Basically, Horton has slashed prices so most of its stock of cut nails are $6 a pound, with the exception of the expensive cut headless brads, which are $6 for 1/4 lb. (still a good price).
I’m a tool chest guy. At the end of the day all my tools go back in my chest to protect them and to soothe my head (I am a tidy German). When I’m working with my tools at the bench, I also like to keep them sorted – simply so I can work faster.
And that’s why I bought a Texas Heritage Woodworks Saddlebag and screwed it to the rear of my workbench. (FYI, I buy all my tools and etc. at full retail. I receive no “promotional consideration,” “affiliate monies” or “reach-arounds.”)
Like everything Jason and Sarah make, the quality is top notch. The seams are tidy, sturdy and riveted for strength. The pockets are thoughtfully designed to hold a variety of small woodworking tools.
My Saddlebag is set up to work like a traditional rack on a French workbench – it’s located opposite the face vise and slightly below the bench’s work surface. With the Saddlebag in this spot I can stick my typical small tools there while I work, and I always know where my 6” square and mechanical pencil are. (My ears are simply too big to tuck a pencil there – it would have to be the size of one of those pencils we had in kindergarten.)
The Saddlebag is also ideal for hanging inside a Dutch tool chest (check out this gallery of these chests on the Popular Woodworking blog).
I’m sure this will be on my “Anarchist’s Gift Guide” this holiday, so now you can beat the rush.
The “Sharpen This” stickers have been making the rounds on Instagram – this is my favorite one so far.
My daughter Maddy reports she still has a fair number of this set of stickers left. So if you want a set, here are the details. You can order a set of three from her etsy store here. A set is $6 delivered ($10 for international orders).
Or, for customers in the United States, you can send a $5 bill and a SASE (self-addressed stamped envelope) to by daughter Maddy at:
Stick it to the Man
P.O. Box 3284
Columbus, OH 43210
As always, this is not a money-making venture for me or Lost Art Press. All profits help Maddy through college. (She’s a senior!)
After an astonishing amount of work from people on two continents – not to mention hundreds of thousands of dollars of investment – a surprise showed up at the front door today.
It was a FedEx driver in a big truck. Sign this, he said. And then five boxes were sitting on the front step. Inside were the first copies of the deluxe version of “With All the Precision Possible: Roubo on Furniture.” It’s the biggest (physical and mental) thing we’ve ever published at Lost Art Press. It’s also the most expensive book we’ve ever made (and probably ever will make).
The book is now sitting in front of me, and I’m still a bit bewildered. It’s like our deluxe edition of “Roubo on Marquetry” (now sold out) but more than twice as thick.
I’ll have more to report on the book as we get it into the mail to all the customers who ordered pre-publication copies. And we’ll definitely have copies to show off at the next open day on Saturday, Sept. 9.
P.S. FYI, this book is available for worldwide delivery. Choose “Outside USA” when checking out and we’ll contact you about the actual delivery charges to your address.
Once it arrives, we still have to manufacture a custom shipping box for the book, which should take only a few days, and then start boxing up all the pre-ordered copies. As soon as we have a shipping date, I will announce it here.
I know this has been a long wait for everyone who plunked down the serious wad of cash for the book. We are deeply grateful for your support – your faith in us is what allows us to bring mad projects like this into the world. This press run cost more than our storefront and more than my house.
Personally, I cannot wait to see it. We haven’t released a book in many months. And even though we are all working hard on multiple titles (more on that in a moment), nothing feels like progress more than cracking open a new book.
So what’s in the works right now? Plenty. Here’s a quick list of the books in our immediate orbit (all other titles are still in the hands of the authors so you’ll have to ask them where they are).
“Carving the Acanthus Leaf” by Mary May. The book is edited and designed. We’re just waiting for Mary’s final corrections. This book is not only a spectacular brain dump on carving, it also is enormous.
“Hands Employed Aright” by Joshua Klein. The editing is complete. We are just waiting for Joshua to sign off on our changes so we can begin designing the book.
“Sloyd in Wood” by Jogge Sundqvist. The translation is complete. We are just waiting for Jogge and his editorial assistant to approve it so we can move forward on the design.
“Joiner’s Work” by Peter Follansbee. Megan Fitzpatrick has finished her initial edit of the book and Peter is working on writing captions and tidying things up before we select a designer.
“Trees, Wood & Woodworking” (tentative title) by Richard Jones. This is a book we haven’t had any time to write about. This book is an incredibly detailed look at trees and how their structure affects the furniture maker. It is written by a craftsman for woodworkers. No scientific background required. Kara is getting this book ready for the designer.
“The Difference Makers: The Fourth Generation” by Marc Adams. This is another new book we haven’t discussed. Marc is profiling the 30 or so best craftsmen he’s worked with during the last 25 years. It’s an impressive work. I am editing the book now.
“Roman Workbenches: Expanded Edition” by me. I’m still writing and building. I hope to be done by the end of 2017.
I think that’s a complete list of current projects. Whew.
We’ve just received word from the bindery that the deluxe edition of “