the metal bridle. This bridle mechanism is, in my opinion, superior to a screw-arm plow. With screw-arm plows it’s difficult to get the fence parallel to the skate.
This week I finally got an opportunity to sharpen up the irons and start using the plane. And once again, it’s like I’ve owned this tool forever.
I’ll be writing about this plane (and its maker) for the next issue of The Fine Tool Journal, so I don’t want to spoil all the surprises. But if you’re looking for another maker of fine traditional hand planes, I definitely recommend you consider D.L. Barrett & Sons.
— Christopher Schwarz
Here’s a shot of the exquisite bead and astragal on the plane’s fence.
The bridle locks the fence squarely to the ebony stems every time.
Once upon a time, after finishing a nice dinner, a couple bottles of wine, some beer, vodka and gin someone said “John don’t you have a bench to move.” The referenced bench was the 8′ long Nicholson English bench built by Christopher Schwarz and made from Southern Yellow Pine. My shop is in the basement which lies on the other side of a tight turn at the bottom of the steps.
Earlier in the evening I had taken out a tape and measured the space. It seemed to me that there was a “9 foot space” that would allow the 8 foot bench to clear the wall. So we put down our glass, picked up the bench, two in front and two at the other end, and proceeded down the stairs. As we moved closer to the “9 foot space” it got tight, well ok, it got stuck. Being that we all were feeling quite optimistic from the wine, we naturally pushed forward until I heard a noise and Chris say “there goes your wall.” Undeterred we pulled back, shifted the bottom up a bit and pushed again. Yes, another sound and another “there goes your wall.” After another number of minutes and another sound I looked up to see my wife laughing hard and holding the video camera. As the concerned and helpful wife that she is, she saw the train wreck before it happened and decided to film it. I wonder if I should search Youtube….
Anyway, I did get the bench to the basement and decided to rip out the offending wall! There must be a moral to this story but I am not sure what it is. Maybe it is build a bench that can be taken apart?
Last summer we filmed a new DVD on workbenches. When I say “we” I mean Chris Schwarz, Jeff, AJ and Mandy. I helped as I could, moving benches (three benches were used and rotated through), turning on and off lights, chiseling an area of a workbench and whatever else I could do. I also learned what a “Grip” is. You know when watching the credits at the end of a movie you see the term “Grip”. In order to fix a light issue, AJ came up with the idea to hold a blue cloth behind Chris. It worked and I stood there and gripped the cloth.
Making a woodworking DVD is a lot of work. Many different shots were taken to show something from different angles. There was pausing to wait for the passing of a loud truck, voice overs, changes in the sun glare through the windows, reflections from a camera tripod and other issues. The crew did a great job noticing anything that interfered with the shot or the sound. Then there was the heat. We had all the windows shut and turned the A/C off because of noise. When they turned the lights on it felt like putting your hand in front of a roaring fire!
Now that Chris is done, there will be more hours spent watching the video and selecting the best takes to put on the final DVD. All is all it was a lot of fun for me, and Maine in the Summer is hard to beat. And yes, I went to Lie-Nielsen Toolworks and bought some new tools. I bought two chisels, a 1/2 inch and a 3/8 inch for dovetailing. I have been using Marples blue chip chisels which are great but the sides are quite thick and as Chris has written, the wide chisel sides tend to monkey up the area where the bottom of the tail meets the baseline. So, after trying to save money and avoid buying more tools I splurged on two chisels. If you haven’t been to Maine it is a great place to visit and see the Toolworks.
I must admit that I do not like the corbels on Chris’s trestle table. I don’t like the way the ends look rounded. Being a smart guy, I just incorporated the width that the corbel adds to the stretcher to get the total width of my version. My finished stretcher was 7” wide instead of 6” that Chris stated in the plan. That said I was ready to paint the base and put a finish on the top.
Then I got a chance to speak to Chris and proudly told him my artistic change. His response caused a pit in my stomach. He said there was a reason for the 6” width. It was to avoid hitting your shins on the stretcher when you extended your legs or hitting you knees when you pushed your chair in. Gee Whiz! I acted calm and as soon as I hung up the phone I grabbed a chair and shoved myself under the top. I was ok with the shins test but hit my damn knees on the stretcher. Yep I only needed an inch more of clearance.
There is a reason for some things in a plan. I seem to never follow a plan exactly but within a plan there are usually a couple of hidden reasons that may not come clear until a mistake is made. To remedy my situation I cut a slow curve on the base that reduced the width by an inch at the center of the stretcher and curved out to 7” where it met the leg braces. You can see in the picture what it looks like. I put two coats of black paint on the based then two coats of a dark green. I covered the top in Boiled Linseed Oil and wet sanded it with 600 grit sandpaper. I then used six coats of an oil based varnish. Six coats because of the continued difficulty in getting a perfect streak free finish in a top this long. It is still not right but I threw out the old table and the wife and kids returned from vacation. Oh well, it can be put on the “to do when I have spare time” list.
